Nightingale & Sparrow

Author: meganrusso

  • little girl we lost two days old

    little girl we lost two days old

    Britton Minor

    Responding to the poem “Annabel Lee” in ninth grade felt urgent, even though I struggled at first to understand its meaning, and had been hesitant to call attention to myself by asking my teacher, “What does sepulchre mean?”

    Familiar. Like a scent on the wind, or a face you can’t forget. 

    “Sepulchre” felt visceral and would eventually stick to my consciousness like a piece of chewed gum smushed against the underbelly of a table. I recognized this word, I just didn’t know why. 

    Tall for my age; tall enough to see inside the casket.

    Inside the funeral home, eight-year-old me is on tip-toe. An alternative memory has me waltzing my bravado right past the white Jesus on the wall and peering inside the raised rectangular box, reacting just as indifferently toward my grandfather’s dead body as I had to his live one. 

    Another recollection (the kind people have when they know themselves pretty well and have done some therapy) reveals a clenched heart and stinging tears pinched back. 

    Puffed, buttoned, cream-colored satin lined the dark wood casket and inside lay a man I only remembered as a quiet, chair-sitting person who always had a whole coconut sitting next to him. He ate his peas with a knife and opened letters vertically. But these are pieces of knowledge, not actual memories. 

    I was young and he was old—he was eighty-two when I was born, and ninety when he died. Too young to know their history, my mother’s and his. I was also too young to know that my sweet, skinny, donut-making grandmother had endured more than her share of an angry man. Forty years of sobriety had not erased the hell my grandfather had put his family through, but neither had it erased, one can only assume, the memories of little girl we lost two days old

    This is where my sympathy lies—in a great stone sepulchre of generational history, memories and feelings—of sadness and forgiveness and love.

     

     nevermore: adverb. At no future time; never again.

    “I order you gone, nevermore to return.”

     

    Pain never works so well—it’s not possible to send it off. Yet Poe’s dark love, the way he painted his feelings onto the page so vividly, allowed me to place my own history of loss into Annabel’s tomb, to feel less alone in a world that had already pulled me close to far too many caskets.

     

    sepulchre: noun. A place of burial, tomb.

    “To lay or bury in or as if in a sepulchre.”

     

    Over a hundred years ago, after the Influenza Epidemic of 1918, my grandmother placed a thin locket of blonde hair, labeled and tied with string, into a small, pink cardboard pill box—a tiny sepulchre, her baby’s memories floating on the sea of her ever-aching heart.

    Britton Minor

  • The Post

    The Post

    Dorian J. Sinnott

    I’ll never forget that post at the far end of the field. It was old and rotted, wood splintered from years of weathering. Father said they used to tie horses to it after the plows returned at dusk. But we never saw any plows, nor any horses. All we saw was the post, and the circle of dirt around it where no grass ever grew.

     

    I was only seven when the Fitch family agreed to take us in. I’ll admit, I was terrified at first. The gray, dreary orphanage had become so homey over the years, and looking back, it was all I had come to know. But for you, I know it was different. You were nearly twice my age, and memories of a world outside the walls were still fresh. You longed for freedom. All of us did. But there was something about the farms and fields that brought fear to my young heart. There were no streetlights around, no cars, no people. It was nothing like our temporary home in the city. On the farms, there was nothing but darkness. Silence.

    On our first night at the Fitch home, I remember that silence. The stillness. There was no laughter from other children, no sirens in the distance. And there was no you. For the last three years, after the caregivers had turned us in for the night, you’d always let me sneak into your bed. But now, for the first time, I was alone.

    Your bedroom was on the opposite end of the farm house, and the lack of light kept me from venturing the halls. The shadows were far thicker than in the city, heavy and foul. Endless. For the first few months, you’d tell me they weren’t anything to be afraid of; that shadows thrived out in the country, no different than flickering office lights in the city. But I was convinced otherwise.

