Nightingale & Sparrow

Category: nevermore (Issue No. IV)

  • To Carry a Stone

    To Carry a Stone

    Jordan Brown

    Wisconsin.

    I miss the smell of her hair. Greasy and warm, archaic, like something discovered, smelling of dirt or bones or first love. Her hair is like silk, satin, some smooth ribbon, soft and gentle as it falls from behind her ear. She tucks it back again, and what I would do to tuck it for her. To feel it slip behind her ear, hold my palm against her neck, and smile as she lifts her eyes. It’s late summer of 2016 and I’m thirty-one years old. I haven’t drunk a drop or done drugs in over two years. It’s not bad really. 

    I left Amanda or lost her, I don’t know. It doesn’t matter. But I got my driver’s license back and I got this room and I’m going to school again in the fall. I’m really trying to do my best, I’m trying to do things different.

    My room is in the basement of an old building just off campus in Oshkosh. Built in the style of Spanish Renaissance, it’s made from old stones and light-colored mostly tan brick. It is three stories tall and has apartments that run from six to eight-hundred dollars. That’s more than I can afford but the ad I saw said, “Ask us about our sleeping rooms.” So I did—three hundred for a big room with a rug in the middle and a fridge, a bed, a dresser, couch, chair, table, more chairs. I lost a lot of things on the way to sobriety, so here I am, plus a desk and a hot plate and a bookcase and I think it’s a pretty good deal.

    There’s a slick, rich floor underneath the rug, some fancy cement from Italy full of chips and colors. Two of the walls are just plaster, and on the other side of one is this lady who’s always in bed. It’s right against the wall and I can hear her there, all the time, and I can’t help but wonder if this has always been her life.

    There’s a toilet and a shower in the hallway, and a slop-sink down in the laundry room where I can wash my plate and my cup and my pan. That’s all fine with me except that I have to go by this other lady’s room to get there. Her name is Kim. She stands behind her door and swears at me or about me as if she were talking to someone else. 

    “That goddamn kid, in and out, Jesus Christ. What the fuck,” she says. 

    I guess she’s used to Debbie who hardly goes out in the hallway. When she does and I see her there, not in her bed but standing up, wide-eyed like she’s looking real hard at something behind me. She’s friendly. 

    “Hi Debbie,” I say. 

    “Hey,” she says. And then her eyes kind of bug out and she smiles so her teeth show.

    But Kim’s not like that at all, she hurries to get back in her room and I never get the chance to try to be nice. I don’t want to live here anymore so I put in a notice and I got a different apartment that I move to next month. In the meantime, I’m going west with some buddies and we leave tomorrow morning so I guess Kim will always think I’m bad.

     

    Minnesota.

    Four crows are on a telephone pole as we head to the border of the state. The clouds are layered like an oil painting, blue to white and back again. A silo stands up against the fields and sometimes it seems that if I blink or sneeze this could all crack apart, like a wooden frame falling to the floor. The paint-crusted canvas would be left flapping stiffly in the breeze. I think about the smell of her hair again, and the feel of it under my nose as I kiss her forehead and her freckles burn beneath my lips. 

    A little stream runs under the highway like a bead of sweat down her back. It’s easy to miss. The pine trees are lined up and skinny to the top. I anticipate that the waterways will widen as we go west and maybe some magic will be revealed. As we get toward the Mississippi, the scrappy bushes turn to thick ferns and the trees fill out but when we finally cross the river, I see that it’s just a bunch of water.

     

    North Dakota.

    When it’s my turn to drive, everyone goes to sleep and I’m left with nothing but thoughts. It’s after midnight, it has been storming for hours, and there’s construction on the road. We rented a car that is big and fast and heavy—it’s nothing like my loose old minivan at home. It makes me nervous, and so do the rivers of rain around me, running through the ditches. The traffic barrels and cut up concrete that narrow the lane make me nervous too. Lightning flashes, now so far in the distance of the night that it lights up stretches of fields farther than I thought I could see. 

    I try to remember the last time I saw her. I think it was in the doorway of her grandmother’s house after she left rehab. We didn’t know what to say so we stared at each other. And then I held her, my hand against the thin cotton of that yellow dress, sweat sticking it to the small of her back, fitting her to me. 

     

    Montana.

    When the sun comes up, I see that things have changed. Hills are all around me, small bumps on the horizon turn into large rocks and plateaus. Sometimes I see these dead trees, black and broken. I can’t look away and when the car hits the shoulder of the road again, my friend wakes up to find me steering with my knee and hanging out the window, trying to take pictures.

