Nightingale & Sparrow

Category: heat (Issue No. III)

  • THE CHILLING HEAT

    THE CHILLING HEAT

    Linda Eve Diamond

    In the dream I’m on fire
    from the inside

    while going about my busyness
    grinding my teeth to bits

    on the street I realize
    everyone walking by

    is burning inside
    burnt out, blood boiled

    walking along I wonder
    if maybe we’re all lost

    in some kind of hell
    that burns from within

    slowly we run
    our little errands

    trying not to cry
    or crumble

    our eyes don’t meet
    what is happening

    seems we’re all lost
    in the mist as I awaken

    in the midst
    of a hot flash

    that’s burned its way
    into my dream

    a punchline that may
    have made me laugh

    if it didn’t all feel
    so real.

    Linda Eve Diamond

  • Heart of the Fire

    Heart of the Fire

    Zoe Philippou

    Zoe Philippou

  • Bunker is Dead

    Bunker is Dead

    K.T. Slattery

    One of the most unfortunate side-effects of having many animals is you tend not to go too long without one dying on you, while one of the most unfortunate side-effects of my parents going on holiday (and leaving me to keep an eye on my grandmother) was that one of these many animals was always fated to die, and not just die, but die in a spectacular, awkward, or extremely costly fashion. (I would like to note the exception of my cat, Rum Tum Tugger, who must have been buried five times, and would always miraculously reappear when I came home, but Rum is destined for a story all her own). With all of this having been said, it should have been no surprise that Bunker died when I had flown down to mind the ‘homestead.’

    From the moment I walked outside that sweltering July morning, hot air hitting me like a sonic blast at seven o’clock in the morning, I knew something was amiss. Perhaps it was the dogs, noses up sniffing the air in excitement, or maybe it was the vultures I spotted when my eyes looked in the direction their twitching noses were pointing, but something was dead. Looking back, I can feel the air putrefying around me, and I can almost smell the rotting corpse. Maybe that’s how it really was, or maybe it’s just my imagination embellishing the moment, but either way, as it turns out, Bunker was dead.

    I can remember exactly how old Bunker was because his birth certificate had the same numbers typed in the same order as mine. 1 9 7 6. When I was much younger, I used to look at all of the horses’ papers, coming up with similarities between myself and them, something to give any of us a close bond. Bunker, having chosen to enter the world just a few months ahead of me, was nominated to have an even closer bond with me than my own horse, Thunder (Bless Thunder, I loved him dearly, but he was not the sharpest crayon in the box of Crayola).

    Bunker and I were both bicentennial babies—well, me a human baby, whilst Bunker was a foal. I was twenty-two at the time of his passing, home from my first job after I graduated from university, feeling all adult and responsible—and braced for the inevitable calamity which would be launched upon me while my parents were watching humpback whales.

    I put the dogs away and moved through the thick, humid air towards the circling vultures. And there he was, poor Bunker, lying in the pasture, already starting to swell in the heat. It will be alright, I told myself. I will not get hysterical, and I will handle this. Now, who buried our other horses when they died? Keith, oh no, he is out of town. The Camps? They might have a backhoe. Unfortunately, the Camps were out of town too, as was the horse vet, so I rang the small animal vet and asked his advice.

    “You will have to ring the sheriff’s department. They will handle it.” I might add, he answered with some glee, which I am assuming was down to the fact that he would not have to deal with the drama that surrounded the death of any of our animals.

    So, ring them I did and was assured by a perky, drawling receptionist (who I am fairly certain managed to fit honey, sweetie, dear, and darlin’ all in one sentence) they would be with me as soon as they were free. I did not ponder too long on exactly who they might be, but instead patted myself on the back for my great adulting skills and went to tell my grandmother the bad news.

    Thirty minutes later (and what felt like 20 degrees hotter), the patrol car pulled up. I guided him around to the back of the house and he stopped, opened his door and heaved himself out.

