Nightingale & Sparrow

Category: Poetry

  • Lesson one

    Lesson one

    Claire Marsden

    School was not the path of gentleness
    but of a thousand little fires.

    “I have a kiss for you at the end of my finger,”
    you smiled but glanced away,
    terror the monster uninvited,
    had decided to come out & play.

    Your silence needed no translation.
    School: a simulacrum of safety

    Claire Marsden

  • Lesson Plan

    Lesson Plan

    Anannya Uberoi

    Today we study los verbos como gustar,
    the verbs like, to like. Repeat after me.

    Amar, to love.
    Doler, to hurt.
    Molestar, to bother.
    Parecer, to appear to be.

    It appears to be that I love you,
    only that it hurts the tip of my finger
    to brush it off as a blush of cranberry under my eye.
    No, I don’t want to be a bother, but you had me at ¡hola!
    It is funny that we learned how to count together.

    I make tea during lunch hour, you joke around with the girls
    while I stir a honey-dipped sugar-coated spoon in
    the paper cup, going over and over the colored pages
    of our exercise book.

    I am drawn to a painted picture of Cervantes;
    you vibe more with Santana. Between classes we read
    Chasqui, the Peruvian Mail. Sometimes, we share a singular
    copy in the mail rack.

    The cinnamon-scent still full in my mouth, you turn around
    to kiss me almost, unknowing I was sitting so upclose, to return
    my blue pen from yesterday, lo siento, señorita, and I cannot help
    but laugh at your innocence and the rapidity of things.

    Annanya Uberoi

  • Lurking in the side-lines

    Lurking in the side-lines

    Nishtha Tripathi

    brown is supposed to be black’s shier sidekick, lurking in the side-lines.
    the lone bench at the back was always my pick, lurking in the side-lines.

    in english class, shakespeare besmirched ganymede with a honeyed hue.
    my sepia soul, dismembered for a cheap trick, lurking in the side-lines.

    the cafeteria echoed with ‘midget-midget’, saddled like greasy food onto a plate.
    my stunted spine met with hate, the spineless prick, lurking in the side-lines.

    the coach’s whistle ravaged layers of my fat, like a toenail piercing a favourite sock.
    heavy disappointment tethered to a sickly stick, lurking in the side-lines.

    school dances spent bereft of company, lockers vandalised every other day.
    a trampled wallflower, a forgotten asterisk, lurking in the side-lines.

    cello music notes melting into unwritten, unsent love notes.
    loving second-hand through pitiful fanfics, sad reality lurking in the side-lines.

    an army of warriors from amazon and artemis’ worshippers from temple halls,
    i shall stand tall from the ashes, like a phoenix, with athena lurking in the side-lines.

    Nishtha Tripathi

  • Petrichor

    Petrichor

    Aditi Krishnakumar

    School and the monsoon
    Always began together.
    You never remember
    The smell of a classroom after it’s rained all night
    As well as you do
    The smell when you splash home through puddles,
    Spots of mud on your shoes:
    The smell they tell you is called petrichor.

    You sit by the window with homework and hot pakodas.
    Water drips off bushes.
    Frogs croak like creaking gates.
    In flashes of lightning the blossoms fall,
    Jasmine and frangipani and kadambari and bougainvillea
    In a pale carpet
    That will turn brown and feed the grass
    And it will be green tomorrow.

    It’s a different smell.
    Not petrichor.
    The scent of the blossoms
    And the earth
    And the frying pakodas,
    The ink and the new brown covers of your school books.

    The seasons change and the clouds give way.
    Is there anything as pitiless as the blue sky?
    Blue sky that stretches on unending through time and space
    In fourteen dimensions.
    School ends on a summer day.

    The monsoon comes in June,
    Casting its darkness over the sky.
    You don’t revel in the puddles.
    You don’t look up at the clouds.
    You open your umbrella and worry about the wind
    And drink herbal tea and check your phone.

    Sometimes you ask yourself what’s altered,
    Why your dreams have withered like the carpet of flowers.
    It’s the stress,
    Nine to five and nine to five and nine to five
    Day after day.

    It’s because the dry dust smell of summer
    Hasn’t been drowned in the rain.
    The cuckoo never comes calling,
    The blossoms fall unseen,
    Like the rain unseen.
    Now it’s a nuisance,
    Not wet earth and jasmine and hot pakodas and new paper.
    That’s what you remember,
    When you remember.

    When you remember
    Sometimes you can smell it still,
    It’s the smell of dreams and lazy afternoons,
    The smell of eternity
    As though when the universe is dust
    Or reduced to a single speck in a sea of nothing
    You’ll still know it.
    The smell of home.

    Aditi Krishnakumar

  • a thank you note for my kids

    a thank you note for my kids

    Noreen Ocampo

    I wonder if my kids are sleeping well now,
    especially the ones who spent the school year
    napping in the front row. I didn’t get a chance

    to say goodbye. I wish I were still jolting awake
    to my first alarm & skipping breakfast to dart
    after my too-early ride. The empty stomachs

    were worth it—the kids would never let me
    go hungry, after all, not with all the love they
    miraculously had to share at the beginning of

    every good morning! I miss the silly laughter,
    silly pranks, silly questions—the silly “Miss”
    they had to tag to the front of my name. I

    didn’t get a chance to thank them. Imagine
    being six-going-on-seven & already having
    saved a life. Every day, they saved mine

    without knowing. I wonder if they are
    watching the world from their windows now,
    if they are wondering about it all, too. I wish

    I could be there to appease all the wonder,
    to pay back all the smiles, to stand with
    them as we try to make sense of the world.

