Nightingale & Sparrow

Category: nevermore (Issue No. IV)

  • Rumours and oracles

    Roumours and oracles*

    Kate Garrett

    Seers claimed they were shown the end of Mary:
    clouds of red hair swathing the sky over Scotland

    with blood like mist – the vertebrae snapped – skin
    severed. The boy king locked this vision in his

    heart, pulled chains tight around it: no time to love
    his faraway mother held in her chambers and turrets.

    Nor any inclination – raised by steel-tongued wooden
    men – but he forever paled at the suggestion of her

    execution, it rolled around his ribcage like a rough-
    cut gem, polished over time into deep superstition,

    into acceptance. As the years delivered the gore
    foretold, a woman whose own alchemy once gave

    him life had dwindled to an artefact – a mother
    unseen, untouched, unknown. Distant and dead,

    one less hurdle to the throne, but left James a legacy
    of backward glances – expecting death by axe- by curse.

     

    *King James VI of Scotland & I of England is remembered by many for his persecution of witches. One reason behind this hatred was his fear of a violent death – which was in no small part brought on by the execution of his mother, Mary, Queen of Scots, in 1587. On top of that, Mary’s death was supposedly predicted by those with ‘the sight’ in Scotland throughout his youth, which added to James’s superstitions about those who practiced magic.

     

    Kate Garrett

  • Seeking the Dead

    Seeking the Dead

    DW McKinney

    The nursing students lived in Meadowlands residence hall with a baby’s ghost. He wasn’t really a baby, but of an indeterminate age lost to the longevity of his tale. When I first heard about him, my womb quivered at the thought, and I believed the dead to be an infant.

      “Let’s go find Blue Boy,” Julia said one night.

    It was a foolish idea only made possible with the helping hand of Smirnoff. It wasn’t surprising either—Julia had dropped out during our freshman year due to personal and financial problems. She returned every few months to pick me up so we could spend a weekend together. 

    We often talked about mortality when she visited. Her interests were spurred by debilitating pain from an ongoing genetic disorder that had worsened over the past two years. At the time, I was given to risky behaviors and morbid curiosities. 

    Prior, on my twenty-first birthday, Julia had taken me to the Winchester Mystery House. It was a mansion in San Jose, California, that underwent ceaseless renovations for thirty-eight years to protect Sarah Winchester from vengeful spirits of people killed by Winchester rifles. Staircases ended in windows or walls, doors opened to nothing. 

    As we entered the mystery house, exhilaration couched in mild fear pulsed through me.  During our tour, I waited until our group left the ballroom to marvel at the ornate architecture alone. As I approached a set of closed doors with windows, I saw one of the brass knobs slowly turn. It could not have been someone on the other side trying to get in. There was no silhouette against the sheer curtains, but I had to be sure. I peeked past the curtains, but I didn’t see anyone. I ran out of the room and smacked into Julia.

    “The doorknob turned on its own,” I sputtered. 

    We peered into the room, and we could hear the knob rattling. We fled, certain that we had narrowly escaped a ghost. 

    That experience must have lingered with Julia, a faint itch she couldn’t satisfy. Searching for Blue Boy was her attempt to scratch it.

    Julia and I strolled around the university campus, stars twinkling in the night sky. It was eerily quiet, the soft rustle of fluttering leaves an invisible audience watching our every move. Vodka burned through veins as we stumbled across the creek bridge toward Meadowlands.

    The university’s crown jewel was an iron-grey mansion. It sat at the head of a sprawling green lawn ringed with verdant gardens and mulberry bushes. Acacias dropped blossoms on the bordering pathways and during the day, the sun swept across the residence hall as if it were in constant receipt of divine blessings. In the shadows, ivy strangled its walls.

    Once inside, the floorboards creaked with whispers of the boy’s death. Campus ambassadors skirted mention of the child to prospective students and their parents as they toured the Wicker Room, the dormitory’s common area that frequently sat devoid of human presence. Parents snapped photos of the lattice windows and marveled at the architecture. Their questions disguised their excitement—they wanted their high school seniors to register for this specific dorm, the best dorm. 

    The dorms at Meadowlands were often the featured image on the university’s brochures, the glistening red apple color to tempt the naive. It exuded a faux elitism that followed everyone who lived within its walls. When I stared at the glossy images on the brochure, I searched the attic windows, hoping the unsuspecting photographer had captured a tiny silhouette. 

