Journey
Lindsey Pucci
Baby Don’t Hurt Me
A. S. Callaghan
The plan was to go out to dinner as a family, one last meal together before we went our separate ways again — David, the kids and I back to Los Angeles, my mom and dad back to Germany.
We were returning from a 10-day vacation on Lake Balaton in Hungary, the country my mother had been born and raised in before she emigrated to Germany and married my dad.
She was unusually quiet during dinner. My dad, faced with an unfamiliar role, tried to make conversation with his limited English, the language we used to communicate since my husband didn’t speak German. The soccer game was on the TV above the bar, Austria versus Germany, old rivals.
“No good,” my dad said to my husband when Austria scored the first goal.
The day had started with a fight. On the surface it had been a disagreement about whether we should rent paddle boats. It turned into a referendum on life choices.
I left Germany at age 23 to study abroad and met David while in graduate school in Bloomington, Indiana. One of our first dates included a trip to a drive-thru Wendy’s. I thought it was bizarre, sitting in a car while a stranger handed us a paper bag with burgers and fries. Afterwards, David stuffed all the trash back into the bag and threw it away, as if the meal had never happened. It looked so easy.
Now we had two boys, ages nine and three, who devoured their French fries with the appetite of two lumberjacks.
“American,” my father said with a chuckle, pointing at his grandsons.
“Yes, they love them,” David replied.
“Big and strong,” my dad added, this time talking to our younger son, who offered my dad a French fry.
“No, no! Full!” my dad replied, laughing, pointing to his stomach. My German Spätzle-loving father wouldn’t be caught dead eating a French fry.
After dinner, my mom suggested we go on a boat cruise. I understood this was supposed to make up for the botched paddle boat ride this morning — a peace offering.
“Are you sure that’s a good idea,” David said. “It’s late, and we have to get up at the crack of dawn.” He glanced at our younger son who was busy devouring a fistful of fries while nestled into his stroller. “You know how he gets without enough sleep”
“He can sleep on the boat,” I replied. “I’ll hold him.”
The so-called “Disco Cruise” was supposed to leave in 15 minutes. My mom bought tickets, haggling with the seller in Hungarian. It was still light out, a reminder how much further North we were compared to Los Angeles.
While we waited, my mother took out a small tablet from her oversized purse and showed me a picture of herself in a rowboat, on this very lake, taken more than forty years ago. She was wearing a white bikini, surrounded by classmates from the Young Pioneer summer camp.
“They made us work all day, picking peaches. All in the name of communism. No pay. In the evenings, we were allowed to take a dip in the lake.” My mother angled the tablet towards me so I could take a closer look. “But we thought it was wonderful, we didn’t know any better.” She zoomed in on the scanned black-and-white snapshot. “Look how thin I used to be,” she said, a look of genuine disbelief spreading over her face. Then she stuffed the tablet back into her bag.
A voice from a speaker announced the crew was ready for boarding. David struggled with the stroller’s folding mechanism. After a few failed attempts he managed to drag it up the narrow stairs to the upper deck, followed by my father, who paused on each step, tightly gripping the railing. A crew member took a photo. I made no attempt to pose, we weren’t going to buy it.
We found seats on the passenger deck. I squinted into the setting sun. The sky was the color of a melting creamsicle, like the one my dad had bought for his grandson the other day, which then promptly slipped out of the boy’s little fingers and onto the hot asphalt of the restaurant’s parking lot. David bought him a new one.
“He won’t learn to be careful,” my mother said.
The sun slid into the lake with alarming speed, I barely had time to fish my phone out of my pocket to photograph the sunset. I then asked a stranger to take a picture of us all, sitting lined up on the bench encircling the upper deck – David, our boys, my mom and dad. This was the first and last photo of all of us together this entire week, I realized.
I thought it would make my parents happy to go on vacation together, especially my mom, since Hungary was her home turf. Now I was no longer certain this had been a good idea.