    Noreen Ocampo

  • everything school taught me

    everything school taught me

    Trishita Das

    abstract nouns, and how to convert them
    into adjectives: as if beauty could exist
    only when a sixteen year old boy said “beautiful.”
    facts: the mitochondria is the powerhouse of the cell,
    the sun rises in the east and sets in the west,
    there are 206 bones in the human body
    but heartbreak hurts worse than a fracture.
    trigonometry; which i found no use for
    except that meaning can be tangential,
    don’t believe everything you read.
    how to read maps, but not how to be
    culturally sensitive in a foreign country.
    history. every action has an equal and opposite
    reaction (except kindness, which tends to be
    taken for granted). my mother tongue,
    but only the numbers up to fifty. organic
    chemistry. how to dissect a frog and a flower,
    but not an excuse or an apology. algebra,
    because taxes and insurance policies are also
    quadratic equations. anatomy, except
    they forgot to mention that i was allowed
    to like the ugliest parts of me. drawing margins,
    an introduction to the imaginary lines
    separating race, caste, gender, religion,
    in an endless violent hopscotch of hate.
    and music, as a reminder that even in the dark
    there is singing,
    there is hope,
    there is poetry.

    Trishita Das

  • Elementary School

    Elementary School

    Charlotte Friedman

    The school, deserted now, leftover crayon drawings
    taped to windows, empty four-square & swings
    barely moving in a breeze. I duck under yellow caution tape,
    grab the thick chains, stretch my legs and lean
    back in time, to another school, three thousand miles
    from here. Watch me stride across the playground,
    kicking up fresh sawdust curls. At the high bar, boys
    try pull-ups, while girls balance on steel
    like blue birds in a row, until, one after another,
    they drop, push off backwards, catch the bar
    under their knees, swing upside down, bodies
    rising in the air, high enough to let go
    and land. I want that. I want to drop
    and spin, flip and fly, arms
    stretched up and out
    in triumph, life
    just beginning.

    Charlotte Friedman

  • Aditi Krishnakumar

    Aditi Krishnakumar

    Poetry Contributor

    Aditi Krishnakumar is, among other things, a
    writer and poet. She loves fantasy, mythology
    and mathematics.


    Works in Nightingale & Sparrow

    Petrichor
    The Last Raindrop

  • The Strength of Women

    The Strength of Women

    Hannah Napier Rosenberg

    We need not look to the history books
    to measure the strength of women.
    That, we can find in our family tree.

    Martha did accounting, ran the numbers for the family business until she died.
    Sarah scrubbed church floors to make ends meet after her husband

    lay down one day and never got up.
    Vicenza took a boat to America with children in tow,
    learned English and ran an inn for miners.
    Pauline sold goods door to door when her husband

    lost his arm in the steel mills,

    making more money for the family than they had ever had before.
    Other Pauline began college when she had five kids and didn’t finish

    until she was a psychoanalyst.
    We cling to their unwritten stories with tight fists,
    promising them we won’t forget,
    listen as their legacy cries quietly out to us:
    women are made to carry, they are made to bear,

    they are built to be strong.

    Hannah Napier Rosenberg

  • A Song for Ho(me)

    A Song for Ho(me)

    Adritanaya Tiwari

    I think home changes with years, and every home has its own melody.

    At one, home was probably my mother’s voice, a soothing symphony, lulling me into a sound dreamless sleep.

    At seven, home was the “Tring!!” of the school bell at 2 pm everyday, an annoying sound with a happy rhythm, when school was over.

    At ten, home was the sound of my friends, laughing and giggling, a vibrant harmony, all because someone made a fart sound.

    At fourteen, home was my own voice in music class, a humble prayer, worshipping music like I was brought up to, eyes closed, heart up in heaven.

    At eighteen, home was the little sounds from flipping pages as I studied, a Linkin Park song, just waiting for the month to pass me by, and fast, in the end.

    At twenty, home was the faint tune of that song my father played every morning, a devotional song, which I could hear at 6:27 am, in the east corner of the hostel roof.

    I am twenty three now, and home sounds like familiarity and nostalgia, a soft ballad – still in the works, with memories for lyrics, much like me.

    At twenty three I believe – I know – that I change with years, but now I think my home doesn’t; maybe a few little tweaks here and there, a change in pace, a shift in scale, maybe it’s a few octaves higher than before, maybe it’s more mellow now, maybe it’s got more depth, maybe it has less noise, maybe it’s a combination of melodies and not a repetition of just one, maybe it’s not a melody anymore, maybe it’s a song, my song.

    Every home has its own melody, adding up over the years, turning into a song, maybe I am my own.

    Adritanaya Tiwari