    Twenty years later and he is still filed in my memory with the other two most famous sheriffs from the south: the first being the sheriff from one of my favourite James Bond’s, Live and Let Die. (Though I would like to clarify that Sean Connery is my favourite Bond I, however, found myself drawn in by the voodoo and the 7 Up man) and the second being a very similar stereotype from Smokey and the Bandit. Well, as it turns out, either they were not a stereotype, or they were both based on the man who now stood before me. I took him in as I walked towards him, hand extended. Sweat dripped out from under his wide-brimmed hat. He pulled out a red bandana and wiped the back of his neck before offering me his ample, sweaty paw to shake. He left on his large aviator glasses, and I am fairly certain this is just an embellishment of my overactive imagination, that he had a piece of straw hanging out of his mouth, which he chewed on like a cow chews on cud.

    “Hello,” I said. “I am Kathryn. Thank you so much for coming out. We have friends who usually do this for us…”

    He cut me off. “The backhoe’ll be here soon. Now I’ll need the death certificate.” (For those of you not from the South, that is pronounced, ‘Sir- Tif- Kit.’ Most Southern words tend to get drawn out, but this is one of those rare exceptions.)

    “Well,” I responded, “I can assure you he’s dead. I did not hire the vultures.” I pointed in the direction of poor Bunker’s corpse, sad that he died, but still cursing him for dying on the hottest day ever registered in Mississippi.

    The Sheriff considered me for a few minutes, then crossed his arms, leaned on his squad car, spit out of the right side of his mouth, then said, “Well, I gotta have me a death certificate, fore we can bury him.”

    My nostrils flared as I witnessed bureaucracy in action. Then I remembered, you win more flies with honey, and I shrank into myself a bit, batted my lashes and switched on my native tongue, “Can’t I just get it to you when our horse vet is back? It’s sooo hot—and it is just me here.” I almost got carried away and said little ole me, but caught myself just in time. Maybe that would have actually helped because, much to my surprise, he was immune to my charms, or he had already sussed that I was not the helpless little lady I was pretending to be.

    “Well, ma’am, I sure am sorry—but that’s the law. What kinda PO-lice would I be if I went around bending the rules for every pretty little thing that I met?”

    My nostrils flared again (this time accompanied by my left eyebrow cocking itself in dismay). I was about to try and plead my case again when we were interrupted by the backhoe noisily making its way up the gravelled driveway. Bubba (I named him that) pulled up and stopped, assessing the situation—before slowly lowering his sweaty mass from the backhoe. He came and stood beside the sheriff, leaning on the patrol car next to his buddy and assuming the exact same stance.

    I put out my hand and he ignored it. The sheriff broke the silence, “This little lady needs a horse buried and she ain’t got no death certificate.”

    Bubba shrugged and looked at me as if I had just shot his wife (or his dog, whichever he liked more). I really could not blame him, I would not like to have driven that contraption, with no air-conditioning, down roads that could melt a layer of skin off bare feet.

    I racked my brain for a solution—knowing I had to think quickly before they both left. Then I had it, I would call the dog vet back and plead—and if that did not work, I would call the vet’s wife. She would listen. So, I told them to give me a few minutes and I would be back with a death certificate. I ran to the house, praying I could get the dog vet to help me. I rang, and he answered. I explained the situation and he said he would sort it… he just needed my fax number. So, there I stood, awaiting the fax, which I grabbed and practically forced from the machine, running outside, waving it at the Sheriff in triumph. He looked at it, mulled it over while he chewed on his piece of straw, looked at ‘Bubba’ and relented, “Go on. Bury him.”

    He handed the piece of paper back to me and I smiled triumphantly before I remembered my manners and offered to make them both a nice tall glass of iced tea. I turned towards the house and was halfway there when I looked at the piece of paper in my hand. There was no letterhead, no signature, just scrawled, in the messy writing indicative of all medical professionals, the words, Bunker is dead.

