Nightingale & Sparrow

Category: Poetry

  • To Kiss Your Burled Lips

    To Kiss Your Burled Lips

    Annette Gagliardi

    To kiss your burled lips
    with feathered stroke of artist’s brush,
    to paint the night with tenderness,
    and form a long-lost lover’s hush.

    To sigh a couplet of new rhyme,
    to cast a paired quatrain
    with ease of a familiar verse –
    and realize you again.

    To sculpt your body with master’s hew,
    to mold the hours with devoted hands;
    to spin the potter’s wheel of desire
    while ‘round the oil of passion blend.

    To touch the well-worn canvas,
    entwined on well-versed bowered couch,
    to build the newest love event
    as Technicolor fades to dusk.

    Annette Gagliardi

  • Getting Things in Order

    Getting Things in Order

    Brian John Yule

    Not until the scent of him,
    Cut grass & pipe smoke
    & the hint of bergamot
    From that shampoo he always had to scour the shelves for,
    Hit her,
    Still heady on that old wax coat
    Hooked inside the shed door
    Where he’d grab it
    On the way to walk the dog
    Begrudging the rain its victory,
    Did all her getting-things-in-order give way
    & she looked longing at the emptiness
    Where he had been
    & it was in her too

    & all the memories that might have healed her
    Would not come
    But lay there teasing just beyond
    Held distant by the want of him
    That filled her then
    Caught & wrenched her breath back down
    Stomach pit deep
    & deeper still

    & then a fugitive memory
    Long forgotten
    Broke through
    Of popping to the shed just to remind
    Him that the kids would soon need dropping off
    At some event or other
    A sudden look
    A sudden kiss
    Unexpected
    Bliss
    The scent of his hair
    Fresh cut grass & bergamot

    A laugh burst forth
    Unexpected
    That loved, felt joy & ached
    & she folded up that old, wax coat
    His old, wax coat
    Let out a glorying breath
    & set to
    Getting things in order

    Brian John Yule

  • Ghost Trees at Midnight

    Ghost Trees at Midnight

    (nine years after the Bear Butte burn)

    Ginger Dehlinger

    Black-skinned bones
    these spectral spires
    shrouded in moon dust
    arms akimbo
    reach for the sky.

    Like zombies
    they prefer the dead of night
    company of spirits
    mask of darkness
    cool, bleak silence.

    Dead or half-dead
    missing limbs
    stripped of bark
    feet planted
    they refuse to topple.

    A legion of ghouls
    kissed by the devil
    scarred
    numb to the core
    magnificent in moonlight.

    Ginger Dehlinger

  • Crow

    Crow

    J V Birch

    the black gloss
    of his coat flashes
    iridescent blue
    his eyes are
    bottomless knots
    of things he can’t
    unsee and in
    his mouth a tangle
    of sound unravels
    when he calls

    J V Birch

  • Driving at Night

    Driving at Night

    Samantha Godwin

    The spreading tide of asphalt

    awash in the flow of darkness

    and pelican flashes of headlights

    dipping across the surface.

    It is so light and so dark you don’t know where you are.

    You are the world’s bookmark,

    slipped between pages

    but separate from the words.

    You could easily slip out,

    out from the road and the dark woods

    and the stuttering eyes of passing cars.

    You lift your hands from the wheel,

    the seat of their control.

    The truth is that there is no control.

    You can close your eyes and suck your teeth

    and still hurtle down the interstate.

    You can keep a steady grip and feel your blood

    thrum to the rhythm of rubber and road

    and still crash.

    God lays out the Ley lines.

    We merely start the car.

    Samantha Godwin

  • Last Nightmare

    Last Nightmare

    Alannah Radburn

    It was just last nightmare,
    as I unwound my braid by the window…
    Busy fingers glazed in slow candle light, the wax drips.
    Magic is a supple blade: it can take away as easily as she gives. Slow words guild my tongue, stained with intention. Soon autumn will come for you.
    Slip its way under the crack in the door.
    By the time you notice the draft, it will be too cold. Too late.
    The leaves are dying my love.
    But to me, I croon
    everything feels exceptionally alive.

    [Alannah Radburn]

  • All Soul’s Night

    All Soul’s Night

    KB Ballentine

    The veil thins . . . shreds. The dead
    and living will mingle this night.
    Light shrivels, shadows staking claims.
    Sea grumbles in the distance, air surging
    salt and winter, gulls quarreling
    their way home.
    Inland, crabapples wither where they fall,
    a few leathered leaves hinged
    to baring branches.

    No black cats, specters or formless mist
    will keep me in tonight—too long
    since I last breathed you.

    KB Ballentine

  • Rumours and oracles

    Roumours and oracles*

    Kate Garrett

    Seers claimed they were shown the end of Mary:
    clouds of red hair swathing the sky over Scotland

    with blood like mist – the vertebrae snapped – skin
    severed. The boy king locked this vision in his

    heart, pulled chains tight around it: no time to love
    his faraway mother held in her chambers and turrets.

    Nor any inclination – raised by steel-tongued wooden
    men – but he forever paled at the suggestion of her

    execution, it rolled around his ribcage like a rough-
    cut gem, polished over time into deep superstition,

    into acceptance. As the years delivered the gore
    foretold, a woman whose own alchemy once gave

    him life had dwindled to an artefact – a mother
    unseen, untouched, unknown. Distant and dead,

    one less hurdle to the throne, but left James a legacy
    of backward glances – expecting death by axe- by curse.

     

    *King James VI of Scotland & I of England is remembered by many for his persecution of witches. One reason behind this hatred was his fear of a violent death – which was in no small part brought on by the execution of his mother, Mary, Queen of Scots, in 1587. On top of that, Mary’s death was supposedly predicted by those with ‘the sight’ in Scotland throughout his youth, which added to James’s superstitions about those who practiced magic.

     

    Kate Garrett

  • New Moon

    New Moon

    Thomas Zimmerman

    Black lotus in an overturned carafe
    of stars, grim Hecate descends, and in
    their graves the denizens begin to spin

    like dervishes. You hear but cannot see
    the neighbors’ belled barn-cat. Your hot breath’s like
    a bit that cuts your thought, and there’s no other

    way to say it—you feel horsey. Murmurs
    rise like specters through the dull green mist,
    there at the crossroad hedge. The grass curls black

    wherever her feet tread. Her left hand holds
    a goblet, your hand’s in her right. A dog
    somewhere barks three times, sharp, and something in

    you hammers like the making of a blade.
    She’s cut the lights but never touched the switch.
    Your trembling fingers check: the bulb’s still hot.

    Thomas Zimmerman

  • The Night the Ghosts Screamed

    The Night the Ghosts Screamed

    James G. Piatt

    I listened to the raucous screaming of ghosts in the dark night hours. Their eyes opened and shut in rapid motion, trying to inhale the moon’s silver beams. I tried to sleep and dream during the lapses of such horrible screaming, and as I twisted and turned, my fears crept into Infinity.

    I felt the icy wind that wafted through my flesh, and bones, sewing darkness into my thoughts while the ghosts screamed in the language of bereavement, hoping I would succumb. The rusting hours of the echoing night stitched into an unreality, left me with a sense of despair. I searched for metaphors to smother the haunting voices of the ghosts as they screamed into the mysterious emptiness of the dark moonless night, but to no avail, until I died.

    James G. Piatt