“It’s not your fault,” David had said, the night before. “They can visit us in L.A. anytime.”
But my parents were getting older. My dad couldn’t walk long distances anymore, let alone make it through a transatlantic flight. He had brought a folding bicycle on this trip. At night when we walked into town, my father followed us on his bike, pedaling ahead and then falling back again, slowly circling around the moving caravan of his family like a sheep dog, his unzipped windbreaker flapping behind him like a cape. My mother was out front, leading our little group, clutching her purse, marching resolutely in her sensible shoes, passing sidewalk cafes and restaurants and souvenir shops. The town had become a tourist spot. Some of the bars even had Go-Go dancers out front. The lake had changed, it was no longer the idyll frozen in my mother’s memories.
During the day, Lake Balaton’s glimmering crystal surface lay calm, like a cool blanket. The water teemed with bathers, children and adults alike, swimming, laughing, shouting in Hungarian, a complex language that remained closed to outsiders. Once the sun had sunk behind the horizon the waves darkened and the yellows and oranges and pinks of the sunset intensified.
On the boat, couples and groups of friends were now all taking pictures in front of the evening sky, posing against the railing, behind them an explosion of color.
I studied their faces, their smiles frozen by the pre-flash which briefly illuminated their features and gave their pupils a chance to adjust before the camera took the picture. Each couple, each group of friends had a history of their own, versions of lives that unfolded according to their own logic. Was one set of choices better than another? How could anyone tell?
*
When David and I first met at Indiana University he took me to watch a space shuttle launch during spring break. We left campus in the middle of an April snowstorm and arrived in sunny Cocoa Beach, Florida two days later.
On the day of the launch, we got up early and went to the strip of beach in front of the hotel where we stayed. A small crowd had already gathered. David brought the digital video camera he had purchased for the trip. I was scanning the horizon, afraid we might somehow miss the big event, a fear that turned out to be comical. When the launch finally happened, half the sky exploded in a rising fireball of epic proportions.
David, who had pointed the camera in the wrong direction, whipped the viewfinder around to capture the spectacle, and accidentally shot a few close-ups of my unruly hair. Between spiky wisps the stratosphere erupted in a flash of light with a white-hot center surrounded by iridescent smoke. We marveled at the multi-color clouds that seemed to linger forever, despite the breeze that sent shivers through our thin t-shirts.
*
At a quarter to nine our ship left the dock, passing buildings and trees and a statue of a saint who was supposed to protect the harbor.
“Maybe this will be fun,” David said.
It was almost completely dark now, the last traces of light drained from the sky. The crew walked around with trays of plastic cups filled with cheap red wine and lemonade. Dance music came out of the enormous black speakers surrounding the upper deck which doubled as a dance floor. Nobody moved.
Above was the night sky. The buildings on the opposite shore had become dots of light. Strings of colored bulbs illuminated the ship, which had become a floating, pulsating lantern.
The crew was playing dance hits in English and Hungarian. What is love, baby don’t hurt me, don’t hurt me, no more. The dance floor started to fill. We all watched, including the boys. The 9-year-old was sipping from a plastic cup of neon yellow lemonade. The 3-year-old was looking for a comfortable position to sleep on the narrow wooden bench. The sun had disappeared into the lake, yet the heat hadn’t broken yet
Someone turned up the volume, bit by bit. Songs that seemed mildly annoying but tolerable at the beginning of the journey morphed first into a nuisance and then an orchestrated assault. There is a point when music ceases to be music and becomes noise, background noise at first, the kind that interferes with a conversation and pixelates words until their meaning is lost. Once language is drowned out, sound of a certain magnitude becomes a physical deterrent, a repellant, like a citronella candle warding off mosquitos. Noise at this level saturates the air and dulls all other sensations. Maybe that’s the whole point of dance music, the narrowing down of all sensory input to a single dominant channel. When sound becomes louder still it turns into pain, pain that starts from the ear and radiates out, rhythmic and inescapable. There is a reason why playing loud music is one of the most popular forms of torture. It is as debilitating as it is difficult to trace, not leaving any outward wounds.