    K.T. Slattery

  • venting in all directions

    venting in all directions

    K Weber

    K Weber

  • Rob McKinnon

    Rob KcKinnon

    Poetry Contributor

    Rob McKinnon lives in the Adelaide Hills, South Australia. His poetry has previously been published in ‘Adelaide: Mapping the Human City’ Ginninderra Press, ‘Messages from the Embers’ Black Quill Press, Backstory Journal (Swinburne University), The Saltbush Review (Adelaide University), Nightingale and Sparrow, Wales Haiku Journal, and other online and print journals.

    Works in Nightingale & Sparrow

    Milk, Bread, and a Few Essential Groceries
    The Open Door

  • Confessions of a Poetry Editor on a Bad Work Day

    Confessions of a Poetry Editor on a Bad Work Day

    Justin Karcher

    I’m smoking in the cold on my lunch break and have, like, 10 minutes left before I have to go back. That means I have enough time to smoke another cigarette and to read over the two poems in my inbox. I’m the editor of Ghost City Review and like most, if not all, editors in the poetry community, it is just one of the many jobs I have. Because of this, I struggle with separating poem and reality. I’m not complaining. It’s a beautiful side effect, but sometimes it makes me a little lost.

    Anyways, I’m late getting back to my real job, the one that gives me health insurance, because those two poems in my inbox pulled my beard off my face with the force of their spunk and sprinkled each little hair across the dull courtyard. I tried gathering the hairs together, but a winter wind came off the river and blew them away from me forever.

    I can’t explain to my boss that I’m late coming back from lunch because of poetry. They would just look at me with uninterested eyes and take me into a secret room in the dark corner of the office where a corporate-sponsored therapist would drop from the ceiling like a dusty ghost and ask questions about my mental state, like, “Is there something affecting your ability to do this job effectively?”

    So, I won’t bring up poetry, because that totally affects my ability to do, well, anything. I’ll just take the heat. Maybe it will burn away the bags under my eyes.

    I don’t get much sleep and when I actually do, it’s because I’ve passed out on the couch with an open laptop on my chest, Gmail slowly undressing like a digital burlesque show, casually tossing Word docs off the blurry stage like pieces of clothing. It doesn’t matter…morning or moonlight, energized or sleep-deprived, I like scooping up every poem I come across, cradling it in my arms and doing my best to find it a home. Someplace where it can live out its days comfortably and at peace. Like a retirement home, I guess, but for poems and not depressing. Maybe retirement home is a bad analogy. Maybe I’m being overdramatic. Maybe I keep chapbooks in the fridge. Maybe I don’t know what I’m talking about.

    Obviously, poetry editors aren’t in it for money or notoriety. We sincerely care about language and the individual voice. The world does everything in its power to dissipate the sound clouds in our chests and poetry protects our skies. But to put it simply, poems turn us on. They are knives twisting into tyrants. They are an endless box of tissues next to a lake of eyes. They are shovels we use to dig up the past and then we dig another hole next to it and tunnel into the future with the ferocity of a million blooms, a million failed romances, a million manifestos handed down from our mothers. This energy must be encouraged and sometimes all a poet needs is to get there.

    In many ways, poetry editors are chauffeurs taking poets to a secret club in the middle of the night and as they open the limousine door, they declare, “Here it is! Have the time of your life.”

    Maybe that’s taking it a little too far, but this means everything to me. I know that other editors feel the same way. To be honest, I’m not sure why I decided to write this. Maybe to emphasize how we need each other. Maybe to emphasize how important it is to merge our ideas together to create something immense and beautiful, something bigger than ourselves… but at the same time, protecting and showcasing the individual voice. Maybe I’m being cliché, O captain my captain. Maybe this is an overstuffed commentary on my sleepless ways. Maybe no one’s texting me back. Or maybe I’m just trying to pass the time at work until my next break when I can read the poems in my inbox and feel alive again, when I can feel that heat.

    Justin Karcher

  • Persephone

    Persephone

    Mollie Williamson

    ouls swim by as I make my way to my husband. I can see why many people would fear or at least dread coming to the underworld. In its simplest form, it is nothing but a cavern with various tunnels that bring the dead to their rightful resting place. Stalagmites burst their spiked heads up from the cave floor, offering a precarious path for the river of souls as the rocks spurt out of the water causing chaos. But my boatman knows the way, so I lean against the velvet cushioned seat and watch the dead go by.

