Nightingale & Sparrow

Category: harmony (Issue No. X)

  • My Father Speaking About Monsoons

    My Father Speaking About Monsoons

    ESH Leighton

    My father thinks his voice has gotten tinny with age
    that it has thinned and thinned like
    some other fathers’ hairlines

    I don’t see him much anymore
    and when I do, I notice that his body is a different shape,
    the hair at his temple gone completely white,
    and the skin beneath less freckled and ruddier and ruddier by the year

    But his voice,
    his voice is stronger than it was when I was a child

    When I was so young I could count my years on my fingers,
    my favorite book was about the Gingerbread Man
    and his hubris and his downfall
    I remember my father reading it over and over,
    quieter and quieter
    as I learned the verse by heart
    until I could recite it to myself
    until his voice wasn’t there at all
    just my own lungs my own larynx my own cadence

    Today my father sent me a message of his voice
    speaking about the monsoons in Arizona
    when here in Las Vegas
    we’ve gone two hundred days without rain
    He sounded like a great orator
    like a man of the stage
    like the person you’d want to read you a good book
    There were stories in his throat
    ones I have never heard
    and his voice was cool and concentrated
    just like the rain in this desert that never seems to come

    ESH Leighton

  • Lisa Romano Licht

    Lisa Romano Licht

    Poetry Contributor

    Lisa Romano Licht’s poetry and essays have appeared in Ovunque Siamo, Mom Egg Review and The Westchester Review, and her prose is forthcoming in the Train River Publishing COVID-19 Anthology. Her poem, “For A Would-Be Actress” was awarded first place in a national Blue Mountain Arts Poetry Competition.  A lifelong New Yorker, she holds an MA in Writing from Manhattanville College.


    Works in Nightingale & Sparrow

    Street Aria

  • Keep Things in Perspective

    Keep Things in Perspective

    Kat Terban

    The days keep serving up overcast skies but the air
    is always dry and the plants are shriveling up with thirst;
    yet the birds still sing, the fisher humps across the yard,
    and the mornings, plangent with dew, conquers dread night.

    Purple tipped fingers sifting through shells where blue
    dunes hold the full tide’s wrack so wool dipped willful
    in swift dye sought across ages, wrought by snails
    soft from the sea. The past returns within us to live,

    to turn to itself again, day upon day. It reaches through
    our skin, our bones, to knell, to echo across tongues
    at fireside. Fevered brows seek to be remembered when
    embraced by cold shrouds. What has soft lips and a hide

    that enjoys a feather-stiff curry brush? In the night, we
    imagine our fingertips extending like quicks grown
    beneath nails left long uncut, touching the window
    as the first frost radiates out across one pane while laying

    warm under another. Fresh fallen death crunching beneath
    our boots: birch, maple, oak, hemlock, and walnut. Ferns
    shifting from green to gold on the corner of River View
    and Merrow. Water cools. Bubbles pop. The bottom

    of the cup never has answers. It is empty. It is devoid,
    burning away certitude. It is filled again with the lies
    about how things couldn’t get any worse, where hope is flanked
    by fear. Closed eyes linger on dusk’d lids and bring no safety.

    Clouds crack and stars spill out along the edges. Long gusts,
    uneasy wind breaks the peace between leaf and branch. A deer
    steps into the flurried fall to lay athwart a gap at the base of two
    young oaks. Birds eat the bones of bread, the entrails of yesterday’s

    croissant, the burnt offerings of panko that’s dropped from fingers
    baking. Clever beaks pecking at the crusts cut away and abandoned
    by mothers. Spread wings swift in swooping down to pluck up
    and devour the whipped stiff and custard smooth embryos of friends

    and enemies alike. The unborn children of flowers are ground down
    to paste inside gizzards during the short days of winter. The lumpy
    oatmeal of the sky that started shearing off into flakes and drifting
    toward the ground. We open our mouths and taste breakfast.

