Mel D. Sullivan
Fiction Contributor
Fiction Contributor
Poetry Contributor
Hilda Coleman is an activist, poet, and writer for Thought Catalog & Harness Magazine. When she is not in school, she dives into psychology or philosophy books. She lives on the edge of beauty and in between the chaos of things she writes about being vulnerable as a sign of strength. She believes this is the truth about writers: “we are the brave ones, the ones who take risks in love, and the ones who turn the failed attempts into rich poetry.”
K.B. Carle
1.
My elevator has golden doors, rails covered in red velvet that feel like the hairs of a Rottweiler puppy I beg my father to buy. I am in a room of windows, rising into the clouds. To the darkness of space where my breath takes a form of its own in the etchings of the words I try to say. My elevator’s buttons are gone. I am floating until I’m not, body stolen from the floor to my elevator’s ceiling, waiting for the moment of impact.
2.
My father betrays me from the stands encircled behind a wall made of windows to keep the chlorine and heat from seeping through. I am hoisted over the deep end by a swim instructor who insists today’s the day I tumble from the high dive. She dangles me in mid-air above another woman whose arms extend with promises to catch me. My frustrations of my father waving while I dangle in the air appear in the flailings of my helpless body falling into the open arms that await me. Arms that allow me to experience submersion before welcoming me back to the surface.
3.
I pace within my rising elevator, searching for starlight. For planets I know the names of in English and in Spanish but can’t say which falls closest to the Earth. I’ve never been one for Science. Logic steals from the stories I live in while my father is away and my mother’s body is framed under a single light at the desk someone built in our kitchen. I search for her amongst the stars, waiting by the phone, for a call from a job I don’t understand. But I fall away before I find her, my fingertips grazing the velvet railing a moment too late.
4.
I disappear beneath the water to avoid the horde asking questions easily answered if these girls would only see me. Why do you always wear a swim cap? Because I can’t wash my hair like you do. The warmth of water does not cause the strands of my tight curls to fall limp, instead forming knots wound tight as your grandmothers’ yarn balls in protest. To wash my hair is a process that can take hours, depending how long I stay in the shower. Why can’t you just be like us? Because my skin is the color of an oak tree when cut down and left to fall in the forest.
5.
We are at a standoff. I refuse to approach and my elevator keeps its golden doors shut. For the first time, I am in a room with black floors that play smooth jazz with the shifting of my weight. My elevator’s revenge for my father’s stubbornness imprinted on me. I turn to leave. My elevator’s bell sounds. And we are falling together, my elevator and I, into the depths of a never ending pit to the sounds of what I would later know as Jr. Walker & The All Stars.
6.
I am a body of numbers when my senses start to fail. I am accustomed to the slow burn of chlorine. To the sounds of fathers coaching their daughters from the swimming pool’s edge. They are piranhas on leashes, my father included. All the girls wear swim caps forming rows of yellow, white and black buoys. I ignore the fact I can’t see beyond their caps, their figures outlines of the bodies they once were. A whistle blows. I’ll lose points for my inability to dive. Points I’ll make up for in speed, my body slipping beneath the water’s surface until I am ready to reappear.
7.
I pluck velveteen hairs from my elevator’s railing, waiting for my final descent. My words are stencils forming sentences along the windows that surround me. I know all the planets in English, that the Earth flirts with Venus and Mars. The ascension is taking longer than usual. My thoughts offend my elevator. There is no sound in space. Even when your throat extends to your stomach and your lungs collapse. Even when your screams shatter glass.
8.
I am Jaws, scouring the depths in search for my prey, my sinking pool ring. I rise with my victim in my clenched jaws, begging my father to swim with me. He refuses from his plastic recliner. I clutch my prey and spin. Feel its weight disappear from my grasp and wait for its splash and the ripple that will sway my body. Instead, there is a clatter and the sounds of my father’s feet pounding against tile. Can’t you see me? He asks. From my hiding place underwater I answer, no.
9.
My body is a prisoner surrounded by the glass, climbing above the clouds. To the skies where nothing exists. To space. To darkness. Then, we careen towards the earth together. My elevator and I.
10.
I trade my curls for long strands that form after soaking in chemical baths. I am a being on fire with chemical burns along my scalp seeking sanctuary in the frigid depths I’ve been expelled from.
11.
I go inside my elevator willingly. List the planets in no particular order, pass between my parted lips and encircle me as I rise. The walls of my elevator part and the stars reveal themselves to me. A black hole comes and I accept their invitation to float through in hopes of discovering what lies beyond the gravitational wave.
12.
How does a swimmer survive without water? My boyfriend asks from our sanctuary on the sand. I run his fingers through my damaged hair. He holds me close, whispers swim with me. I tell him I can’t see anymore. He kisses the surface of my eyelids. We jump through waves, form maelstroms made of salt and the incoming tide. I sink beneath the surface with a promise he won’t let go. The ocean is a fog I welcome while strands of my hair dance in obscured light.
Poetry Contributor
Jack M. Freedman is a poet and spoken word artist from Staten Island. NY. Publications featuring his work span North America, Western Europe, and Southeast Asia. His publication history and further information is here.
Creative nonfiction Contributor
Ray Ball, PhD, is a history professor and Pushcart nominee. She is the author of two history books, and her creative work has recently appeared in Coffin Bell, Ellipsis Zine, Moria, and UCity Review. Ray serves as an associate editor of the literary journal Alaska Women Speak. You can find her hiking and running Alaska’s trails, researching in the Spanish and Italian archives, or on Twitter @ProfessorBall.
Kristin Ferragut
Leaves spiral,
fall in three-fourths time,
dive a fast vertical twirl
as though knowing no end point,
float to and fro as in
downstream descent — all reach
the ground. They lie
on top of each other,
huddle against curbs, and
nestle in edging between
mulch and now-rust-colored lawns.
Leaves rest.
Shade in summer sun,
glory of early fall — they’ve
been through a lot.
I wish to take their place,
climb to the top of the most
naked tall tree and lay myself down.
Like on a bed of needles,
the spindly twigs might hold me
for their sheer numbers, and I
could blanket them and their branches
with my 98°. That’s what I have of life —
heat and good intentions.
Poetry Contributor
Zoe Mitchell is a widely-published poet whose work has been featured in a number of magazines including The Rialto, The London Magazine and The Moth. She graduated from the University of Chichester with an MA in Creative Writing and was awarded a Distinction and the Kate Betts Memorial Prize. She is currently studying for a PhD in Creative Writing at the University of Chichester, examining witches in women’s poetry. In 2018, she was joint winner of the Indigo-First Collection Competition and her first collection, Hag, is due to be published with Indigo Dreams Publishing in 2019.
Poetry Contributor