    When the boat gently taps against a flat stone landing, I wait for it to steady before rising. The boatman bows as I disembark. My sandaled feet crush against the grey granite. Wisps of fog clear a path as I glide forward. Despite the perpetual chill of the underworld, I feel his heat long before I see him. His voice floats on the cool air currents and nestles in folds of my curly brown hair before spiraling into my ears. He needs me today. He always does.

    “—so honored you could make it ladies,” he says.

    He hides in one of the offshoots of the river, though this one is dry of any water. It is the plateau upon which our thrones reside. We rule from this room. I enter the large domed opening and get the strangest sensation that I am entering a mouth and getting swallowed whole. Heat ripples in the waves towards me both from the simmering torches about the room as well as from his actual presence. The air becomes stuffy and just as hard to breathe in as the cold. His back is towards me, so I slide up behind him and rub my hand over his back. My hand burns through his cotton robe. He is like touching the sun. I feel the slightest tremble go down his spine. My cool touch singeing his fire.

    “Finally,” Hades says, turning to me.

    He takes my hands, bringing them to his lips. His kiss sends scorch marks across my skin. The heat leaves red tattoo welts on my hands, but its warmth is quite tantalizing. Indeed, his power only fuels my own. His amber eyes look like they have been set ablaze. Molten lava appears to brew in the depths of his irises. They are just as enchanting as the day we met in the meadow. My mother will never admit how handsome he really is. She would then have to acknowledge that I willingly left her for I was not taken. She spread that lie far and wide because she didn’t want me to become queen of the underworld. My mother could never fathom her precious, pure daughter wanting power. According to her, it is not in the nature of women to be ambitious. And yet here I am. Queen, indeed.

    “Forgive my tardiness, ladies,” I say to the three women standing before us.

    What a sight they make. One is young and beautiful as a freshly blooming sunflower with long golden hair to match her bubbliness. The second one is middle-aged and has black hair. She is cautious, though her expression is neutral. The woman still shines with beauty despite her older age. And the last, an old hag, too wizen and temperamental for anyone’s good. Her white-grey hair comes out like curled snakes from her scaly head. The Fates are a triangle of the passage of time that mirrors the lives they create, grow, and eventually kill. Though I hate to admit it, they control everything. Even the underworld. Even my power.

    “We were just discussing your fates,” the old crone whizzes.

    “I would expect nothing less,” I reply.

    The youngest giggles, the middle-aged woman smirk, but the old woman doesn’t even crack a smile. Tough crowd. I take my seat next to Hades. Our thrones are an equal match. Both made out of cold black marble with large white veins cutting through it. The path of the white marble veins is uncannily similar to the river of souls just beyond these stone walls. They are pulled along by the might of the river while still managing to make their presence known in the watery depth.

    “And what, pray tell, is in our future?” I ask.

    The Fates glance at each other. Their quiet deliberation sets my nerves alight. Nervous energy tingles through my body. I am a spark that only needs an ounce more of fuel to make me the fiery queen I am known to be. I tap my fingers tirelessly on the arms of my throne to smother my blistering temper. Hades covers my left hand with his right to steady me. Though it feels as if my hand is resting under a smoldering log, its burn soothes my tension. It is almost as if I absorb Hades’ heat. The warmth of it burns my skin, yet journeys beneath its layers and feeds my blood with passion, with life. Eventually, the middle-aged one steps forward.

    “You will return to the world above, Persephone,” she says.

    “Impossible,” I retort.

    “It is unwise to question the Fates,” the old woman chides.

    I huff. My temper and annoyance flare like my nostrils. It sends heated flames licking up the back of my spine until it curls around my neck and crawls up my cheeks. To most, my rosy face would make them believe I am embarrassed. But I am anything but that. I am a crackling ember.