                    There are shadows in the halls, I’d tell you. Ghosts in the walls.

                    Yet the only time you believed me was when I told you, there’s a monster in Father’s heart.

     

    Before we came along, Fitch lived alone. He was a widower, his wife and young son passing from what he claimed was illness years before. He was always so quiet. Sullen. You told me it was grief; that having children in the house again most likely reminded him of his life before, perhaps even of his own son.

    I know you tried. You tried with every bit of your might to comfort him, to please him. But the kindness was never returned.

      Fitch made it clear to us that we were merely coming to live on his farm as extra hands—workers. He said the crops were full in the summer, and by winter, we’d be strong enough to do chores and manual labor. Me, on the other hand, he had time to wait on. And so, for that first summer, from sunrise to sunset, you’d be in the fields. Watching. Learning.

    At first, you didn’t mind the chores. But as soon as autumn began to rear its head on the crest of dying summer, so too did the beast. Fitch’s stone-like exterior grew darker. More gruff. And that’s when the shadows fell heavier on the house than before.

      I noticed only a few bruises at first, hidden under the sleeves of your flannel shirt. But as the weeks went on, they became darker. Deeper. Soon it was more than just on your arms. I spotted them on your back when you undressed in the late evening. And on your cheek. You’d always been the stronger of us—after all, you were the big brother. But I remember the tears. You tried so hard to hide them behind your puffy and irritated eyes. Pain poured out when it couldn’t withstand any longer. And so did heartbreak.

    Even when there were no more crops to tend to as autumn began to fade into dreary winter, Father would have you in the fields. Learning. I’d watch from the frost covered windows. He’d stand over you, barking orders, having you dig. The frozen earth wouldn’t budge as easy as it had in the summer, and your cracked and blistered hands trembled with every attempt you made. 

    You had no coat; only your thinly worn out flannel shirt was left to cover you as you drove the shovel harder to the ground. I could see the tears pricking at your eyes again, even from behind the glass. With every failed attempt, Father only got more impatient. Angrier. I shielded my eyes when his demands became louder, and he grabbed your shoulders.

     

    One night I managed the courage to slip into your room. Through the shadows and past the door to Father’s room. We knew he was usually fast asleep once the last light of day had vanished. A bottle of gin usually helped with that. I remember sitting at the foot of your bed that night, watching you with weary eyes. I wanted nothing more than to be away from the farm. To be back in the bleak orphanage.

    “It’s not Father’s fault, Freddie.” Your words were soft. “I know he’s sad. He drinks. It’s not his fault. I… I just need to work harder.”

    “But there are shadows,” I’d say again. “Shadows in the halls. Ghosts in the walls… And there’s a monster—”

                    “I know,” you’d say. “A monster in Father’s heart.”

                    You shifted under the covers, wincing from the marks left behind by your lessons. With a sigh, you glanced back at me before ushering me to my room.

    “It’s called grief. That monster. He misses his wife. His son…”

                 I stopped in the doorway. “Bill… is he ever going to actually adopt us?”

    “Next summer, maybe. If we work hard.”

     

    Every day as autumn faded, you were back outside digging. I’d grown tired of watching from the window. I knew the routine well. It was always the same: you’d struggle with the shovel, barely breaking the frozen dirt beneath you. Then the words would begin, and the shouting, and the lashing. 

    It took until the first week of December for you to dig the hole as wide and deep as Father wanted it.

    For a few days after that, the chores stopped. Father retired to his room and only made himself known for dinner. We spent the days together like we used to, playing board games and laughing over old memories. That was the first I’d seen you smile in months.

    But your smile vanished just as quickly as it returned. You came to my room one afternoon, pale, with a look of dread on your face. I remember asking what was wrong. Are you sick? You told me we needed to leave. Back to the orphanage—anywhere.

    I didn’t ask why. I didn’t get a chance to. You tossed a box of photos on my bed, silent. When I asked where you found them, all you could muster was, “wall”. 

