Nightingale & Sparrow

Author: Melissa Ramos

  • Katelyn Darrow

    Katelyn Darrow

    Poetry Contributor

    Katelyn Darrow is a multimedia journalist currently residing in Los Angeles, CA.


    Works in Nightingale & Sparrow

    Green Shoes

     

  • Jasmine Arch

    Jasmine Arch

    Poetry Contributor

    Poet, writer, and narrator Jasmine Arch lives in a rural little corner of Belgium with four dogs, two elderly horses, and a husband who knows better than to distract her when she’s writing. Her love of the written word is rivalled only by aforementioned husband, though coffee, shoes, and fine mead come fairly close. Her work has appeared in Illumen, Quatrain Fish, and Nightingale & Sparrow’s nevermore micropoem series.


    Works in Nightingale & Sparrow

    Geeky and the Beast

     

  • Driving at Night

    Driving at Night

    Samantha Godwin

    The spreading tide of asphalt

    awash in the flow of darkness

    and pelican flashes of headlights

    dipping across the surface.

    It is so light and so dark you don’t know where you are.

    You are the world’s bookmark,

    slipped between pages

    but separate from the words.

    You could easily slip out,

    out from the road and the dark woods

    and the stuttering eyes of passing cars.

    You lift your hands from the wheel,

    the seat of their control.

    The truth is that there is no control.

    You can close your eyes and suck your teeth

    and still hurtle down the interstate.

    You can keep a steady grip and feel your blood

    thrum to the rhythm of rubber and road

    and still crash.

    God lays out the Ley lines.

    We merely start the car.

    Samantha Godwin

  • Last Nightmare

    Last Nightmare

    Alannah Radburn

    It was just last nightmare,
    as I unwound my braid by the window…
    Busy fingers glazed in slow candle light, the wax drips.
    Magic is a supple blade: it can take away as easily as she gives. Slow words guild my tongue, stained with intention. Soon autumn will come for you.
    Slip its way under the crack in the door.
    By the time you notice the draft, it will be too cold. Too late.
    The leaves are dying my love.
    But to me, I croon
    everything feels exceptionally alive.

    [Alannah Radburn]

  • New Moon

    New Moon

    Thomas Zimmerman

    Black lotus in an overturned carafe
    of stars, grim Hecate descends, and in
    their graves the denizens begin to spin

    like dervishes. You hear but cannot see
    the neighbors’ belled barn-cat. Your hot breath’s like
    a bit that cuts your thought, and there’s no other

    way to say it—you feel horsey. Murmurs
    rise like specters through the dull green mist,
    there at the crossroad hedge. The grass curls black

    wherever her feet tread. Her left hand holds
    a goblet, your hand’s in her right. A dog
    somewhere barks three times, sharp, and something in

    you hammers like the making of a blade.
    She’s cut the lights but never touched the switch.
    Your trembling fingers check: the bulb’s still hot.

    Thomas Zimmerman

  • The Night the Ghosts Screamed

    The Night the Ghosts Screamed

    James G. Piatt

    I listened to the raucous screaming of ghosts in the dark night hours. Their eyes opened and shut in rapid motion, trying to inhale the moon’s silver beams. I tried to sleep and dream during the lapses of such horrible screaming, and as I twisted and turned, my fears crept into Infinity.

    I felt the icy wind that wafted through my flesh, and bones, sewing darkness into my thoughts while the ghosts screamed in the language of bereavement, hoping I would succumb. The rusting hours of the echoing night stitched into an unreality, left me with a sense of despair. I searched for metaphors to smother the haunting voices of the ghosts as they screamed into the mysterious emptiness of the dark moonless night, but to no avail, until I died.