Despite or because of all of this, our younger son fell asleep, his cheeks flushed, his mouth half open, one leg slung across David’s lap, the other one dangling off the wooden bench he sat on. Slumped over sideways, his head had come to rest against my mother’s arm. He looked like a weary airline passenger, awkwardly snoozing on the shoulder of a stranger. Something in my mother’s posture had shifted. She stroked her grandson’s sweat-soaked hair with her free hand, careful not to move.
Easy To Love
Christi Krug
First time I saw you, you were climbing the old cherry tree and your pink elf ears matched the blossoms. I was riding back of Gran’s sky-blue Skylark. We pulled up, I stepped out with my white quilted suitcase. You skittered down the tree, crossed the driveway, and thumped the chest of your collared shirt. “I’m Chippy Timmons!” You said it whistly, through missing teeth. Your shorts were grass-stained, and your tube socks slopped around your chubby ankles. Your face was doused with freckles. “Do you think we could play?”
Gran’s neighborhood had no other children. Saturdays, you’d stand at the curb on the quiet, empty street and watch for the sky-blue Skylark. We’d meet between houses, where impatiens bloomed patiently. You’d smile so hard your chipmunk cheeks would nearly squeeze your eyes shut. “Christy. You’re here!”
“Yep.”
“We have this 3,000-piece puzzle. A 747 jet plane. You can come over and help on it.”
“If you want.”
The floor of your house was wood. Your toys were wood trucks, old-fashioned, with big wheels that didn’t make noise. The sun came in everywhere, and the house smelled like salad.
You sat at the table, chin in hand, reached for a puzzle piece, and set it in an airplane window, snap. Your freckled fingers were gentle with everything, okay with everything, and you always smiled.
I picked up a puzzle piece. The body was bunchy-armed, the nose pointy: a weird fish. I laid it on the airplane, tried it different ways.
You placed another piece, snap, and another, snap.
I tried my fish piece all around the white, blue, gray sky. I pushed it into bunchy-armed silhouettes. It resisted every time.
Those were the years I had to move every few months, or stay with this relative or that. Mother was sick in a way that didn’t involve coughing or sneezing or headaches. My visits gave her a break.
I never knew where I’d land.
You were a boy, and younger. You didn’t care where I came from.
“This doesn’t fit anywhere,” I told you. “Let’s play something else.”
We never had an argument; we moved in sync. You outgrew your chubby ankles and most of your freckles but kept the pink elf ears and chipmunk cheeks. I stopped caring what you knew about my family or didn’t. Gran would say things—“Christy’s mother is nervous,” or “She has a condition.” It was all right. You wouldn’t change your mind about me.
“Let’s climb the plum tree,” I said one Saturday.
“Which one’s the plum tree?”
“With the green and purple fruits. They look like butts.”
You laughed.
“Let’s spy on the neighbors,” I went on.
“Okay.”
It was easy to love you. You did everything I said.
Over by the chain link fence, we slipped into leaf shadow, watching the Waverleys splash in their pool. Those rich, grown-up Waverleys. They had six hundred friends over, all with Dorothy Hamill haircuts. I would have done anything for a Dorothy Hamill haircut. “I hope Blaire Waverley belly flops,” I said.
You nodded.
“I hope her mascara runs,” I added. “I can’t believe her mother lets her wear makeup.” My mother was too nervous for makeup. Hers or mine.
Blaire Waverly pulled her sleek body from the pool. She sauntered to the diving board in blue bikini, white bows at each hip.
Straight brown hair fell in your eyes. “I could shoot my cap gun,” you said. “I could scare her.” You opened the silver barrel, checking the strip of red paper coiled inside.
