Brian John Yule
Poetry Contributor
Brian Yule is a writer & musician who hails originally from County Durham in the northeast of England, but has drifted considerably since.
Works in Nightingale & Sparrow
Poetry Contributor
Brian Yule is a writer & musician who hails originally from County Durham in the northeast of England, but has drifted considerably since.
Michael Estabrook
Love of Romance
First Date
Asking her
to go steady with me
on our very first date 50 years ago
is the greatest thing
I’ve ever done in my life
Pure Beauty
Looking up at me holding my hand tightly
telling me “Yes I’ll go steady with you
be your girl if you still want me.”
Time Travel
To go back in time fall in love all over again:
her hair, her walk, her kiss, her scent, her smile –
what could be better than that?
Stunning
Barely able to speak
in her presence: “Can’t believe
I’m standing here talking to you.”
Exactly how I’ve felt
every day of my life.
Silence
When she would fall asleep
her pretty head light upon my shoulder
I’d stay still as a stuffed otter
listening to the silence
all around me
Tori Eberle
I.
I try to notice things,
big things and small things.
The fading murals on industrial buildings
and the tone of your voice every time
you say my name.
II.
But I’m still scared and worried
about missing anything,
everything.
So, I cling to the muscles of your back
with my eyes searching for meaning
in the movements of
your breath
when you sigh because
I asked you something—
the same thing I always ask
because I want to remember
the shapes your mouth
makes around certain phrases
Forever.
Catherine Thoms
Clara Wells has had a haircut since the last time Sam has seen her. She doesn’t expect him to notice, but he does. Clara Wells, Clara Wells, her name always comes out sing-song in his mind.
“Your hair is different,” he says as she shakes out of her coat. She makes a face and puts a hand up to her head.
“Oh, yeah, I’m not sure how I feel about it yet,” she says, though she is pleased he’s noticed.
In his memory, her hair falls in long, loose waves down her back, swishing one way and then another as she looks back, brushes it out of her face, and holds a hand out to where he stands behind her on the stone steps. Now it dusts the tops of her shoulders and curves inward to frame her face, making her look smaller, but somehow more fierce.
Clara can count on one hand the number of times she’s seen Sam in the past year and a half, though he appears often in her dreams. In these dreams, he looks much as he does now: tall, broad-shouldered, with long fingers and an easy smile that cuts through the sharp planes of his face. The dreams are never sexual, but she wakes with a yearning anyway, for the ghost of a touch on her cheek or a firm arm around her waist. These dreams embarrass and confuse her. Sometimes she tells Sam about them, but only of the vague, superfluous details: we were shopping for toasters, or, you were counting my spoons. She likes him to know that she’s been thinking about him, even if only subconsciously.
Sam doesn’t usually remember his dreams, which he tends to think is for the best.
The server deposits their drinks, and Clara nearly upsets a small decorative vase in the process of pulling her teapot closer. Sam catches it before it can fall to the floor, tipping its contents back into place and setting it out of harm’s way in the center of the table.
“Did I ever tell you about the dream I had where there were flowers growing out of my chest?” Clara asks, reaching out to test the plastic bouquet for life.
“No,” Sam says, taking a sip of his coffee.
Clara Wells talks with her hands so much that his mother had once refused to believe that she didn’t have any Italian heritage. He watches and listens as her slender hands cup an invisible flower in front of her chest, opening and closing her fingers as if each digit is a petal in bloom. She makes a twisting, scooping motion with her hands, which have now become trowels, then places her palms out in front of him on the table like an offering and moves her thumb across the pads of her upturned fingertips as if she’s scattering seeds. When her hands flutter to rest, he feels as though a performance has ended.
“What do you think it means?” Sam asks.
“No idea,” Clara shrugs.
“So how was Zurich?” she asks, busying herself with the teapot. “Did you and Sarah have a nice time?”
Clara only half-listens as Sam recounts his latest adventure with his latest girlfriend, marveling appropriately at the photos of mountain landscapes and historic cathedrals as he flips through them on his phone, though she’s already seen them on Instagram. Mercifully, he does not show her any of the pictures of them together, though she’s already seen those too.
“And how’s your new boy?” Sam asks, stowing his phone in his pocket. “Is he in love with you yet?”
Clara rolls her eyes, but smiles. “Probably,” she says. “I’m very charming, you know.”
Sam does know. Clara Wells is never alone for very long.
“Are you in love with him?” Sam ventures. Clara looks away, as if searching for a witness to his impudence, then looks back, narrowing her eyes into what might be a dare.
“What makes you think you can just ask me a question like that?”
