Nightingale & Sparrow

Author: meganrusso

  • Claire Marsden

    Claire Marsden

    Claire Marsden

    Poetry

    Whilst chronic pain & disability are Claire’s daily companions, it is through nature & writing that she finds both the meaning & the means with which to make sense of the world. With articles published on such sites as well, she strives to help others navigate the complex realities of life, both with and without chronic illness. As well as creative non-fiction Claire has had both poetry and flash fiction published.


    Works in Nightingale & Sparrow

    Lesson one

  • door with knocker

    door with knocker

    Tucker Lieberman

    Tucker Lieberman

  • Anannya Uberoi

    Anannya Uberoi

    Anannya Uberoi

    Poetry

    Anannya Uberoi (she/her) is a full-time software engineer and part-time tea connoisseur based in Madrid. She has been previously recognized as the winner of Ayaskala Literary Magazine’s National Poetry Writing Month challenge. Her poems and short stories have appeared in Jaggery, LandLocked, Deep Wild Journal, Tipton Poetry Journal, Lapis Lazuli, and Marías at Sampaguitas. Her writing has also featured on The Delhi Walla and The Dewdrop, among other literary blogs.


    Works in Nightingale & Sparrow

    Lesson Plan

  • Nina Fosati

    Nina Fosati

    Fiction Contributor

    Nina Fosati loves portraiture and historic clothing. Beguiled, she regularly posts her favorites on Twitter @NinaFosati. Recent work has or will soon appear in JMWW Journal, Oye Drum Magazine, Ellipsis Zine, and Disabled Voices Anthology.

    Her website is www.NinaFosati.com


    Works in Nightingale & Sparrow

    Mary, Mary, Quite Contrary

     

  • The Strength of Women

    The Strength of Women

    Hannah Napier Rosenberg

    We need not look to the history books
    to measure the strength of women.
    That, we can find in our family tree.

    Martha did accounting, ran the numbers for the family business until she died.
    Sarah scrubbed church floors to make ends meet after her husband

    lay down one day and never got up.
    Vicenza took a boat to America with children in tow,
    learned English and ran an inn for miners.
    Pauline sold goods door to door when her husband

    lost his arm in the steel mills,

    making more money for the family than they had ever had before.
    Other Pauline began college when she had five kids and didn’t finish

    until she was a psychoanalyst.
    We cling to their unwritten stories with tight fists,
    promising them we won’t forget,
    listen as their legacy cries quietly out to us:
    women are made to carry, they are made to bear,

    they are built to be strong.

    Hannah Napier Rosenberg

  • Hannah Napier Rosenberg

    Hannah Napier Rosenberg

    Hannah Napier Rosenberg

    Poetry

    Hannah Napier Rosenberg resides in Boston, Massachusetts. She loves writing about magic in the ordinary and is wildly interested in seemingly mundane details of daily life. Her poetry has been published in Vita Brevis and Uppagus and is forthcoming in Minor Clash. You can check out some of her other writing online at hannahrowrites.com, find her on Instagram @hannahrowrites, and get in touch via email at hannahrowrites@gmail.com.


    Works in Nightingale & Sparrow

    The Strength of Women

  • A Song for Ho(me)

    A Song for Ho(me)

    Adritanaya Tiwari

    I think home changes with years, and every home has its own melody.

    At one, home was probably my mother’s voice, a soothing symphony, lulling me into a sound dreamless sleep.

    At seven, home was the “Tring!!” of the school bell at 2 pm everyday, an annoying sound with a happy rhythm, when school was over.

    At ten, home was the sound of my friends, laughing and giggling, a vibrant harmony, all because someone made a fart sound.

    At fourteen, home was my own voice in music class, a humble prayer, worshipping music like I was brought up to, eyes closed, heart up in heaven.

    At eighteen, home was the little sounds from flipping pages as I studied, a Linkin Park song, just waiting for the month to pass me by, and fast, in the end.

    At twenty, home was the faint tune of that song my father played every morning, a devotional song, which I could hear at 6:27 am, in the east corner of the hostel roof.

    I am twenty three now, and home sounds like familiarity and nostalgia, a soft ballad – still in the works, with memories for lyrics, much like me.

