Time Keeps Going
Roselle Farr
Poetry Contributor
Indira (she/they) is a proud queer, immigrant, woman of colour who enjoys writing, reading and taking on more work than they can handle. She writes poetry to help process and document moments of growth, pain, joy and confusion, and occasionally they show it to people.
ISSN 2642-0104 (print)
ISSN 2641-7693 (online)
Founding Editor, Juliette Sebock
The Particular Tilt of the Earth (at this time of year) Margaret King
to grow roots in coffee dirt Madalena Daleziou
Redwood, horizontal Tony Press
Putting in the Garden Jody Burke-Kaiser
Balloon Strings Rebecca Harmon
Tending the Garden Sonia Beauchamp
Fiction
Tigers and Old Furniture Vinayak Singh
437 Wilson Street (A Brick Story) Zach Murphy
Creative Nonfiction
Grounding Lin Lentine
Visual Art
Creekside Impressions Kevin Browne
Marsh life in Spring Kevin Browne
In the leadup to growth, we shared a series of micropoems across social media:
Poetry Contributor
Tony Press tries to pay attention. Sometimes he does. His story collection, Crossing the Lines, was published by Big Table. He claims 2 Pushcart nominations, 12 years in a single high school classroom, and 25 criminal trials. The San Francisco Bay appears daily, outside his window.
Photography / Visual Art Contributor
Roselle Farr is a UK based photographer, who has previously had photographs published in Nightingale & Sparrow – Growth issue, FERAL – Art issue, and Acropolis Journal – Moon issue. Her love for art and being creative started from a young age and was inspired by her mum. She enjoys capturing the world and sharing it on her Instagram page @rosellemarie_photos
Time Keeps Going
Dream Big (cover)
Below The Water Line (cover)
Below The Water Line 2
Dream
Encounter
Jelly Fish
Life’s Obstacles
Pushing Through
Tony Press
Where does the fallen tree go,
and why? Is it driven away,
branded like Hester?
Perhaps it takes 80 to Tahoe
then angles north
to reside
beside
its sister,
Fallen Leaf Lake.
And when the tree is fallin’, fallin’,
do we keep callin’, callin’ it back again,
or do the echoes of the Beatles
sadden us this time –
the jolting news
of John Lennon
shot and killed –
which I learned
as I sat alone
watching a dumb football game
my kids already asleep
Forty years ago.
Fallen trees.
Felled giants.
Faded love.
Where do they go?
Into our hearts.
If we let them.
Vinayak Singh
It was too hot to sleep in there. The fan ticked along lightly, barely giving any relief to the poor souls beneath it. The air hung still and stiff, wringing out sweat from even the most lightly dressed. Light shone through the cracks in the curtains, with the passing trucks and cars painting feverish vistas on the walls.
Still, his cousins snored away, sweaty foreheads and all. He tossed and turned to no avail, and sat up in dejection: he wasn’t going to sleep that night. Caring not for the heavy sleepers, he bumped and felt his way out of the room and up the old stairs to the roof. The old, rusty excuse of a door creaked along as the latch was pulled, and opened to the starless expanse of night. As he settled against the railing, he thought of where he was, and where he used to be.
He had been born a couple blocks over from where he now sat, in a snug little hospital where his grandmother was a nurse. His mother had wanted the birth to take place in her hometown, as had all his cousins’.
He could see himself running around as a child of eight, away on vacation at Grandma’s house, getting into spats one moment and making up the next. The courtyard bustling with the laughs and cries of children with nothing on their minds. It lay quiet now, with none of the colourful toys that scattered its granite floor before.
He looked on to the property gate, and the plastic chairs stacked up nearby. It was only so many years ago that he had to climb up those chairs to even peek over the great gate. It now lay a full foot beneath his eyeline.
The storeroom came into view. Hushed warnings of a hungry tiger inside, who devoured all who dared to enter. He remembered building up the courage to venture inside for years, and when he finally did, the disappointment could scarcely have been greater. It turned out to be a dingy little place to put old worn-out clothes and broken-down sewing machines in. All a ploy to keep him and his nosy cousins from hurting themselves falling over old furniture.
His thoughts then took him to the shady plot nearby, whose old brick walls hid from them the occupants and their lives. For years it was shrouded in mystery, home only to dangerous monkeys and scary things of the night: it now revealed itself as a simple family’s ancestral land fighting against being incorporated.
Everything that was huge before now seemed so small, and everything mysterious now mundane. The naivety of boyhood had given way to the realisms of adult life, and it seemed to him as if all magic were lost. The house seemed smaller but emptier, a void that could not be filled by people or things. Even in its emptiness did it manage to rub shoulders with him, reminding him of what was. Reminding him of his grandparents, they who had been old his entire life, now seeming older each year. Wrapping themselves up tighter with each passing winter, their ailments more pronounced.
He sat alone. Only he was a stranger on the roof then, of an unfamiliar house, in an unknown town.
Poetry Contributor
Sonia Beauchamp (she/her) is a healing artist on the North Shore of Oahu. Her poetry examines multiracial, feminist, queer identity. Read her recent work in Typehouse, Literary Mama, Wrongdoing Magazine, and pioneertown. Find out more at www.soniakb.com.