Sam presses a hand to his heart as if applying pressure to a wound.
“Because I am your oldest and dearest friend,” he says, though he already has his answer. In all the years that they have known each other Clara Wells has been in love many times, or maybe just the once.
“All right then, friend,” Clara returns. “What about you? Is she the one?”
Clara hates the way her stomach begins to churn at the way Sam smiles into his coffee, so she focuses on her breathing, the way she’s practiced in her yoga classes. She counts the seconds of her inhale, holds it at the top of the breath, and slowly exhales to a silent count of eight. Clara likes yoga. She likes that while other people are chatting at the beginning of class she can curl up into a tiny ball and press her knees into her eye sockets until she sees galaxies. She likes the way her muscles burn as she holds the poses during class, how the fire distracts her from thoughts of anything other than her moving breath by which she marks the time. She likes the way time finally slows down in the darkness, as she lies in savasana with a towel over her eyes, how socially acceptable it is to embrace that darkness. She wishes she could close her eyes now.
“That’s sweet,” she hears herself say. “I’m really happy for you.”
And she is, he knows she is.
Sam has forgotten just how much being around Clara Wells unsettles him, how in everything she says he feels as though there might be a double meaning: truth in a joke, or a joke in truth. Most of the time he doesn’t know which is which, and it makes his head hurt.
Once, after a college formal after-party that had bled into the early morning, they snuck into the old campus bell tower to watch the sun come up over the sloping hill of the quad. They had both been quite drunk but were in the process of sobering up, passing a plastic bottle of water back and forth on their ascent. When he thinks of that night, it comes to him in snatches of swirling vision: Clara’s long hair swaying under the colored lights, the fabric of her skirt fluttering as she spun – or maybe he was the one spinning. He had thrown up just the once, in the bathroom of the venue, and continued to drink. And after the formal came someone’s apartment, red cups and loud music, and Clara’s hand finding his again in the heat and the crush of people, pulling him out into the cool spring night. It smelled wet, of dew, or maybe rain, though he couldn’t remember it raining. The stone steps of the bell tower were slick. He remembers very clearly the soles of Clara’s bare feet, darkened from having discarded her heels long before. And he remembers her hair, long and tangled, the way it swung as she turned around to watch him stumble and, laughing, offer him her hand.
“What were they teasing you about, right before we left?” She asked him once they reached the top. At the time, he remembered feeling grateful that she had not heard, had shrugged off the teasing of his so-called brothers and decided it wasn’t worth repeating. Which made it all the more shocking for him to hear the words bumble traitorously out of his own mouth.
“They were saying we’re gonna get married,” he admitted. Clara Wells had thrown her head back and laughed. He remembers how her throat looked, pale and exposed in the dawn, and how he had had the sudden thought that he could kiss it if he wanted to. Not that he would have. The thought came to him like thoughts of jumping did whenever he found himself in a high place, on rooftops or mountainsides – or bell towers, for that matter. He was vaguely aware of the fact that he would never dare do something so foolish, but physically, the possibility was there.
“But we are getting married,” Clara Wells had said, looking sideways at him with the laugh still on her lips and leaning backward onto her hands.
“We are?” He asked, stupidly.
“Oh sure,” she said. “I’ve always thought so.”
Clara had looked at him then and smiled. She did not think he would remember any of this in the morning, so she took his hand, squeezed it, and held it until the sun came up. When she woke up much later that morning with a bottle of Advil and a full glass of water beside her bed, she was surprised she could remember anything either. Sam had never forgotten.
Clara has been drinking her tea slowly, but Sam’s coffee cup has been empty for a while now. When his eyes dart to his watch for the second time, she decides to call it.
“I should probably get going,” she says. “I’ve gotta pick up some groceries if I want to eat tonight.”
Sam is both relieved and disappointed. He has been anxious about being the one to end the conversation, but now that she has done it, he wishes they might have stayed a little longer.
“Me too,” he says. “I told Sarah I’d call once I got settled.”
“Are you settled already, then?” Clara teases.
Sam shrugs. “Close enough,” he says.
They walk to the train together, and at the mouth of the subway entrance, she has to stand on her toes to put her arms around his neck. She debates kissing him on the cheek – isn’t that what grown-up friends do? – but decides against it. It would be too weird.
In the station, Sam goes uptown and Clara goes down. She is relieved to see her train already at the platform and rushes through the closing doors, glad to have avoided the awkwardness of waving to each other from opposite platforms, or worse, attempting to maintain conversation by shouting across the yawning gap of exposed tracks that spans the distance between them. She lets out the breath she has been acutely aware of holding, counting to eight as she exhales in an effort to settle her stomach, her heart.