    All of the wrong reasons were remembered, were recorded
    as a stained outline on the concrete, found when the snow
    banks melted the next spring. Deep loam held in the hand,
    warmed, bedding for mammoth, gray-striped sunflowers

    overhead, nodding in a light breeze. Three painted turtles,
    faces raised, aligned on a log set and centered in an intermittent
    pond surrounded by tufts of scarlet miniclover. Today, the sun
    refused to set. It drunkenly stumbled across its zenith

    then paused at the threshold where night sleeps before
    tiptoeing the entire way ’round the horizon, drinking up
    the bright blue of the sky. Mountains crumble into grit,
    stars fall into singularities, and oceans expand as the dead

    fill up what’s not bottomless. Rivers walk back upon
    themselves, rejuvenating oxbows, eating the foundations
    of the world. The universe breaths in the space between
    atoms, gravity bends time, and everything becomes new born.

    Kat Terban

  • Kirsty Jones

    Kirsty Jones

    Poetry Contributor

    Kirsty Jones is a British writer living in Bristol – the city where Colston finally fell, and Banksy first scrawled on walls.  Inspired by the rebellious nature of her adopted home, Kirsty uses words to rouse and soothe the parts of us that capitalism could never conquer.  Recent work published by Dear Damsels and mishmashfood.  Find her on Instagram @k_jones_writer


    Works in Nightingale & Sparrow

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  • Assisted Living Facility

    Assisted Living Facility

    Samantha DeFlitch

    Across from St. Bede’s. Here
    a young man with

    his holding gloves and an owl
    outside the window

    of an old woman watching
    her soaps. Her sill:

    rosary beads, two blood
    pressure cuffs

    and photo frames that push
    time through

    her drawn-out years. She was
    once a train

    station. Found sensible love
    in the old country.

    Spoke Polish in reverse. Back
    further, war and war.

    Fish egg. Magpie shot and book
    of heaven and war.

    Childbirth. And a girl whirling
    to a balalaika,

    ritual against ghost-drawing
    winter dusk.

    Cold snap. Babushkas like
    nesting dolls,

    opening their bodies to more
    little babushkas,

    brought forth already full of
    prophecy and slouching.

    The years of sloping
    blue and pine,

    bread, chipping at ice with a
    blunt blade.

    All at once, language loses
    meaning; a flame

    casts long shadows on a cabin
    wall as the dogs

    creep closer and begin.
    Look! The young

    man taps the window,
    gestures until our

    old woman threads out a smile.
    Then the owl

    turns its white head
    and becomes.

    Samantha DeFlitch

  • Alone Together

    Alone Together

    Stacie Santillo

     

     

     

     

     

     

     

     

     

     

    Stacie Santillo

     

  • Little Crooner

    Little Crooner

    Louis Dennis

     

     

     

     

     

     

     

     

     

     

     

     

     

    Louis Dennis

     

  • ESH Leighton

    ESH Leighton

    Poetry Contributor

    ESH Leighton is a writer and wanderer who has lived in six cities in the last fourteen years. Her work has been featured or is forthcoming in Mookychick, Loud Coffee Press, and Trampoline among others. She currently lives in Las Vegas with her husband where she tends bar, listening to people’s stories and tucking them away for future use. Find her on social media @eshleighton.


    Works in Nightingale & Sparrow

    My Father Speaking About Monsoons

     

  • Rolling In

    Rolling In

    Lindsey Pucci

     

     

     

     

     

     

     

     

     

     

    Lindsey Pucci

     

  • Recorder Consort • Night School

    Recorder Consort • Night School

    Nancy Hathaway

    We begin with Buxtehude –
    a kyrie, a credo – and end
    two hours later with Debussy.
    How well we know each other,
    how one forgets to count the rests,
    one can’t seem to learn the high notes,
    one gets lost, one can’t slur, one
    needs a hearing aid, and no one
    ever wants to play the bass.
    Warring rhythms and wrong notes
    plague us. Dissonance abounds.

    And yet at times our separate sounds –
    soaring soprano, noonday alto,
    consoling tenor, muffled bass –
    meld, ornamenting the autumn air
    like a line turning into a shape –
    invisible, architectural,
    as cunning as calculus, gold
    edged in silence. And those moments
    keep us coming back, and this –
    this pastime with good company –
    has been going on for years.

    Nancy Hathaway