    Ghosts

    I fingered through the photos, carefully taking note of their contents. Children. So many children. About your age. All the photos weren’t on the farm, however. They were photos taken at various orphanages and children’s homes. All children taken in for “work”. But what caught my attention was the fact that they all had been crossed out. Thick, black marker struck across their faces. As if they were unworthy, and must be forgotten.

    “W-where are…?”

    I didn’t know how to finish my sentence. Even at a young age, I knew very well what was going on. It was then my fingers stopped on the final photograph. The photo of Fitch’s wife and young son. The marks were old, but the ink was still dark and thick across their faces. Thicker than any of the others.

    You wasted no time in gathering a few items in a knapsack, then waiting for dusk. At first, you told me to stay and wait, that you’d be back with help. But I begged to go with you. I pleaded. When you finally gave in and agreed to let me come along, your plans were foiled.

    Father stood in the doorway, having overheard everything you proposed. His eyes were red and irritated, most likely from drinking, and his tone was deep. He called you an ingrate for wanting to run away, after all he had done for you. For us. How we were never going to be worthy of being his children. How no one had ever been worthy of being his children.

    He dragged you outside through the cold night air. He shoved you to the ground before the hole you dug and threw the shovel beside you.

    “Dig.” Was all he said. “You keep digging until I say you can stop.”

    And so you did. You dug harder and deeper than ever before. Your calloused hands split open, staining the shovel in a sticky red. But you never stopped. Not until Father watched the sun rise over the fields. And then, he stepped in and yanked the shovel away. I couldn’t hear what he said through the tightly shut windows, but he stared at you—so closely—and I saw you flinch.

    Once again, I watched as he dragged you, further into the fields. To the post.

    Father always told us to never play near the post. He said it wasn’t safe, that the ground there was weak and we might fall through. He said, that’s why the grass never grew around it. Weak spots.

    There were tears rolling down your cheeks as you begged him to forgive you. Yet, Father didn’t listen. Using the thick leather reins from a horse the farm no longer had, he bound your hands to the post. You squirmed and pleaded, wrists burning as the tight binds dug deeper into your skin with each movement you made. Your blood smeared against the wood—and for the first time, you noticed that yours wasn’t the only one. The post was more than just withered and splinted. It was stained in blood. Through the cracks, old and soiled.

    After Father took you to the post, I never saw you again.

    He told me that you were to stay out there all day, all night, as punishment. That this was the only way you’d learn your lesson. That you’d be strong. Strong for next summer. He told me you would be untied when morning came, and so I waited. I watched out my bedroom window, until the darkness flooded the fields, and there was nothing but blackness to stare back at me.

    At dawn, you were gone. The leather reins had been removed, and you were nowhere to be found. Father was up early, making coffee, mixing it with his gin. He didn’t speak a word to me, and his expression was stoic. I went into the fields that morning, hoping that you had escaped in the night; that you had cut the reins free and gone to get help like you promised. But in the chill of the winter air, I felt the sting of solitude. I knew you weren’t coming back.

    Father joined me outside not too long after that, with a wooden post in hand. He carried it over to where you dug the hole the night before—only now, it was filled back in. He secured the post into the dirt, and then hammered it down, deep, with the shovel. When he finished, he wiped his brow, and looked at me for only a moment.

    “Don’t play near the post, my boy,” he said. “The ground’s weak. You might fall through. Couple years’ time, I bet the grass won’t be growing.”

    At nightfall, I waited for Father to fall asleep before taking my knapsack and leaving the house. The shadows and darkness were thick as I crossed the field, careful not to tread near the posts, in case the soil dragged me under. I must have been silent, or Father under a heavy gin-induced sleep. He never woke, and he never looked for me.

    I traveled as far as I could before I was picked up by an older couple. They told me I looked as though I’d seen the devil. At this point, I’m not sure I hadn’t. 