    James G. Piatt

  • Vanishing Point

    Vanishing Point

    Allene Nichols

    She’s waiting there, just at the horizon
    like some hackneyed ghost
    from an old black and white movie

    Her nightgown flows around her
    and her moans float like lily pads
    on a stagnant movie pond

    If she turns her back, you must follow
    because the compulsion is strong
    and because you might love her

    She might lead you back to that night
    long ago, when you drowned in lullabies
    and awoke to a world without shadows

    She might lead you to the time
    when you began to fight the seaweed
    and refuse to let it pull you down

    She might lead you straight to hell
    and last time you were there
    it was glorious and worth the price

    Do you recognize her crooked smile,
    the one you see each morning,
    in the bathroom mirror?

    Allene Nichols

  • My descent into meaning

    My descent into meaning

    Peter Wood

    pace by pace I stumble
    through a brief corridor haunted
    with statues of demons glowing
    from purple-red lights perched above
    with flowing satin draped behind

    farther below a chamber presents itself
    teeming with ecstasy raw unkept
    the air neither hot nor cold and
    slowly filling with a brisk fog
    which rises from floor to nostrils

    entranced in the aura I feel awake
    yet divorced from sudden movement
    after years of searching I have arrived
    my home an abode where clocks tock
    echoing from hardwood unseen

    this might have scared me before
    dark mysterious and uncertain
    but much of what I once feared
    is now the apex of who I became
    so I walk gently toward the ether

    eyelids sealed I immerse myself
    in either an orgy of bodies or spirits
    unconcerned with which it is
    chest calm and mind whispering
    to the rhythm of a dangling pocketwatch

    Peter Wood

  • Anatomy of Solitude

    Anatomy of Solitude

    Marielle Songy

    My head is a tin can,
    bitter and hollow with
    envy- emerald green and
    rotting, dragging flies to
    its wake.

    My chest is an empty shell,
    laborious breathing as I try
    to comprehend the gravity
    of a dead winter dripping in
    failed possibility.

    My eyes are light switches
    flashing off and on- breaking
    the depth of the darkness
    with quiet stares, recording
    memory like a ledger.

    My heart is a hollow drum
    keeping time in a delicate
    minuscule of an ant crawling
    across the leaf of an oak tree
    in the middle of autumn.

    My lungs are accordions
    playing a gentle cacophony
    that wills me to wake each
    morning with the sunrise and
    dew on unmowed grass.

    My gut is a bowl overflowing
    with doubtful questions
    raised in rage, regret, and
    everlasting mournfulness
    hanging heavy.

    My hands are tidal waves
    pushing away evil entities,
    pulling in goodness with the tide-
    hope crashing on the shore in
    a delicate symphony.

    Marielle Songy

  • Werewolves

    Werewolves

    Jason B. Crawford

    Your friends say it is a full moon tonight—
    so you need to come outside
    to go dance in a club soaked in gut
    saturated with enough fear to cut open
    let it spill out on the dance floor like fresh silver

    You protest—there will be loaded tongues
    dipped in melted spoons—
    But you go;
    Put on your best teeth
    Comb the flesh out of your fur;
    You are ready

    And it is here
    boys say teach me
    to give permission to
    let another empty them

    mouth drying out
    like an oven split open
    Where everyone has learned to read you
    Like a library of fangs

    And you wonder if this music
    is another form of grief;
    If the beat keeps dropping
    to its knees one last time
    and your hips are just trying to catch
    as many funerals as they can

    But it’s here
    you’re not a rabbit in a cave of wolves
    yet rather a wolf
    And the bats don’t circle around you too closely
    for fear you might open your mouth
    pour out the starlight you hold in your lungs

    It is here
    you don’t see a man
    that might see you a river
    free to drink from

    You don’t really see men here at all
    just children
    dancing cloud to cloud for each song,
    Blooming celebration every time a comet shower
    makes backdrop for the moon

    And oh the moon!
    How we call it mother
    How we dress it in heels and a contour
    How in front of her
    we undress our own human husks
    Leave them somewhere by the shore

    How we howl
    and prance
    and think nothing of the hunters
    or their arrows
    or bullets
    or laws

    How we can be of this wild here
    until the last song plays
    and the moon turns to dip behind
    the curtain of the trees

    while we grab our coats
    to be human again
    to be hidden once more

    Jason B. Crawford