Nightingale & Sparrow

Category: Poetry

  • Shakespeare in Camden, 2019

    Shakespeare in Camden, 2019

    Ellora Sutton

    down the street to the smell of sizzling plantain
    and the tickle of spilt almond milk he walks
    and as he walks he sees stanzas in the clouds
    and in the clouds he sees the face of the boy he loves

    there’s a girl in the lock in the beer-coloured water
    and none of the people are doing a thing to save her
    and her hair floats like vomit over a drain cover
    and Shakespeare knows she didn’t die to make a pretty picture

    past the statue of Amy Winehouse to the raw poetry of the hawkers
    and he takes a moment to rub inspiration from her holy palm
    and all that comes off is pigeon shit
    and he laughs because maybe it’s the same thing

    Shakespeare can feel the rumble of the underground in his knees
    and his knuckles the judder of metallic slugs
    and all the people in those tiny airless lungs
    and it makes him think of the laughing gas he did last night

    with the boy he loves on a rooftop in a jungle of washing line
    and how he stopped to make notes on his iPhone
    and how the cracks in the screen became part of the poem
    and how the moon became as superfluous as punctuation

    he checks his Instagram to the applause of 40,000 followers
    and he thinks of kale or maybe tinned sardines for dinner
    and then something to smoke with the boy he loves later
    and then dreams of obscene minotaurs drunk on midsummer

    along the Thames in the dark but it’s never dark in London
    and the queue for the water bus is a fading stain
    and he wonders how many bones are in that black water
    and he wonders if it will ever completely freeze over again

    he googles flights to Italy maybe Venice or Verona
    and knows he’ll never book one he needs a deposit for a house
    and there’s a nice row of terraces a few miles out of the city
    and the boy he loves has always wanted a cat called Orlando or Ophelia

    the tasselled cushions on the sofa are wine-mottled
    and he enchants them into the Northern Lights
    and the static on the telly is the Bermuda Triangle
    and this is all of the world right here

    in a Camden flat with a blood orange door that belongs to the boy he loves
    the world in his pocket his palm his throat and the boy he loves
    watering cacti that Shakespeare had thought long dead but the boy he loves
    doesn’t give up like that even with just pennies in the ‘leccy meter
    and only old defunct pound coins in the jar
    and like that Shakespeare is happy
    ardently happy
    happy with the boy he loves like a summer day

    Ellora Sutton

  • she tells me to imagine a place of peace

    she tells me to imagine a place of peace

    alyssa hanna

    i can’t think of anywhere the wind won’t reach me.
    all i can see is a river, babbling brook, winding through the forest
    of the summer camp i went to as a child; she tells
    me to close my eyes— look around,
    ground yourself, try this next time you wake from
    another violent vision. she says another because we both know
    that they will never stop coming. an
    orchid grows and dies.
    in the stream i feel the stones beneath my thumbs, the smoothness enough
    to make me run river myself, raining morning and
    night, listen to the sounds, what do you hear? can you engage with your
    surroundings? can you take
    a step forward?
    gorge and canyon and valley. the rays of the sun sift through
    the trees but never reach the bottommost places. and at the mountain peak i am
    still buried beneath the bodies
    of landscapes, the night terrors crawling edges along my spine, my knees,
    the feeling that in this peace i am going to
    die— what i want to tell her is that
    the place i am calmest is still just a panic attack; that
    in this place of peace, i am only reminded that i have never
    even had a place i have allowed peace to find me.

    alyssa hanna

  • Feedback to the Director

    Feedback to the Director

    While studying to play Viola in Twelfth Night

    William Conelly

    Don’t showcase me.
    And while you leave
    my brother’s corpse
    adrift at sea,
    don’t twist a knife
    in listeners’ hearts
    pronouncing on
    the drift of life.

    If there’s a lock,
    that can’t be it.
    I can’t walk back
    initial shock
    ignoring how
    a fate that killed
    —and may again—
    is my fate now.

    Likewise the song:
    faint instruments,
    in minor keys,
    are simply wrong.
    Engage the lute
    in firm accord
    with a silver, lightly
    mastered flute.

    This is the tune
    Orsino feels
    as nourishment,
    not soulful wound,
    its phrasing neat,
    its charm at once
    the fanciful
    and clear concrete:
    What country, friends,
    is this, to rise
    from slashing seas,
    through failing winds,
    and proffer us
    renewal—there!—
    its shore a fluid
    radiance!

    William Conelly

  • Sunday Morning

    Sunday Morning

    Rachel B. Baxter

    Sunday morning,
    parts of me are peeking out
    from under my nightgown and
    my eyes have not yet opened fully.

    so sweet

    He whispers, and I think he’s referring
    to the giggles and coos that are echoing
    off of the wood floor from down the hall,
    shooting up from the crib and sprinkling the new day
    like holy water shaken from a pine branch.

    But, he isn’t looking to the crib,
    no, he’s looking at me in my slipshod nightgown,
    breasts full and heavy with milk,
    eyelashes stuck together with a forgotten day’s mascara,
    an attempt at beauty.

    I open my eyes and smile at him smiling back,
    kiss him and say goodbye
    before picking up the baby
    who is calling after him,
    da-da, da-da,
    as he waves, breathes, and closes the door.