     

    Before it was subsumed by academia, Meadowlands’ countless leaded windows brought light into the Victorian summer home of Michael H. de Young and his family in the early 1900s. I imagine when the nanny wasn’t washing adventures off the children in the grand bathtubs, the children scampered down the wide staircase spine that curved from the great entry hall to the second floor. Their exuberance thudded across the sun-kissed floorboards, their laughter lifted the curtains and carried through the house like a gentle breeze. The building was later converted into dorm rooms with walls and floors so thin that residents couldn’t clear their throats without their neighbors hearing them. 

    Julia and I dragged each other through Meadowlands’ main student entrance and tripped up a flight of squeaking steps. A thick hush blanketed the hallways, the faintest movements behind the series of closed doors startled us. It was quiet hours, which meant Blue Boy could rip our throats out or frighten us to grotesque, disfigured corpses and we’d have to endure it in silence or risk receiving a noise violation. 

    We lingered in a study alcove hoping to coax unsuspecting nursing students into telling us more about Blue Boy. Julia had heard about his existence before she left school, but she didn’t know the full story. Filled with equal parts bravado and reluctance, and keeping my voice low for fear that Blue Boy would hear me speaking ill of him, I gave the details.

    The legend, or its patchwork frame that I had stitched together from various storytellers over the years, was that the boy’s mother or his nanny, depending on who told it, submerged him underwater in a rage and drowned him in a bathtub. He died blue and bloated, succumbing to the strangling hold of the bathwater. After his death, the family quarantined the tub in the attic and never used it again. Who is to say why M.H. de Young sold the house to an order of Catholic sisters for ten dollars, but his son’s murder, the tub still slick with his young life, might have played a role. The bathtub stayed abandoned in the attic along with the spirit of de Young’s son who became Blue Boy.

    Resident Advisors claimed to hate it when it was their shift to monitor Meadowlands. There was too much paranormal activity, the television in the RA office turned on and off on its own volition. The room became frosty on cold nights despite the heater being on, and sometimes the heat rose exponentially until the radiator clanged in protest and the room blistered. Wet footprints appeared on the hardwood floors in the entry hall, disappearing without a trace in the middle of the foyer. No one was ever sure if Blue Boy was malevolent, but they wanted to keep their distance all the same.

    When I finished speaking, a thick presence clung to the air. Thinking of my grandfather’s folktales, I believed it was the remnants of a haint—recalling Blue Boy had churned up parts of him in the atmosphere, giving him the power to materialize and harm us. I held my breath so that I wouldn’t accidentally inhale Blue Boy’s essence and tether him to me. But his name burrowed under my skin, forming a connection that unsettled me.

    “I don’t know if I can do this, dude,” Julia said with a nervous giggle. 

    We cast furtive glances over our shoulders, expecting to see the worst we could imagine lurking in the corner. Julia and I waited in the alcove a minute longer and when no one appeared, we choked back our fear and scurried down the hallway to explore the rest of Meadowlands. 

    We blustered into the Hunt Room where students gathered for murder mystery dinners and study sessions. A mirrored bureau rested against one wall near its entrance. I walked over to the fireplace and tried to pry open the metal grates sealing it shut. The metal whined as I pulled but did not give. Mismatched wooden chairs surrounded a rectangular dinner table. The cool wood delighted my fingertips as I ran my hand over its surface. In the wall’s faded paintings, red-coated hunters and their hounds chased prey across the grounds. The flooring popped and crackled as Julia and I walked across the room, and I entertained the feeling that at any moment, it would open up and we’d tumble into some long-forgotten basement, dragged to our deaths by devils. 

    We crossed into the great entry hall and circled the large oak table at its center. We called out to Blue Boy, beckoned for his presence behind titters and muffled laughter. We dared each other to be louder, to bark out Blue Boy’s name as if commanding the dead. I imagined a pearl-white, claw-footed tub filled with water, a boy lying peacefully at the bottom. As our words rose toward the attic, the tub frothed with greying bathwater that spilled over its edge as he emerged. We had awakened him, the burning intensity of our voices attracting him like a moth.

    Julia and I walked into the Wicker Room. Lamps lit every corner and the overhead lighting cast the room in an amber glow, yet a general discomfort pervaded the air. We shook our heads and scampered back, and after finding another staircase, we paused to catch our breath.

    “What do you want to do?” Julia asked.