    It’s been almost twenty years, and I’ve moved back to the city now. I’ve always felt comfort in those lights and sounds. The shadows are few and far between. 

    I’d read in the papers some time back that children had gone missing near an old farm. Something about them being found buried in mass graves. I tried not to think of it. But still, sometimes I stay up late thinking about you. About the cold air that night. About the shadows, the ghosts, and the monster. And I still think about the farm. Graves. About Fitch. But, more than anything, about that post. The one at the far end of the field, old and splintered. The one where the grass around it never grew.

    Dorian J. Sinnott

  • Danse Macabre

    Danse Macabre

    Stephen Jackson

    The ticking of the clock—
    death’s own little music box,

    pointed, black-cloaked hands
    inviting you to dance a waltz

    with faith,
    with hope,
    with chance—

    while, in the garden bloom
    flowers of such bright youth.

    Stephen Jackson

  • Windows of Stone

    Windows of Stone

    Birdy Odell

    We visited the old stone house on a sunny day at the end of autumn.  The weeds had grown long in what was left of the yard and my skirt swished through the stalks catching now and then on burrs and thistles.  I was wearing an authentic skirt from 1905, fitting for the film we were about to shoot.  

    My daughter was about 14 months old.  We were there to re-enact the story of the house.

    From the highway, the house had looked beautiful and solid in the morning light but as we got closer it was apparent that all that was left was a shell.  The door frames were rotted and peeling, the wooden floors thick with dirt and remnants of cobwebs hung from the rafters like lace. All of the windows were broken or missing.   All except the windows on the south side. Those had all been filled in with stone, for good reason.  

    The story went that the house was once owned by a young family.  They were new to the area and excited to put down roots. The kitchen window looked out over the train tracks.  The woman liked to look at the train rushing by. Perhaps she dreamed of climbing aboard and going on an adventure.  Her husband was only too happy to oblige her. They had a young daughter just over a year and a half old and life was good.  

    One day the young mother was rinsing linens in a washbasin just outside the back door.  Her little daughter was contentedly trying to ‘help’ by shelling peas. A difficult task for tiny fingers.  But she was determined. “I’ll be right back,” said the woman, and she went inside to leave the basket on the counter.  She’d hang the linens to dry on the clothes horse when the little girl went down for her nap.

    The woman felt the rumble of the train in the floorboards beneath her feet.  She’d pick up the baby and go to wave at the engineer. Or if it was a passenger train, to all of the travellers on their way to the city.  She was about to step back outside when something caught her eye. A flash of white. Likely a bird but she glanced out the window to be sure, hoping it wasn’t a deer or some other poor creature caught on the train tracks.

    What she saw was a horror she would never forget.  A jagged scream tore itself from her throat. The baby was on the tracks toddling in front of the rushing locomotive, her white dress standing out in the sun. She was smiling, unaware of the beast huffing behind her, bellowing steam and about to devour her whole. That was the last time the young mother saw her baby girl alive.   

    She couldn’t bear to look out the windows after that.  ‘Never again,’ she told her husband. He covered the windows on that side of the house one stone at a time.   

    We were there to re-live those moments.  The tracks were no longer in use. But as I stood in the derelict house in my antique skirt, pretending to hold a basket of linen and watched my baby girl totter down the tracks,  I felt sick to my stomach. She was never in danger. Her father was right beside her, just outside camera range, but the story had become all too real. As soon as they had the shot I snatched my baby up and clung to her.  Two mothers, two daughters, separated by time with only the love for our babies in common. 

    We went to a cemetery afterward to film the scene of the mother at her daughter’s grave.  I wandered through the rows until I found a child’s headstone. I knelt in front of it and the tears flowed easily.  I wondered if time had played one of her cruel tricks and if the tears I was crying were even my own or that of a young mother who never recovered.   

    I never saw the film.  A copy was promised to me but never appeared.  It’s just as well. 

    The house still stands, and where the light shone through, there is nothing but stones.