Sam watches the train carrying Clara Wells pull away from the station. He looks for her in its windows but doesn’t know which car she has gotten into, and soon enough she’s gone again. He looks around at the station walls and blinks as if only just coming round to the reality that this is his life now. Clara Wells, Clara Wells. Her name is stuck in his head.
Nicola Ashbrook
Mummy’s sad. I can tell. She used to sparkle like bubbles in lemonade – the pink kind – but now she looks grey. I think she’s stopped asking the hairdresser to put the golden bits in and she’s stopped wearing pretty dresses, too. She has grey clothes, grey hair and grey skin.
Daddy doesn’t look happy either. He stays at work a lot. When he is home, I see him in the garden, staring at the air.
I need to cheer them up again. I know I can, I did it before, but it’s harder now.
My grandpa told me once that in the olden days, a very long time ago, if you loved somebody, you gave them a ‘love-drury’ to show them. He said it was a present – anything that meant something. I want to send a love-present to Mummy and Daddy but I keep trying and I don’t think I’ve sent the right one yet because they’re still sad.
I sent daffodils in the spring and snow in winter. I made sure it was the fluffy kind that sticks well, but they didn’t make any snowballs at all. They didn’t pick the daffodils either. I’ve sent rainbows and shooting stars and an owl to TWOO in a tree and a friendly cat with a patch eye and sock feet. But they’re still sad.
I’ve been thinking really hard, like Mrs. Piper always told me to do if a sum had big numbers, and I think I’ve got the right answer now. I’m sending it tonight.
*
Mummy is wearing a pink dress today. It has a ruffle at the bottom which swishes when she walks. She looks very pretty. Daddy isn’t at work. He’s walking with her and holding her hand like he used to.
They’ve been to feed the ducks in our favourite place. A dog jumped in near Daddy and splashed him. He was hopping about and Mummy was laughing and laughing, then Daddy laughed, too. Their laughs are my very best thing. And Mummy’s sparkles; I collect those.
Mummy’s tummy is big now. She keeps one hand on it all the time and Daddy likes to rub it, too.
Mrs. Piper was right – if you think hard enough, you can get the right answer.
I can’t wait to see my love-drury – my sister – she’s going to be beautiful.
Jason Whitt
When the inkwell runs dry, from
the words I’ve written for you,
when the lines and the curves that
form the letters all begin to disappear,
look close my love, at
the indentations on the page,
for my pen still writes, even
though the inkwell ran dry.
Marie A Bailey
I’ve started this letter many times, and many times I’ve ripped the paper from my notebook, crumpled it into a tight ball and tossed it into the wicker wastebasket. The last time, the crushed paper ball ricocheted off the mountain of other paper balls and rolled under my bed.
The night you left, that December night where we stood outside my apartment, I told you I loved you. The sight of me had surprised you. You didn’t expect me to throw on my thin blue bathrobe and race down the stairs into the parking lot. The night sky was clear. The air was cold. You knew I was naked underneath.
I said, “I love you.”
You said, “Don’t say that. I might run away to another country.”
But you were leaving for another country. Ecuador. You had joined the Peace Corps and would be gone for two years. We had only been dating a few weeks, but I loved you already.
I’ve been writing this letter every night since you left. At first, I just wanted to get the pain out and on paper, hoping that I might at best numb myself. I thought you were perfect, yet you weren’t at all what I expected or had ever loved before. I had, until you, loved tall, dark, lanky men. Men made of wire, whose hair and eyes were black and unsettling. Men who were artists and slightly insane.
You are nothing like them. Fair skin, fair hair, blue eyes. Thighs like rocks from all your years of long-distance cycling. A chest with soft hair that I loved to rub my cheek against. You are made of muscle and sinew, and I disappear in your arms. You are analytical. An engineer. Your sanity is so sharp that I’m almost driven insane.
Except that I love you. And this is the one letter I haven’t yet sent. I’ve written other letters to you. Boring letters about the people we both know, the places we’ve both been, the movies you are missing. I sent you news clippings about the Space Shuttle Challenger disaster, articles from Harper’s Magazine. You wrote to me about the water tank you were building, the village you live in, the bartering you had to do for supplies, the language you barely know. You sent me alpaca yarn. You beg for letters. You are lonely.
You don’t say you love me and I haven’t said it since that night outside in the cold, dark parking lot. You held me tight then as you kissed me one last time. And then, in that coolly sane way of yours, you turned away. I stood and watched you go and realized that I was barefoot. Did you ever wonder how long I stood out there? Did you look for me in your rearview mirror as you drove away?