    “What could possibly make me leave here?” I snap. “I am queen. No one can possibly dethrone me.”
    “It has nothing to do with dethroning you,” the youngest says. Her light, honest voice tries to calm my temper. “But the world needs you.”

    “Why?”

    “Your absence has greatly upset your mother. She has taken away the fruitfulness of the land. But you can fix it. You are life, Persephone,” the youngest continues. “Even you cannot thrive with the dead eternally.”

    “I will not—”

    But the old woman cuts in before my anger can best her. “You will do as you are told, child,” she says. Her words are cool enough to counter my rage. They send pinpricks of ice stabbing into my chest. We are both stubborn but, in the end, only one of us will get our way and unfortunately, I know who it will be.

    “But,” the middle-aged advances again, “you will return to the underworld after your long stay above.”

    “Long stay? I wouldn’t doddle more than a day up there.”

    “You will return to the world or else we will deny you our offering,” the old crone says before breaking out into a hacking fit. Spit flies into the air as do clumps of her white-grey hair.

    I wrinkle my nose. Taking a deep breath, I glance at Hades. His hand has clamped down so hard on mine that it’s like I’m locked in a burning iron chain. I can barely flex my fingers. The circulation is slowly cutting off. I feel numbness crawl into each finger. He is worried. Like I said, he needs me. He cannot live without me.

    “And how can you ensure my wife will return?” He asks.

    “Fret not,” the middle-aged one says. “All she has to do is simply eat a pomegranate.”

    Bile immediately surges in my stomach. The acidity singes my throat. It is all I can do to stop myself from vomiting. That is the one fruit I simply detest above all others. “You couldn’t force that damn thing down my throat,” I hiss.

    “You will eat it should you wish to return,” the hag says. A gaunt smile spreads across her face. It is cruel and reveals piles of chipped and yellow teeth. Not a reassuring gesture. “I’m sure your throne will miss you,” she adds.

    The jab hangs in the air around all of us. It has a life all its own. It pulsates with frenzied energy in the cavern. It fuels the fire that erupts in my stomach replacing the vileness of vomit. A viper wishes to be released from my core, but I cage it and contain my poisonous tongue. It is a test, pure and simple. Do I love my power more than people? That is the question I am forced to answer. Without a word, I extend my hand towards the Fates never once breaking eye contact with the crone. The youngest approaches dancing on tiptoe and places the dreaded fruit in my free hand. Hades squeezes my caged hand while his molten lava eyes freeze over.

    “I will return,” I promise him.

    “Yes,” he nods, “because you are a queen in your own right.”

    He brings my hand to his lips once more. The scorching warmth flames my blood and body into action. I take a large bite from the fruit so no one can dispute it. I chew it deliberately slow so the old woman can see me swallow. Now my fate is sealed.

    Mollie Williamson

  • Next to an orchard in central Washington

    Next to an orchard in central Washington

    LE Francis

    The sign says ‘no jesus no hope’ —
    plastic letters in June sun wilting,
    stretching as if in prayer, a sad
    salutation to the earth amened by
    a woman watering dirt near her trailer.

    In grief, the ground refuses to drink &
    a stream divides the bank to join
    the river in murmuring confirmation,
    all hope abandoned because no man
    ever rose the same as the sun;

    all hope dispelled by graveyard dirt
    & roots, the hydra’s tongues & teeth
    sunk deep into a moaning vowel,
    lacing the stays of generations with
    telephone line, hands cupped

    & colored by dishwater & blood;
    hope unrecoverable in the rough
    valleys of age cut by fields & parlors
    & spring dances, at once young & old
    & same as the last; nothing more

    pointless than the agile fingers of
    daughters who sewed flowers
    into their petticoats to be found
    by lovers needlessly sowing
    tomorrow’s fields; no hope

    in blooming & rotting, in becoming
    like every other green & vibrant thing;
    despair like the water that cuts the hill &
    divides the ground that cannot hold it;
    unheard like prayers spelled out in plastic,

    meaningless as any other words
    if we were only intended to grow
    these bones before giving them up.

    LE Francis