    I wanted to find the attic. I craved something more than just an aging tale of a dead boy.

    “Let’s go,” I said and jutted my chin upward.

    Julia trailed behind me. The twisting staircase swallowed the light and muted sound from the hallway below us. Our clunky footsteps echoed in concert with the sorrowful groans of the stairs. We wanted to go higher. To see him. Yet, our excitement puddled into trepidation and we paused every two steps.

    “I dare you to go first.”

    “Come with me.”

    The stairs stopped at a closed door. Whoever entered had to step up into the room, or whatever exited would fall directly out of it and onto us. We stood a few steps below, eyeing each other and the door. Julia’s unsmiling face peered back at me in wide-eyed recognizance—we shared the same thought. There we were again, another door and another ghost.

    “You go,” Julia said.

    “No, you,” I exclaimed. 

    We giggled at our absurdity and peeked over the railing to see if anyone was coming to reprimand us or save us.

    “I dare you,” she said.

    “And what do I get if I do?”

    “I’ll give you five dollars.” She held the ‘s’ until it hissed between her braces; I was Eve being tempted toward an unknowable fate. 

    I clasped her clammy hand in agreement then shook jitters from my body. I inhaled, letting the exhalation propel me to the top step in two bounds. 

    “Get ready to run,” I said over my shoulder. 

    I grabbed the knob, turned and pushed. It didn’t budge. I shoved my shoulder into the wood. Nothing. I looked back at Julia and then fueled by adrenaline, bent down to peer into the keyhole. I had to at least lay eyes on the bathtub.

    I nestled my eye into the keyhole and as I focused, a grey figure brushed past. I cried out and stumbled back down the steps. My nails dug into the lacquered railing as I steadied myself. Julia screamed and hobbled down the staircase. I jumped over the rest of the stairs to the landing and trailed behind her, restraining the urge to push her out of my way. As I glanced upward to see if Blue Boy was in pursuit, I caught sight of a moth fluttering toward the buzzing fluorescent light. 

    Months following this adventure with Julia, during my senior year I would request to live in this residence hall. I could think of no better place that befit my suffocating loneliness than a haunted mansion. When night washed over the campus in a velvet wave, I turned off my bedroom lights, cracked open my window blinds, and crawled into bed. My breath blunted by the comforter pulled to my mouth as I stared out the window, waiting for a specter to play at the foot of my bed on the moonlit carpeting. I was moored in a melancholic depression, eager to embrace the dead rather than sit upright to eat with the living.

    DW McKinney

  • New Moon

    New Moon

    Thomas Zimmerman

    Black lotus in an overturned carafe
    of stars, grim Hecate descends, and in
    their graves the denizens begin to spin

    like dervishes. You hear but cannot see
    the neighbors’ belled barn-cat. Your hot breath’s like
    a bit that cuts your thought, and there’s no other

    way to say it—you feel horsey. Murmurs
    rise like specters through the dull green mist,
    there at the crossroad hedge. The grass curls black

    wherever her feet tread. Her left hand holds
    a goblet, your hand’s in her right. A dog
    somewhere barks three times, sharp, and something in

    you hammers like the making of a blade.
    She’s cut the lights but never touched the switch.
    Your trembling fingers check: the bulb’s still hot.

    Thomas Zimmerman

  • The Night the Ghosts Screamed

    The Night the Ghosts Screamed

    James G. Piatt

    I listened to the raucous screaming of ghosts in the dark night hours. Their eyes opened and shut in rapid motion, trying to inhale the moon’s silver beams. I tried to sleep and dream during the lapses of such horrible screaming, and as I twisted and turned, my fears crept into Infinity.

    I felt the icy wind that wafted through my flesh, and bones, sewing darkness into my thoughts while the ghosts screamed in the language of bereavement, hoping I would succumb. The rusting hours of the echoing night stitched into an unreality, left me with a sense of despair. I searched for metaphors to smother the haunting voices of the ghosts as they screamed into the mysterious emptiness of the dark moonless night, but to no avail, until I died.

    James G. Piatt

  • O’Leary’s

    O’Leary’s

    Donna Vitucci

    A gloomier house you would not find, perched there atop the hill, complete with a German Shepherd to guard it and a rattle trap barn in the rear. The main structure stood at the end of a long gravel drive, amid trees whose dark and icy shadows embraced our slight shoulders. A wind rattled the last leaves on the spindly branches, and the ones that scuttled across the gravel like crabs and mice and lemmings. 