When, more than a year later, you invited me to visit you in Ecuador, I began making plans before writing to you to say yes. I researched flights and bought underwear from Victoria’s Secret. We had only three months to secure our plans. We had only letters. You were able to come to Quito one day to stand in line and then place one phone call to me that could last only ten minutes. I felt special. For you, though, this was simply life in Ecuador.
After only a couple of days with you, I made the mistake of telling you I still loved you, even that I would marry you. We were still in Quito, on the verge of taking a bus to Baños and beyond. We had been drinking. Voicing my fantasies unraveled the plans.
I had made the common mistake of thinking I was more than a friend to you, that I was the only woman you had invited. Rather, I learned, I was the only woman who had accepted your invitation. You became angry. I ruined everything, you said. I should have been angry too but instead, I prepared to accept defeat and return to the States early, hide in my studio apartment until my scheduled return to work, and then lie about my fun trip to a foreign land. I wondered if I could survive the lie.
In the morning, your anger was gone and instead of trying to find me an earlier flight back to the States, you suggested I stay longer. You didn’t want me to go back. I was the only friend who had regularly written to you, sent you cassette tapes of the Talking Heads. You wanted to show me Ecuador. I promised you I would not say, “I love you,” again. We would just have fun.
In the small touristy town of Baños, I followed you up a long steep curving trail, learning quickly that you are the sort to say, “We’re almost there!” at every bend. My left knee went out on the climb down and I had to sidle to keep the pain at bay. You thought it was funny and yet you declared that I was a “superior woman.” I was keeping up with you and I could see you were impressed. I met every challenge you threw my way, from spending a couple of dank nights at a hotel in Otavalo where hot water was available only a couple of hours a day, to standing in line for a shower at a hostel, to helping you clean up your apartment after another Peace Corps volunteer crashed it for a party.
At last, I had to leave and while you said again you would come back to the States, I didn’t kid myself anymore that you would come back to me. I didn’t let our growing ease with each other trick me into forgetting your anger that night, your sense of betrayal. You had only wanted a friend. What you needed then was a friend, nothing more, and I had let my own needs get in the way.
Now you are finishing your tour and preparing to return to the States. In your last letter, you wrote that you would come back to California. Not to me, you didn’t write that you would come back to me. Only that you would come back to this state, to this part of the country where we met.
And so I’m trying one last time to write this letter. To say again what I haven’t said since that awful night. I love you. But as soon as I write these words, the fear comes over me. Will those words drive you away? Should I toss this letter with all the others I’ve never sent, never finished? Should I wait? Should I wait for that moment when I’ve disappeared into your arms, my fingers tangled in the soft hair of your chest, my lips near your ear? And then can I say I love you, finally?
* * *
Epilogue: I waited. I never sent the letter but he did come back and when he came back it was to me. We have been inseparable since he drove back into my parking lot on a warm June night in 1986.
H.E. Grahame
Above the sleepy city, the inky heavens were cloudless and infinite.
As a wintery breeze kissed their cheeks beneath the vast, star-freckled sky.
His words and movements were intoxicated
by too much excitement and gin
bouncing from foot to foot, arms swinging wildly,
dancing in the silvery moonlight.
He faltered just slightly as he looked at her over his shoulder
and grinned, spilling stars into the night.
scattering constellations across dark canvas.
Her brief time with him had taught her the
angles of his nose and freckled patterns peppering his cheeks,
his sleepy face at 4 a.m. and how his eyes crinkle when he laughs.
She watched as he effortlessly reassembled her broken pieces,
and understood, sowing hope into her life.
promising their forevers in sparkling bright paints.
Their twinkling city and whispered breeze orchestrated
a simple melody matching his sloppy waltz,
composing a love song, of sentimental verse
but never so mundane as romance and desire.
They knew their symphony was unique
and celebrated, breathing stardust into the air.
Above the sleepy city, their childlike laughter was timeless and infinite
As a wintery song changed their lives beneath the vast, star-speckled sky.
Rick Blum
Today’s the day for you, my love
When I answer all your wishes
I’ll say the words you long to hear
“It’s my turn to do the dishes”
I’ll shower you with long-stemmed roses
Prepare your favorite drinks
Then smother you with steamy kisses
After I scrub the sinks
I’ll rub your back until you sigh
Massage your heels and toes
I’ll run my fingers through your hair
And then I’ll wash the clothes
By the time it’s late and you’re in bed
You’ll be floating in a fog
Warm as toast on a freezing night
While I’m walking the dog
Today’s a day for you, my love
Say the words I long to hear
“Oh, my darling, I love you too
You’re good for another year”