“Okay,” I said. You held your gun in the air. Blaire Waverly raised her arms. She bent her knees.
The screen door squeaked.
Blaire Waverly straightened and peered into the rhododendrons. Our chance was lost.
Gran was standing on the porch, waving her Kodak. “How about a picture?” She seated you and me in red director’s chairs. She walked backwards, studying her viewfinder. We sat with arms dangling over the wood chair arms, unimpressed movie directors. The scene should always play our way.
“Well, I have news,” Gran said one Saturday, driving over the Queen Anne Bridge in her sky-blue Skylark. “The Timmonses are moving. ”
“Why?”
“A bigger house. More kids in that neighborhood. That’s the way with a growing family.” She sighed. Our own family could do anything but grow. Mother was having episodes again. I felt the weight of Gran’s thoughts, wet blossoms sagging on the ground.
“I’m sorry you didn’t get to play with Chippy,” she said, “one last time.”
One year later, one late winter Saturday, Gran drove me to the state hospital, the psychiatric ward. I stared out at soggy fields, broken-down fences, slouching barns.
We climbed concrete steps, sat on a tan vinyl couch, and watched people wander in and out of a fake living room. I figured it was fake because it wasn’t a room for living.
Gran spoke to the desk person. A middle-aged woman held a baby doll. A tall, skinny guy toddled around with a smile that gave me the creeps.
A black-haired man resembled the cop on Adam- 12. Except he was looking at the plants, saying, “The plants can’t survive without the water.” Then he laughed. Then he was quiet again. Then he said, loud to the plants: “The water feeds the plants!” like it was something he just figured out. A pause and then: “The plants have to have water,” and another small laugh.
A young woman with thick eyeliner sat at a table, smoking and staring, a zombie from The Twilight Zone. There was an old man resting his head against the wall, eyes closed, drool trailing from his mouth. Any second, a heavy bead of drool would drop to his shirt.
Then Mother came walking toward us, smiling. Gran was brisk with questions. “Do you like your doctors? Are you involved in activities?”
Mother looked far away. She held my hand.
Before we left, Mother pushed something across the table to Gran. It was a handcraft, a wooden apple she had made by gluing pieces of balsa wood. When we got home, Gran hung up her coat. She shut the apple in a drawer.
I was getting used to shutting things away, and people too. It’s what a person had to do.
I moved in with Gran full time. After winter break, I went to my new school, joining a class of fourth and fifth grades combined. Mrs. Lacey called roll. I glanced left. There in the front row: chipmunk cheeks, elf ears.
You flushed when you heard my name. I threw my Dorothy Hamill hair over my face. I opened Prince Caspian and looked down, swallowing my horror.
You’d been around my family; you knew things. What you didn’t know, you were smart enough to figure out. You could piece together any puzzle.
Mrs. Lacey called out a Martin, then a Nguyen, then me, then a Petersen.
I imagined you running up to me and wondering out loud in your honest-puppy way about my grandmother, my mother, my sick and nervous mother.
The mother nobody in the world should know about.
Mrs. Lacey got to the T’s. Timmons.
Me, I didn’t know anyone with your name.
You twisted your elf self around in your chair and scanned the room, and I looked down, away, inspecting my desk, getting up for a drink at the water fountain. So it went for days.
Friday you ran up to my desk, unable to contain yourself any longer. You smiled, bunching your chipmunk cheeks. “Hey, Christy!” Your voice was soft and happy, ready as a puppy who just knows how good you’re going to love him.
I turned a page in Prince Caspian.
“Christy. It’s me, Chippy Timmons.” You put your small white palm on the corner of my desk.
You watched me not watching you. Your voice dipped. “Don’t you . . .?”
I forced my face paper-flat. I looked up. All the feelings that would make a face on me were wiped clean.
I blinked at you. I couldn’t do harmony, gentleness. I didn’t know how to get along, or smile all the time, or keep a friend. I had too many secrets. “What do you want?”
