Nightingale & Sparrow

Category: Hygge (Issue No. XIII)

  • Patricia Davis-Muffett

    Patricia Davis-Muffett

    Patricia Davis-Muffett

    Poetry Contributor

    Patricia Davis-Muffett (she/her) holds an MFA from the University of Minnesota. Her work has won numerous honors including honorable mention in the 2021 Muriel Craft Bailey Memorial Award, and first honorable mention in the 2021 Outermost poetry contest, judged by Marge Piercy. Her work has appeared or is forthcoming in Atlanta Review, Pretty Owl Poetry, Quartet Journal and Comstock Review, among others. She lives in Rockville, Maryland, and makes her living in technology marketing.


    Works in Nightingale & Sparrow

    Floral transport

     

  • Eve Croskery

    Eve Croskery

    Poetry Contributor

    Eve Croskery lives in Auckland, New Zealand with her partner and two young children, who are the inspiration for much of her writing. She is a primary school teacher who loves sharing the powerful nature of the written word with her students. She finds joy exploring the great outdoors; hiking, camping, trail running and puddle jumping. You can read more of her work on Instagram @evepoetry_


    @evepoetry_


    Works in Nightingale & Sparrow

    Hold on

  • At the Lake House, We Skip Rocks

    At the Lake House, We Skip Rocks

    Annie Marhefka

    At the lake house, we skip flat rocks on flatter liquid surfaces, laugh when the wrist launch goes awry and the rocks skip upwards instead of outwards, kerplunk into the lake’s stomach. We lay flannel blankets on grass and pick at singular blades to see if the others notice one’s been plucked from the fused fabric of their field. We take the boat out and cut the motor. We can hear the slap of the lake’s tongue flicking against the hull. We sip champagne and rock gently, side to side. We tug woolen sweaters over shoulders when the sun dips behind the swaying reeds and the frogs start their throaty croaking. We toss kindling into the firepit and watch the steady swirl of the flames as they churn through our offerings. We press graham crackers into sandwiches and drip marshmallow goo onto fingers and chocolate onto tongues. We dip bare toes into the blackness of water, fishing for a change in temperature, a warmth. We whisper secrets to the trees, tell them we love them, that they’re different from the trees back home. Tell them to remember us when we leave.

     

    Annie Marhefka

  • Where to Read

    Where to Read

    Robyn Smith

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Robyn Smith

  • Fire Eater

    Fire Eater

    Karen Sadler

    I spend winters gulping candlelight,
    let the flames singe my tongue,
    wicks hissing in distress.

    My throat, coated in wax,
    and my lips ringed with ash,
    keep the frigid air out.

    They give my blood a fighting chance.

    But this warmth is fleeting
    so I spend nights awake,
    ears pricked to the scream
    of sirens and I run, then,
    starved and panting
    through ice-packed streets,
    catch the smoke in my nose
    and lunge.

    I crouch at the base of
    burning houses,
    the blazing wood a feast.
    Let me lick the smoking
    bannister, let me drink
    the melting hinge.

    I would swallow the stars
    if I could, in winter.

    I would eat the sun,
    then beg for more.

     

    Karen Sadler

  • Coming Home

    Coming Home

    Yvette Viets Flaten

    My father arrived stateside from Thailand
    in 1969, just before Thanksgiving.

    That night I could hear my parents talking
    together all night long, her high giddy laugh
    and his burr coming through the gypsum
    plaster of our old rented house.

    My dad died twenty years ago, my mom
    two months ago, during the warmest January
    on record. with so little frost in the ground
    that opening the grave was hardly work.

    Some will credit climate change for loosening
    the ground, but I know better. He was waiting,
    expectant, happy, when her casket sank against
    the shoulder of his.

    All I could think was that the ground was softened
    by reason of their love; no more wars, no more
    oceans, no separations. I imagine they have not
    quit talking yet.

     

    Yvette Viets Flaten

  • Aunt Moonstone

    Aunt Moonstone

    Marie-Louise Eyres

    In a house of animals, blind dogs, a three-legged cat,
    salamanders posed like statues in a tank,
    a couple of kids and a mynah bird who all talk back,
    she follows strict Buddhist rules, like never squash an insect.

    All along the bookshelves, golden art-deco dancers
    bare-breasted, double up as candlesticks.
    Cigarettes twirl thick incense from an alabaster dish.
    A table is peppered with glasses inked in port.