    On the far side of the state, we stop and camp near a great wide river. It’s shallow and I walk into it, my pants pulled up to my calves. I find a flat stone under the surface, smooth and soft like the palm of her hand. It calls out to me and I pluck it from the water and put it in my pocket, like a little secret. I fish a dollar from my pants and leave it at the bottom of the river under a larger rock. An offering to something, an exchange maybe.

    In the morning we find out that Brandon lost his wallet sometime last night. He thinks it was when we stopped for firewood. Everything about this trip depends on his credit cards. Brandon calls the local sheriff and I roll my eyes. The chances of someone finding and returning his wallet seem one in a million. It’s unlikely that we’ll find it either, but we look anyway and discover a twenty dollar bill in the grass near the on-ramp. Taking this as a sign, we spend hours walking up and down the highway, him on one side, me on the other. I keep going across the bridge, hundreds of feet above the river we camped next to. I can see the rocks in the shallow water, they look like grains of sand so far below me now. I don’t want to do this anymore. They look so soft. I take off my hat and hold it over my face and breathe in, deeply. Just the smell of hair makes me think of her. Brandon comes running up the highway, his cellphone in his hand. The sheriff called. Someone found his wallet. One in a million.

     

    Idaho. 

    I’m happy to be in the back seat again. The mountains are incredible and it feels like the earth has opened up. Every road is the edge of a plate, on the edge of a table, and I can’t tell if my hands are shaking or just my heart. We won’t be here long. I remember now, the last time I saw her. We were naked together, on the couch in her new apartment. She was lying on top of me and we were sweaty and sad to see each other again. Then, standing in the doorway, was the man she left me for. 

    “What the fuck is this,” he said. 

    I got up and scurried into the bathroom. I must have taken my clothes because I don’t remember worrying about that, just putting them on monotonously, like I’d done this before. I had done this before, been naked alone in someone else’s house, hiding, while she tried to explain it all away while her lives intersected. Standing alone, embarrassed, frightened, thinking. Thinking now what? I went into the living room and I stood between them. He was still in the doorway, blocking me.

    “I don’t suppose it would make me feel any better to hit you?” he said. 

    I thought about that, thought about my answer. “I don’t know,” I said. “That’s up to you.”

     

    Washington. 

    We’re staying in a hotel that was built in the ‘70s and the gal at the front desk acts like that was a long time ago. I think this is the best bed I’ve ever slept in and I don’t want to leave it. The sheets are thick and cool, the comforter calm and heavy. They lay over me like darkness and I feel so safe. Before we left on this trip, I met someone new. When I get back home, I’m going to go out with her because I’ve decided to open up. I can talk myself into anything. We have a lot in common, but she’s much younger than me and quietly hopeful. Maybe she’s got a past too. Maybe we’ve all got stones in our pockets.

    Jordan Brown

  • Anatomy of Solitude

    Anatomy of Solitude

    Marielle Songy

    My head is a tin can,
    bitter and hollow with
    envy- emerald green and
    rotting, dragging flies to
    its wake.

    My chest is an empty shell,
    laborious breathing as I try
    to comprehend the gravity
    of a dead winter dripping in
    failed possibility.

    My eyes are light switches
    flashing off and on- breaking
    the depth of the darkness
    with quiet stares, recording
    memory like a ledger.

    My heart is a hollow drum
    keeping time in a delicate
    minuscule of an ant crawling
    across the leaf of an oak tree
    in the middle of autumn.

    My lungs are accordions
    playing a gentle cacophony
    that wills me to wake each
    morning with the sunrise and
    dew on unmowed grass.

    My gut is a bowl overflowing
    with doubtful questions
    raised in rage, regret, and
    everlasting mournfulness
    hanging heavy.

    My hands are tidal waves
    pushing away evil entities,
    pulling in goodness with the tide-
    hope crashing on the shore in
    a delicate symphony.

