Nightingale & Sparrow

Category: Poetry

  • Pillars of Creation

    Pillars of Creation

    Sam Jowett

    Beat

    Vast

    Exhale

    By:

    Aptolemais – God of Order

    Tapestte – Goddess of Relativity

    Aromora – Godexx of Supersymmetry

    Sam Jowett

  • 3 A.M. is the Perfect Time For a Lost Lover

    3 A.M. is the Perfect Time For a Lost Lover

    Hunter Blackwell

    Now it’s three in the morning and you’re
    not changing my mind. No matter how
    many chords you learn or riffs you perfect.

    Now it’s three in the morning and you’re drunk –
    I can tell by the sleepy eyes and cat-screech
    strumming. Let it go man; just let it go.

    You told me it was me and the piano
    that stole your heart, it was my
    fingers flying over the keys that flew

    away

    with

    your

    heart;

    and you didn’t want it back either,

    not if it meant giving up my Sunday

    performances, the finger snaps in tempo.

    I was a fool though, let you play

    my heart just like your electric,

    fingers strumming with practice.

    You’ve wrapped girls around your finger
    before I assume, must’ve been easy for
    you – just another chord progression,

    another tightening of the strings
    another capo placed exactly
    where you needed

    but nothing more than an accessory.
    Boy you played me well, made my
    hips swivel to the beat; you made

    my foot

    tap to,

    the riff I hummed
    making you waffles and bacon.
    You said, it wasn’t working out, you didn’t
    feel like I did. I trusted you, every lyric
    dripping in fictitious harmony.

    Hunter Blackwell

  • Self- Portrait as my most repeated song

    Self- Portrait as my most repeated song

    Yasmine Rukia

    Yasmine Rukia

  • THE CONSECRATION OF THE APSARASES

    THE CONSECRATION OF THE APSARASES

    Sarra Culleno

    Natajara rocks
    to tread a measure. Gets down.
    Terpsichore gyrates
    and pirouettes, cuts a rug.
    They trip the light fantastic.

    Firestarter twists
    snaking smoke mists into lungs,
    yanking hearts, out, up
    above the crowd’s waving hands,
    bounced in buoyancy of bass.

    Crowned Queen Mab’s decks spin
    notes placed in algorithms.
    Their calculated
    designs stand our hairs on end,
    lifted in heart-beat updrafts.

    They are The Walrus
    and midsummer’s madness in
    Soltice’s bedlam.
    We move to timbrels and harps.
    We shall praise Their Names in dance.

    We shall throw some shapes.

    Sarra Culleno

  • A Late-Night Playroom Soirée

    A Late-Night Playroom Soirée

    Lauren Aspery

    Sitting
    cross-legged
    on the blue carpet
    under the glow
    of the bare yellow bulb.
    Sipping water
    from a tiny wine glass,
    plastic,
    also yellow;
    small enough
    for the fist
    of a seven-year-old girl.

    Intoxicated
    between notes of melamine
    and the glare
    of the lime green walls.
    Drunk in my make-believe kitchen,
    drinking from my make-believe cup,
    wine straight from the bathroom tap.

    I turn to the radio and press play.
    “MY TITANIC CD!” starts to spin
    and, from inside the metallic soundbox,
    My Heart Will Go On emerges.

    I lie on the floor,
    kicking the pink office chair
    from underneath
    so it turns
    Near
    and turns
    Far
    and turns
    Wherever you are
    to the sound of Celine Dion.

    Lauren Aspery

  • an ode to troubled times

    an ode to troubled times

    – after ‘I Wish You Love’ by Natalie Cole
    Rebecca L. Yong

    when times are trying
    and life hangs in the balance,
    (i wish you bluebirds in the spring)

    when we feel like crying
    because the future is uncertain,
    (to give your heart a song to sing)

    we sing for one another, undying,
    step into flourishing gardens
    (and then a kiss, but more than this)

    i wish you love

    Rebecca L. Yong

  • Brill-Building Pop

    Brill-Building Pop

    Alan Parry

    i live for the
    songs of teenagers,
    close harmonies
    that force feet to tap
    & tears to run –
    romantic ditties
    of malt shops &
    sock hops

    Alan Parry

  • Soft susurrus

    Soft susurrus

    Athena Melliar

    Short interludes of gold sand suffuse blue
    like fingers gently strumming string-waves,
    humming sea tunes, humming away the blues.

    Waves furl and unfurl, foam wriggles through you.
    Lips — open caves — sing on wave upon wave
    short interludes of gold suffused with blue.

    Let this be — sea insists — let this be you:
    skin soft susurrus-laved and soul sun-laved
    humming sea tunes, humming away the blues.

    You are not alone, you belong to
    a family of seas swaying to staves —
    short interludes of sand that suffuse blue.

    Which body played which note? You are not new.
    Which sea played which note? And you have no grave.
    Humming sea tunes, humming away the blues

    seas fuse the rhythms of life with joy — you knew.
    Sea is your root. Can you unhear a wave?
    Short interludes of gold sand suffuse blue
    humming sea tunes, humming away the blues.

    Athena Melliar

  • Atlas & The Exact Weight of Calamity in Six Letters

    Atlas & The Exact Weight of Calamity in Six Letters

    Ariel Moniz

    It’s reason that tells me
    it could have been any name at all
    but it wasn’t—

    It was always yours.
    It was always going to be yours.

    It was always going to be your name at sunrise
    echoing in the cavities created by our tangled sheets,
    hushed, breathing fresh sun rays
    like expensive perfume or a winter-smothered valley,

    and it was always going to be your name
    that was destined to undo me a dozen times
    at half-past you breaking the horizon in two.

    Your name in my flawed mouth
    knotted in my discordant heartstrings
    was never fit to be heard by anybody
    but still I believe, more than I can carry—

    it could have been more than this
    walk off a desperate cliff, of this—

    fragile thing—

    this thing we call living

    and you know it, you always have—
    we were never meant for the Atlas-heavy silence
    of what comes after the calamity that was us.

    Ariel K. Moniz

  • Record Player

    Record Player

    Maya Stott

    I’m six, listening to dad’s record player
    in the garage. It’s a Sunday afternoon
    and there’s a fat satsuma sun in the garden.
    A band is blowin’ Dixie, double-four time.

    Bill Haley and His Comets
    are in the kitchen.
    Little feet glued on bigger feet.
    Bluish tiles and high lemon ceilings.
    There’s laughing,
    So put your glad rags on and join me hon.’

    Adam and the Ants are marching through
    the front room. Striped cheeks and socks
    too big charge across the laminate floor.
    Cheering, Stand and deliver!

    West end girls
    on long Blackpool drives.
    Illuminations by the sea, fingers tracing
    lights on the windows, leaving melted
    shapes behind.

    Aretha’s backing girls on grey dressing up boxes,
    scribbled lipstick smiles, taking turns on the
    hairbrush microphone,
    shouting: R-e-s-p-e-c-t!

    Wake me up before you go go,
    with cardboard saxophones,
    and mum’s pink leg warmers.

    Hungry like the wolf in the red Renault Clio,
    parked up by the docs, eating French fries
    and goofing on Elvis.

    Lipstick on your collar, told a tale on you,
    dad teasing, laughing into her ear,
    tells her,
    Oh, your hair is beautiful.
    She looked atomic.

    but

    he was losing
    his religion

    as she sobbed
    in the bathroom,

    you were always on my mind.

    Maya Stott