    Birdy Odell

  • Silhouette

    Silhouette

    Larissa Reid

    It had been years since she’d been in the woods in midwinter. She arrived late one afternoon, long after any walkers had gone home. She moved as quietly as she could over the ground, placing her feet carefully so as not to disturb the stillness with the snap of twigs. Her toes were cold, close to numb. Her cropped dark hair melted into the shadows in between the trees, leaving her pale face stark against the backdrop.

    The trees were short and not too tightly packed together. Their growth had been manipulated over centuries by the prevailing winds along the coast. Their limbs brushed against her as she diverted from the main path, moving deliberately through the oakwood.  

    At the burn, she stopped. The sound of the water was muffled, enclosed beneath a thin coating of ice. Bubbled air-locks created patterns across the frozen surface. A flicker at the corner of her eye made her turn her head, and she watched as a black and white wagtail hopped across the stones a few yards upstream. 

    Concentrate, she told herself firmly, picking a route across the water. She placed one foot onto the first stepping stone, which was covered in jagged pins of ice. Something glittered just out of reach, caught underneath in the middle of the burn. She hesitated on the edge of the bank for a moment, her fingers involuntarily moving, itching to pick at the ice and release its treasure. But this was a moment’s weakness, and it vanished as quickly as it came. She moved on, stepping lightly on the stones to cross the stream.    

    She rubbed her hand across her mouth, removing the last traces of red from her lips. Now that her hands were cold, she suddenly found herself missing the feel of another’s in her own. This was not the first time she’d admitted to feeling a little more for him than she first expected.

    She thought she planned it all perfectly. It was never meant to be anything more than a trap, the perfect seduction. 

    A pink dusk was falling as she climbed upstream towards the old mining path. Here, the ground was well-trodden – folk must have passed by here only recently, she thought, as she placed her own feet into far larger boot prints. It was strangely satisfying to destroy the perfect imprints of boot soles with her own feet, pressing down the regular battlements of mud with each step. She slowed her pace as she rounded the next bend, holding her breath. Familiar though it all was, she wasn’t quite sure what she might find ahead of her after so many years of neglect. 

    When she first came here it was the height of summer. A thick, hazy afternoon, buzzing with insects and full of bird chatter and the rustle of small creatures. She remembered the feel of warm, soft grass between her toes as he urged her off the path, ducking under branches and pressing through the patches of ferns that had sprouted up in the forest clearings. 

    He seemed reluctant in his task, nudging her gently onward rather than pushing. She could turn on the charm, of course, she knew that. But it seemed pointless – it wasn’t like he could do her any real harm, not here. 

    The vibrant green of the forest was all-consuming; every shade, every shadow took on a deep green tinge, shimmering in a heat haze as though they were underwater. Sunlight broke through in places. She had hoped to stumble across a sunbathing adder – she knew he had a fear of snakes and it might have given her a chance to vanish into the woods she knew would protect her. 

    Instead, she turned to him and smiled. 

    Her attempt to disarm him failed, she saw that in an instant. There was simply no need to try and change his mind – he’d done that himself already. As he gazed at her with soft, pathetic eyes, a ripple of pleasure shot through her. The sheer satisfaction of being able to manipulate at will, the simple delight of seeing someone – male or female – reduced to putty in her hands. It gave her a thrill like no other.

    She thought for a moment that she might offer herself to him – not in gratitude, of course, but rather to ensure he would never tell the truth when he returned. But something about his thick, hairy upper lip made her squeamish, and sweet though he was, she figured she’d caught enough of him in the net already – no need to subject herself to something unpleasant if there was no need. 

    In hindsight, she thought she played the innocent schoolgirl rather well. She handed him the wild rose she’d been twisting round her fingers as they walked, and placed a firm but sweet kiss on his neck. Then she turned and ran, a flash of yellow skirts disappearing into green, black hair melding with the shadows. 