    Marielle Songy

  • Werewolves

    Werewolves

    Jason B. Crawford

    Your friends say it is a full moon tonight—
    so you need to come outside
    to go dance in a club soaked in gut
    saturated with enough fear to cut open
    let it spill out on the dance floor like fresh silver

    You protest—there will be loaded tongues
    dipped in melted spoons—
    But you go;
    Put on your best teeth
    Comb the flesh out of your fur;
    You are ready

    And it is here
    boys say teach me
    to give permission to
    let another empty them

    mouth drying out
    like an oven split open
    Where everyone has learned to read you
    Like a library of fangs

    And you wonder if this music
    is another form of grief;
    If the beat keeps dropping
    to its knees one last time
    and your hips are just trying to catch
    as many funerals as they can

    But it’s here
    you’re not a rabbit in a cave of wolves
    yet rather a wolf
    And the bats don’t circle around you too closely
    for fear you might open your mouth
    pour out the starlight you hold in your lungs

    It is here
    you don’t see a man
    that might see you a river
    free to drink from

    You don’t really see men here at all
    just children
    dancing cloud to cloud for each song,
    Blooming celebration every time a comet shower
    makes backdrop for the moon

    And oh the moon!
    How we call it mother
    How we dress it in heels and a contour
    How in front of her
    we undress our own human husks
    Leave them somewhere by the shore

    How we howl
    and prance
    and think nothing of the hunters
    or their arrows
    or bullets
    or laws

    How we can be of this wild here
    until the last song plays
    and the moon turns to dip behind
    the curtain of the trees

    while we grab our coats
    to be human again
    to be hidden once more

    Jason B. Crawford

  • awaiting your ghost

    awaiting your ghost

    RC deWinter

    sitting here with a brandy
    blowing smoke rings
    nonchalant
    killing time
    with alcohol and cancer
    wondering
    where you are
    and why it is
    you’re never here
    when i need you

    it’s nothing new
    but hope
    that fickle bird
    does spring
    clichéd eternal

    perhaps some night
    as i sit sleepless
    sipping smoking
    the door will bang
    and i will hear your boots
    scuffing their way
    out of one darkness
    into another

    RC deWinter

  • Warnings and Admonitions

    Warnings and Admonitions

    Patricia Budd

    Remember the stories of the old, hellish Devil?
    Well, he has foresworn those trademark
    signs, the ancient portents. He does not revel
    in floods of steamy excrement, the dark

    that blots the sun at noon and renders wise men
    senseless and afeared, the iridescent eyes
    and glossy plumage of a parliament of raven
    flocking London’s Tower with their croaking cries.

    Times have changed; no longer a rascally fiend,
    he has suited up in more fashionable dress
    the better to woo the minds of those convened
    to flout oblige and flaunt the coinage of noblesse.

    He blends with crowds teeming ‘round me,
    smiles and bows at those who practice skullduggery,
    confident he’s second to none in villainy;
    a master of temptation and Beezlbubbery.

    Patricia Budd

  • Decrypted Glasgow Churchyard

    Decrypted Glasgow Churchyard

    Christina Ciufo

    You hear rustic iron gates, creaking their high notes.
    Crows serenade a melancholy melody.
    A black cat with golden eyes, like two golden coins placed over a dead man’s eyes,
    frolicks over the tombstones and mausoleums,
    welcoming the Grim Reaper and you.
    Autumn winds hollow through the dead scots pines.
    Their thin limps waving their goodbyes and sorrows to those slumbering in the Earth. 

    Your eye catches glimpse of an abandoned decrypted white church
    built, worshipped, and forgotten during Henry VIII’s maddening reign.
    Marble angels with chiseled eyes weep scarlet blood down their stone faces.
    Stray dogs with mangled and uncleaned fur roam from tombstone to tombstone, howling
    to the crescent moon.  

    You hear phantom voices singing in chorus of their untimely death and anguish.
    You heart palpitates your excitement and dread throughout your being, like River
    Kelvin’s waters drenching the rocks and tree trunks. 

    Apparitions with ghastly hollow pale faces rise from their graves, appears and float
    towards you, with malicious burning in their eyes.
    Your heart beats fast and fast. You are unable to swallow down your fear in your throat.
    You walk backwards, pinning your back against the iron gates.
    They come closer and closer. An inch to your face, they say in a wrathful moan,
    “You have tainted our grounds with your sins. Get out, get out, get out.”

    Christina Ciufo

  • nevermore – micropoems

    In the leadup to our fourth issue, nevermore, we shared a series of micropoems from some talented submitters:

  • Forever Midnight

    Forever Midnight

    Larry Blazek

    Why can’t the nighttime last forever?
    Why can’t the creatures that rule the night
    scuttle endlessly from shadow to shadow?
    Why can’t an unholy army of the dead
    snuff out the sun like a candle flame?
    Why can’t the earth stop turning?
    Why can’t the nighttime last forever?

    Larry Blazek

  • Fractured gates of our non-existent fate

    Fractured gates of our non-existent fate

    Martina Rimbaldo

    Martina Rimbaldo