    The house stands unoccupied, abandoned by the owners, the O’Leary’s, now living in Pennsylvania.  They are unable to sell the once-magnificent white clapboard house with its grand staircase of now rotting boards to trip the unsuspecting. So imposing it doesn’t need locks. Its reputation for horror and bad dreams are quite enough to keep out vandals. Or maybe vandals themselves contributed to its demise what with the clap-trappy state of the place.  Nevertheless, this frightening structure is rooted like a vine deep within our imaginations. 

    In the front yard is a well, where we drop many a stone and a penny to try and hear it hit water or dirt.  We are just looking for some definition to our boundaries. There are signs reading “Don’t Trespass” and “Danger” which we never mind anyway. The bottomless well, the lonely tire swing swaying in the wind or its own haunted propulsion are not enough to stop us. 

    We stand on tiptoe at the kitchen’s back window to peek inside at the shifty stacks of mail on a table, nothing opened, all unread.  Our sight continuing to sweep the room, over the kerosene lamp, andirons, and butter churn until the German Shepherd’s bark runs us off. Yet, the dog has never been seen and though the house is never entered, it creaks all the same.  But we are drawn to the barn. 

    The barn we can get into so we do.  Bales of straw piled in corners for long ago sheep whose stench remains in the barn-boards and the stalls, some of their wooliness in cobwebs.  The straw was ideal for extending fire. Matches enthrall me. Once I set a book of matches on fire, dropped them in the ashtray and watched as the ashtray split from the heat. 

    Firebug, my dad called me.  My mom told me to quit. 

    Younger children revere me.  I enter O’Leary’s barn near dusk with Tracy and Ellen following.  Fire and esteem have my head swimming. I am going to strike a match.

    The neighbor girls’ eyes shine bright, their eyes fastened on me and what I take from my pocket.  School teaches fire safety; our families scold, “Don’t play with matches.” But like the warning signs on the O’Leary’s property, I ignore them.

    “We’re in O’Leary’s ramshackle barn,” Tracy says. 

    “Our shoes are caked with mud,” says Ellen. 

    “We’re going to be whipped anyway,” I say. The sulphur smell in the air, the match I strike illuminating the three of us, the stalls, and straw. “Voila!”

    The first match’s flame descends until I have to drop it. Two, three, four, five more.  One, when it drops, touches a strand of straw and glides along it before winking out. Once each match goes out, the barn appears eerier, darker, bereft. Our small hands huddle together holding a teepee of straw. A lit match makes it burn brightly. Ever more teepees, ever more burning, until I touch the last match to a whole straw bale and then the fire takes the next bale and the next, eventually catching the stall boards and the posts. Like an electric bird it flies to the rafters and cuts across the main beam. We stay rooted, watching until the roof comes down and the sides fall in. 

    Outside the grass slashes so cool against our ankles. Dead grass, but grass all the same. Once green, it almost feels wet to us. We remember we want a drink, and run to the well.  No water there, but we are a little out of our minds. Fire does that, it covers everything and then clouds, scars. It makes you forget. It overcomes you. It overcame us. It’s why horses panic in a fire, why they stampede and why they mow down one another in their fright. We try to find each other in the dark, and only come up with two and still parched.

    “You pushed Tracy in the well!” Ellen cries. 

    I swear it was like flicking a match, it was that easy. 

    Screams and sirens and suffering smoke. You can’t tell who is alive or dead, white or black, blond or brown. Neighbors are everywhere, rescue folks, gawkers you can’t begin to count.  The revolving red lights of night where all numbers, letters, identification burn. Even the long-dead sheep are screaming a cry I never want to hear again. Call it purified, the burning barn is beautiful to me.  My fingers itch to strike another match.

    Tracy disappears, but not in the well. But, we knew that, didn’t we? She walked out of the barn like a stick on fire, her blond curls sparking, her fingertips smoldering, her shoes burning a path brightly to O’Leary’s back door, where she knocked, where she bleated with what was left of her voice, her little handprint a ghost burn on the bottom of the door.