“Nevermind,” you whispered.
You turned away, leaving a damp, shimmering handprint.
I didn’t have a plum tree to climb, but I had to pretend to be far, far above you. It was all right, though. You knew what I was telling you to do.
“I talked to Mrs. Timmons the other day,” Gran said. “She said you’re in Chippy’s class. But you don’t remember him. It breaks his heart that you don’t remember.”
The next time Mrs. Lacey called my name, you stabbed your pencil hard and never looked back for me again.
Poetry Contributor
Christina Ciufo is a passionate writer in poetry, short stories, flash fictions, fables, and completing her first novel. At a very young age, she always had a passion for writing stories and poems, specifically in fairytales, folklore, supernatural, and horror. She has numerously appeared in literary magazines including Spillwords, Ovunque Siamo, Nymphs, Truly Review, Mookychick, Moonchild Magazine, Crêpe & Penn, Cauldron Anthology, dream walking, Selcouth Station Magazine,The Wild Literary Magazine, Speculate This Magazine, Poetically Magazine, Analogies & Allegories Literary Magazine, The Clay Literary Magazine, and Re-Side.
Poetry Contributor
Marianne Brems is a long time writer of trade books, textbooks, and poetry. She has an MA in Creative Writing from San Francisco State University. Her first poetry chapbook is Sliver of Change (Finishing Line Press, 2020). Her second chapbook Unsung Offerings is forthcoming in 2021. Her poems have appeared in literary journals including The Pangolin Review, Nightingale & Sparrow, The Sunlight Press, and The Tiny Seed Literary Journal. She lives and cycles in Northern California.
Poetry Contributor
Poems published in Wards Literary Journal, Northwest Indiana Literary Journal, Poetic Medicine, River babble, Who Writes Short Shorts, Dove Tales – Writing for Peace- an anthology, Dreamscapes – an anthology,, Pages Penned in Pandemic – A Collective, Art in the Time of Covid-19 – an anthology, Caesura, Sage-ing, Literary Veganism, Right Hand Pointing Literary Journal, Poetry And Covid, and COVID Tales Journal.
Poetry Contributor
Writing under her own name, under a pseudonym, and as a ghost, Nancy Hathaway has published more than a dozen books on a variety of topics. Her work, both written and visual, has appeared in 3Elements Literary Review, Paper Tape, Star 82 Review, Alimentum, and elsewhere. She lives in New York City.
Poetry Contributor
Susan Barry-Schulz is a licensed Physical Therapist and poet. Her work has appeared in The Wild Word, SWWIM, Shooter Literary Magazine, Barrelhouse online, South Florida Poetry Journal, The New Verse News, Bending Genres, Anti-Heroin Chic, and elsewhere. She grew up outside of Buffalo, New York in a house full of books.
Arrangements Made in a Pandemic
Ivanka Fear
The audacity of it, really,
hubris of poets, actually,
thinking song lyrics aren’t poetry.
Poem
Intense emotional outpouring
Beauty of images
Rhythm of language
Art of expression
Enduring
The story of life
open to interpretation.
Song?
Ditto
Plus…
The haunting sound
of repetitive refrains
spinning round and round
our heads, pulling us in,
song and listener becoming one.
Fused with
explosive sound,
not resounding silence.
If I can dream…
Music and lyrics
Beethoven’s 5th,
Jackson’s Thriller,
symphony.
The sound of silence…
Imagine Lennon,
Mozart’s unfinished
requiem.
The day the music died…
Vivaldi’s Four Seasons,
Elton’s Candle
in the wind.
Blowin’ in the wind…
Handel’s Messiah,
Zeppelin’s Stairway,
to heaven.
Hallelujah…
Brahm’s Lullaby,
I will always
love you.
Where do I begin?
Killing me softly…
Lyricists and musicians,
I bow down to you
mere poet that I am.
The power of words is great;
the power of song is
overwhelming.