    Rachel B. Baxter

  • an ocean of sound and she

    an ocean of sound and she

    Nikkin Rader

    But light what soft these fingers quake
    her breasts are lactic placid snakes
    empty your spit upon his face
    overarching hearts ache in wait

    The ocean wept to the stars that night
    while her body lay beneath water lit bright
    legs spread apart so bees can sting the thighs
    open your orifices to foam white
    sand in mouth as welcomed as the sunrise
    open wrists we give red to the sky
    and mouth on shells teeth chip away like pebbles
    swallow them whole with fists of kelp
    see if they’re there, the men under the sea
    clawing at breaking waves faces under
    watch them
    they scream in salt and drown while you draw their picture
    pencil marks on pages like freckles
    peel them off the bone
    and throw them to the seagulls

    Nikkin Rader

  • Reconsidering Cosmology / The Universe is a Big Fat Egoist

    Reconsidering Cosmology / The Universe is a Big Fat Egoist

    Kaylor Jones

    there are stories out there / reluctant
    echoes of a people fastened to a
    tangential satellite / in a solar system
    where likeness is prophetically mirrored /
    they comb outward into the chaos but
    it all looks like more me me me / yet
    again it is supernova sunday / and the
    phoenix isn’t just a metaphor they live
    inside of one / a ribcage that breeds
    lava and spits it into space / like the
    suggestion of pollen on a threadbare
    heel / once everything has dissolved you
    really can start over / the infinitesimal
    yearns to mature into a conduit to
    a disparate universe / one that gladly
    houses less than a scant inkling of
    everything is temporary / except
    this one thing that’s tinted aching
    twilight blue by the notion that
    there’s anything other than a
    selfish reflection to be found in
    the unknown / if life was temporary
    it would have the good sense to
    make something nice and just stop
    there / the people are atomic like
    pollen and could never be spit out
    into space / like the phoenix
    the sky reburns pink and sometimes
    orange / solar system sentinels
    pose then faint in the bedlam
    that gravity relinquished / a
    speck of gilded pollen actualizes
    in the overlapping fringes of a
    tossing turning universe / from
    what they can grasp on the banks
    of the earth / something cruelly new
    will take root in the wizened husk
    of the undying.

    Kaylor Jones

  • Life does not have to stutter no more

    Life does not have to stutter no more

    Aremu Adams Adebisi

    You see how the aging smile
    after the fleeting chasm of silence,/span>
    and you wish upon your night/span>
    a star that won’t disrupt the moonbeam.

    You see how birds sing sonorously
    and your eyes tread bare in your mind;/span>
    you breathe in mists to expel sunrays,/span>
    you wear the days on your feet.

    The river splashes in fullness,
    you trace some down the side of a cliff,/span>
    while some lap at shore/span>
    to wash the bank anew.

    Then a brittle boy laughs right in your face
    with all his contagious innocence;/span>
    you wish to smooth your scars with each beam/span>
    for all is beginning to hold right meanings.

    So, cramped wings leave the nest in your eyes,
    a broken ship waterlogged by the storm/span>
    made it to the shore.

    So, yellow-stained leaves aid in fruits bearing,
    an air stifled in a corked bottle
    descends in whirls down the lowland.

    Aremu Adams Adebisi

  • A Beautiful Summery Evening in Spring

    A Beautiful Summery Evening in Spring

    Joris Lenstra

    The evening is so warm it’s an invitation to stay awake
    Its blossoms spread their soft perfumes
    Nature prepares for her great birth-giving
    While I enter the kitchen for a refill of my coffee

    From my room comes the rumbling bass of the speakers
    The Invisible Man waits open for my return
    At this moment in time I have a cupful of hours
    That I can spend as I see fit
    An elderly black man comes to my mind
    Happy with his life
    Humming in his chestnut rocking-chair
    Observing the world from his porch
    And I let these hours glide through my hourglass like honey

    Joris Lenstra

  • Libera

    Libera

    Courtney Burk

    Persephone’s calloused finger rests
    on her pomegranate bruised lips
    As she texts her friends answers
    about their dying indoor plants
    And orders tea from the local coffee shop
    across from the park where she strolls
    barefoot and dogs wag in greeting
    Until the air goes crisp as she bites into
    the last apple of the season
    And kisses her mother’s tear stained cheeks
    her smile radiant as she steps into his arms
    And the Lord of the underworld welcomes
    home his warmth and his Queen.

    Courtney Burk

  • Spring

    Spring

    Seth Jani

    Someone says wing, and I watch the light
    Grow deeper, the eclipsing crosshatches of birds
    Return from their dark portal.
    Everyone is always telling me
    That there’s no joy in stillness,
    In the calm waters where the feather falls.
    Make waves they say,
    Conquer and expel, grasp the ocean
    In your hands and drink its depths.
    But maybe, on some days,
    When the burning has ceased,
    I want to watch the surface light
    Playing for no reason,
    Want to watch the architectures
    Built and disassembled
    By the snow itself,
    Or the moon generously
    Giving its image
    To each municipality of glass.
    In secret, everything adds value
    And creates something from nothing.
    This is the real mathematics
    Hidden in the heart.
    The equation the wind settles
    When it rains a cascade of flowers
    Across our fastened doors.

    Seth Jani