    Donna Vitucci

  • Vanishing Point

    Vanishing Point

    Allene Nichols

    She’s waiting there, just at the horizon
    like some hackneyed ghost
    from an old black and white movie

    Her nightgown flows around her
    and her moans float like lily pads
    on a stagnant movie pond

    If she turns her back, you must follow
    because the compulsion is strong
    and because you might love her

    She might lead you back to that night
    long ago, when you drowned in lullabies
    and awoke to a world without shadows

    She might lead you to the time
    when you began to fight the seaweed
    and refuse to let it pull you down

    She might lead you straight to hell
    and last time you were there
    it was glorious and worth the price

    Do you recognize her crooked smile,
    the one you see each morning,
    in the bathroom mirror?

    Allene Nichols

  • Maybe at the end all you see is faces

    Maybe at the end all you see is faces

    Archana Sridhar

    The ancestors’ faces flit and flash—
    daguerreotypes in etched silver frames

    Tarnished patterns await crème polish, hem in
    those black-and-white elders

    My head burrows under a white sheet
    and accordion-style cameras flash

    Yellowing prints record
    mourning maternal murmurs by moonlight

    A buttery bulb’s filament guides
    a swaying, frail thread of life

    Hands sandwiched under armpits drag
    bony feet under-turned to a hole in the floor

    A father’s face disembodied straight
    off a plane begs from the ends of the earth

    Iced kerchiefs wrapped in snow
    slap my calves to ward off the chills

    A buzzing headache over yogurt rice
    burns rivers of fever into snowfields

    A mendicant wanders in the cardinal directions,
    hands cupped for alms and blessings

    The face masks shiver in the
    white black red yellow hours

    Archana Sridhar

  • The Unbearable Torture of the Raven at the Arizona Senora Desert Museum

    The Unbearable Torture of the Raven at the Arizona Senora Desert Museum

    K.T. Slattery

    Having seen every national park between Memphis
    and Tuscon,
    I had, myself, grown weary.
    My ten-year-old brain could process no more—
    No more canyons,
    No more movie sets,
    No more forced smiles for pictures.
    A rock for a perch, I sat,
    Hoping the camera bearers
    would not find me.

    ‘Nevermore’ croaked an old voice.
    Then another.
    And another.
    They filed past the raven in front of me—
    Long white socks pulled up to knees
    Anchored by shiny white sneakers
    Golf visors perched on variations of grey and white.
    Then the blue rinse brigade had gone.
    I counted 27 ‘Nevermores’
    And looked at the raven in sympathy.

    Then he opened his beak
    Between you and me,
    I hope Edgar Allan Poe is on
    a slow turning spit in hell
    “Is this what it is like every day?” I asked him.
    Day in. Day out. Every clever clogs that made it
    through eighth grade
    Says the same damn thing.

    Furthermore, I have never, in all my days
    Met a raven that uttered such nonsense.
    Why did it have to be a raven?
    A wolf could howl this dirge more sorrowfully than I—
    A woodpecker is more likely to come a tap tap tapping—
    But in his opium reverie he saw a black bird and
    claimed it was a raven-
    That actually gave a rat’s ass about Lenore.

    I could not fault his logic.
    So I pursed my lips in sympathy.
    The two of us sat in silence—
    Until I saw a tall man approach
    Every nuance of him screamed Clark Griswold
    from National Lampoon’s Vacation.
    He looked thoughtfully at the raven
    Then reverently opened his mouth and uttered
    Those three syllables

    He turned and seeing me, smiled broadly
    “There you are! How about a picture with the raven?
    Stand next to him there and on three…
    Nevermore!”

    K.T. Slattery

  • My descent into meaning

    My descent into meaning

    Peter Wood

    pace by pace I stumble
    through a brief corridor haunted
    with statues of demons glowing
    from purple-red lights perched above
    with flowing satin draped behind

    farther below a chamber presents itself
    teeming with ecstasy raw unkept
    the air neither hot nor cold and
    slowly filling with a brisk fog
    which rises from floor to nostrils

    entranced in the aura I feel awake
    yet divorced from sudden movement
    after years of searching I have arrived
    my home an abode where clocks tock
    echoing from hardwood unseen

    this might have scared me before
    dark mysterious and uncertain
    but much of what I once feared
    is now the apex of who I became
    so I walk gently toward the ether

    eyelids sealed I immerse myself
    in either an orgy of bodies or spirits
    unconcerned with which it is
    chest calm and mind whispering
    to the rhythm of a dangling pocketwatch

    Peter Wood

  • Sick Doctor

    Sick Doctor

    Shannon Elizabeth Gardner

    Shannon Elizabeth Gardner