    That was before. Before everything changed, and summer sunlight faded into memory. Now she wasn’t a day older, but she considered herself at least a little wiser.

    Looking up, she stopped. The corner of the cottage had come into sight, nestled in the curve of the path. It was utterly derelict, chimney stacks pulled down to rubble under the weight of tangled ivy. The weak evening light played tricks on her, reducing what she could see to two-dimensions, a series of flat outlined images on paper. The trees, in silhouette, appeared cut from black card and stuck down on the surface of the sky, the house taken from the pages of an old book. 

    She stood, ever alert. Nothing moved.  

    Her toes ached with the cold. She replayed the events of the afternoon once more in her mind, fire and flame warming her, his skin against hers. As she walked up to the cottage doorway all their voices floated in on her memory, each one easily distinguished without her needing to see their faces. Dead for many years, yet still clinging to her return. They knew she was here. The broken slats on the front door were splintering in the elements. Her hand reached out, careful to push without hurting herself. 

    Among the fallen leaves, evergreen ivy, and wrought-iron bed frames, she found what she was looking for. Lifting it she was once again surprised at its weight. The glass was hazy, its frame pitted with rust marks, and a large diagonal crack ran across it from top to bottom. It didn’t matter—she couldn’t see herself in it, anyway. She carried it carefully across the room, stepping over gaps in the rotting floorboards to set it gently on its hook on the wall where it belonged. 

    Before she spoke, she took the lipstick from her cloak pocket and reapplied it. She fished out her comb and tugged it through her hair, smoothing out the curls that were stubbornly returning in the cold air. 

    He told her what she wanted to hear. Satisfied, she blew him a kiss before heading back out into the dark, revelling in the latest pleasure he had given her. Ready to begin again.

    Larissa Reid

  • Dangers of the Trade

    Dangers of the Trade

    Mitchell G. Roshannon

    For many years now I have made my living creating joy from thin air, at a carousel. Giggling children grin at their mothers while traveling in circles on horseback. This may be the only time any of them set foot on a stirrup or saddle. 

    I have often wondered if there is something horrifically magical about all carousels, or if it is only this one. It’s an old carousel, horses carved in the 19th century entombed inside a protective building with a long sloping ceiling. Supportive bars push upwards towards a spade-like decorative hanger that encompasses the contrived internal structure. It’s much like standing underneath a spider. 

    During its day, the carousel was much to behold. “The last beating heart of an era,” it was called, beautiful and awe-inspiring with brass furnishings that sparkled in the sunlight, bright colors spun pleasantly. When the sunset and the brightly colored bulbs were all extinguished for the night, the darkness of the carousel allowed a different view. The horses’ eyes followed me and their mouths seemed to scream in pain, the reigns pulled too tightly. The carvings seemed almost sinister. That scene followed me to my dreams. 

    I dreamt of watching the carousel from across a covered bridge. The carousel was ablaze, spinning, and the screeching whinnies of hooved creatures echoed, the silhouettes licked by oranges, yellows, and blues. Some of them itched slightly and changed in position as if they were trying to escape. But they were still wood, their hooves still nailed to the floor for children’s pleasure. Children could be heard giggling, dreaded giggling at the pain of other living things for their own amusement. 

    The dark side of joy, I thought to myself. I meant to say out loud but in this world, my lips wouldn’t move, they were forced silent. I was meant to watch, not participate. The horses quickly turned to ash and a heart murmured, stuttered, and stopped. 

    I awoke. Drenched in sweat, I checked my surroundings and listened closely for whinnying. I heard nothing but the normal ticking of the clock on the wall of my small loft, placed near my bed to lull me to sleep. I remained up, drinking tea and listening to the Victrola until dawn. 

    “Just comes with the trade,” I said to the rising sun. I continued onto another day at the grandest of rides, the carousel.

    Mitchell G. Roshannon

  • Walls by the sea

    Walls by the sea

    Martina Rimbaldo

    Martina Rimbaldo