    At twenty three I believe – I know – that I change with years, but now I think my home doesn’t; maybe a few little tweaks here and there, a change in pace, a shift in scale, maybe it’s a few octaves higher than before, maybe it’s more mellow now, maybe it’s got more depth, maybe it has less noise, maybe it’s a combination of melodies and not a repetition of just one, maybe it’s not a melody anymore, maybe it’s a song, my song.

    Every home has its own melody, adding up over the years, turning into a song, maybe I am my own.

    Adritanaya Tiwari

  • Learning to Play

    Learning to Play

    Brad Shurmantine

    “Everyone has heard the story which has gone the rounds of New England, of a strong and beautiful bug which came out of the dry leaf of an old table of apple-tree wood, which had stood in a farmer’s kitchen for sixty years…which was heard gnawing out for several weeks, hatched perchance by the heat of an urn…Who knows what beautiful and winged life…may unexpectedly come forth from amidst society’s most trivial and handselled furniture, to enjoy its perfect summer life at last!” —Henry David Thoreau

    When I was a kid my mother had me take piano lessons. We had a player piano in our basement. It was the most remarkable thing we owned but we kept it in the basement, a huge, unfinished space with concrete walls and no ceiling, just floor joists and pipes and spiders. My mother probably thought the piano would lure us down there, along with all the neighborhood kids, and our basement would be filled with music and dancing and become the social epicenter of the neighborhood. We had boxes of music rolls and we’d plug in one and the keys would bounce up and down as a ghost played, “Bicycle Built For Two.”

    But the lessons didn’t take. The teacher was a kind lady but she had a messy house. The stickers she awarded me for completing a lesson couldn’t overcome the dread I felt going downstairs to our cobwebby basement and sitting all alone in the gloom, plucking at those keys. Plus, baseball. Then one night my cousins came over and we were all downstairs raising hell and in some horrible act of mindless vandalism we unspooled all the music, all over the floor, and destroyed most of the music rolls. And then the player piano mechanism stopped working, and the piano just sat untouched in a corner of our basement for the next forty years.

    When we had children, we bought a piano from our next door neighbor and carefully selected a good teacher, who had a clean, elegant home. Kara stuck with it and played beautifully. Then she stopped one day, just dug her heels in, a month before her final recital. No more. She would not sit at that piano.

    Did we do something wrong? Did she just snap under the pressure of our huge parental expectations? I didn’t want her to quit; you don’t quit. Finish the month out, give the final recital, finish things. But we never badgered her about playing. We loved hearing her play, but we thought our joy tiny compared to the vast pleasure and satisfaction we thought she must be feeling. Then she stopped.

    One of the sorry mysteries of my life. It made me sad to walk past that piano for the next ten years and hear its silence. We kept it dusted and polished, our best piece of furniture.

    As retirement approached, one day it struck me: I could learn to play it. Why not? I’d have plenty of time on my hands. Why not? After sixty years, I resumed my lessons.

    Now I sit at my piano most every day and try to learn something. My teacher is a phenomenally talented young man who looks at sheet music and hears it; he can play a piece fairly well on sight. But after two years of lessons I still need Every Good Boy Does Fine and Good Burritos Don’t Fall Apart to identify a note; it’s all hieroglyphs to me. And the torturous way I figure out a song, which finger hits which key, I can’t practice comfortably when anyone’s around. I feel so sorry for them.

    Still, I have fun staving off senility, breeding lilacs out of the dead land. My body is still limber and compact and healthy. I go to the gym most days, and stretch and power-walk on the treadmill for 45 minutes while reading a novel on my iPad, then soak in the hot tub. Sitting there, I often think of Pat, one of the excellent assistant principals I once worked with, who grew huge and unhealthy as she aged and died just a couple months after she retired. Unfair. That’s not going to happen to me. Growing huge. I may suddenly die, of course. Those things happen.

    But until it does, I have time. Time to plunk away at those keys. Time for an afternoon nap every single day. Time to lie on the couch and wake and stare at the ceiling and hear the house creak, hear new things wiggle out of the woodwork, being born, taking my place.

    Brad Shurmantine

  • Pillars of Creation

    Pillars of Creation

    Sam Jowett

    Beat

    Vast

    Exhale

    By:

    Aptolemais – God of Order

    Tapestte – Goddess of Relativity

    Aromora – Godexx of Supersymmetry

    Sam Jowett