    Baking takes place in bold, red loaves,
    purple buns that contrast well with marmalade.
    But then there’s the bright green, braided bread
    that none of us will touch for thoughts of mould.

    Sometimes she re-paints the walls, the paving stones out back
    with giant snakes and ladders, hopscotch,
    creatures muraled under a brick-dark sea.
    Her cottage is thatch-roofed, deep in the country.

    Fen violet and greater celandine skirt the old fence
    by an open field of defiant, red eye poppies
    where dogs and us kids gambol afternoons.
    When we reach cacophony, she meditates an hour or two

    inside an upstairs room. I peep through the keyhole,
    see tie-dyed legs crossed on an Afghan rug.
    She drags on her long thin smoke
    beside a stick of frankincense burning in a pot.

    I just close my eyes, plan to wait for her.
    But as I breathe the thick air through the latch,
    I rise up from the landing then float downstairs
    where I find my cousins curled asleep into the patchwork couch.

    The candlesticks begin to sway, a gilded chorus-line
    while an octopus slides in from the painted patio
    and flops itself across the kitchen floor.
    Then the dogs are tangoing on their back legs with the cat

    who’s eye-balling the bird that hasn’t said a word all day,
    while a single salamander, no longer in his tank,
    is circling in perfect figure of eights around the ashtray and a cup,
    as he turns a slightly paler shade of grey.

     

    Marie-Louise Eyres

  • the lonely mountain apotheosis

    the lonely mountain apotheosis

    H. Sanders

    In the mountains at night,
    eating beans and drinking
    whiskey you’ll look at the
    fire and the fire is all else.

    you make you happy, being
    alone for a while, being
    the only thing for a while.

    Some say God is Fire and is Other
    and so for all intents and purposes
    it’s you and God in a black space
    of no echo, the occasional sleepy
    gnat, angel, ghost drifting up and
    over with the embers, so synchronized
    it seems he’s met them before.
    and the ground if you could be sure it still existed would be
    black,
    and the dampened fallen trees if you could be sure they still existed would be
    black
    and the static fizzing ocean if you could be sure it still existed would be
    black
    and the curious ground squirrels black,
    the clustered hill flowersblack
    and
    no sound
    passes the popping logs and
    no thing
    is seen past the smoke but
    Suddenly—
    there is a fire elsewhere you can see,
    in all the blackness, a fire.
    there is a blur across it,
    an orbiting body. This
    body makes you happy,
    though you will not test
    the blackness to touch it,
    but you are glad for more
    bodies in your universe
    and you wish them well,
    you wish them whiskey,
    you wish them beans,
    and a soft sleep when
    the gods burn out.

     

    H. Sanders

  • Floral Transport

    Floral Transport

    Patricia Davis-Muffett

    Glass lily glow, furiously reaching, twisting
    into other blooms, seeking a higher shelf
    like the ladder slid along the bookshelf–
    the one you found to reclaim
    this hated room–meant to reach
    Bishop Caruth Collins
    so far above my lowly station
    on the fainting couch, divan,
    Craigslist sofa for one woman, one
    black dog warming feet, patched leather
    where cat clawed, puppy scratched.
    Eye to eye with
    Olds, Oliver, Paz, Rich,
    where my water glass holds court
    beads of sweat slicking sides,
    where the tiger’s eye protector
    gift from my child, childhood
    stuffed dog, old nose bleached,
    in this place where the quilt covers my legs,
    this quilt pieced for me alone, its
    raucous colors the colors of my mind.
    Overhead, more glass flowers, calm
    in whites and purples, orchids
    like the ones you buy me
    over and over, the orchids
    that return me to the garden
    where we danced to fiddle,
    hammer dulcimer, drove north
    into Badlands, into mountains,
    into forest, turned to each other
    in the silence of backcountry
    and reached for each other’s hands.

     

    Patricia Davis-Muffett

  • Wallpaper

    Wallpaper

    Birdy Odell

    Four walls, a floor, a door
    A cottage
    Nothing more
    And beneath the crooked roof
    Within
    The hearth that warms both kith
    And kin
    A table worn and
    Bookshelves heaving
    Clocks keep time to joy
    And grieving
    A blanket warm
    A candle burns
    And in the dark of night
    Returns
    The moon to light the pathway home
    Guide the wanderer on their own
    While battles rage and bullets fall
    Still safe within
    These papered walls

     

    Birdy Odell