Nightingale & Sparrow

Category: Poetry

  • Reservation Renaissance

    Reservation Renaissance

    Bailey Dann

    Let me show you what I love
    The places where my ancestors walked
    Those hills and valleys, dotted with medicine,
    And all the jagged mountains yield.
    There will we sit upon the rocks
    And watch the storms pass,
    By rushing rivers to whose falls
    Melodious birds sing madrigals.
    There I will translate their songs
    I speak in ancient syllables,
    My words shine through the sun,
    Embroider’d with spider’s thread;
    Dyed with huckleberries,
    Through our ears our souls are fed;
    And if these pleasures may thee move,
    Come live with me, and be my love.
    Thy buckskin pouch for thy dried meat
    As precious as the creator does eat,
    Shall on Mother Earth, a blanket of wood violets will be
    Prepared each day for thee and me.
    Our people shall dance and sing
    For thy delight until the sun rises each morning:
    If these delights thy mind may move,
    Then come with me and be my love.

    Bailey Dann

  • Once Again

    Once Again

    Melodie Jones

    I want to
    emerge from the womb once again
    Clean and healthy and new

    Yes, I’ll be crying
    We all enter life crying
    but I won’t be crying from pain and suffering

    My body will be clean, untouched
    My eyes will not have seen worldly horrors
    and I’ll be pure once again

    Melodie Jones

  • Revival

    Revival

    Emily Craig

    I fell in love in Springtime
    as the flowers bloomed
    and birds chippered a happy song.
    His eyes as blue as the sky
    on a warm March day.

    A season of rebirth
    so they tell me.
    I grew a year older
    as the world continues to
    ring in Spring.

    Smelling flowers
    in a field of daisies.
    Spreading my arms
    to let the wind take me away.
    Listening to the bird’s song
    as I catch his blue eyes
    staring at my side profile.
    as if the dawn of Spring
    gave him new information about the girl,
    he’s known since Winter days
    and chilly, snow mornings.

    Love isn’t always what it seems.
    We weren’t a Shakespeare love affair –
    Not a lover as such.
    We weren’t a play coming to life.
    but caught in that moment,
    I felt like Juliet,
    standing on her balcony
    as Romeo gazed at her from below.
    Waiting for the moment it all changed,
    but that moment never came.
    Instead I fell in love with me.

    A new love begins
    as the Springtime takes form
    right in front of me.
    My revival begins –
    A love in Springtime.

    Emily Craig

  • Future Comings

    Future Comings

    After a photo by Elizabeth Jackson

    Cheryl Heineman

    Just near, just outside this window
    small bird-hearted newborns sing
    each with a church in its throat.

    Hearing music, although you turn
    away to your hurried day,
    you recognize these hatchlings

    are akin to the stars. Know that
    as you see them fledge and soar
    there is no need to cry out

    another spring will alight
    bringing again its chorus
    just near this window, just outside.

    Cheryl Heineman

  • The Lion-Side of March

    The Lion-Side of March

    Kimberly Wolkens

    Spring is just around the corner
    March, they say, comes
    “In like a lion; out like a lamb”
    I like the lion-side of March
    When snow will still float silently down to Earth
    Covering the forest floor in a sparkling blanket
    When the wind rattles the naked branches
    And the night is still fairly long and quiet

    It’s not that the lamb-side of March is bad
    I love the warmth that sneaks in
    And I look forward to the plants soon to grow
    And of the songbirds who will soon return to me

    But I do so love the romance of winter
    Of cozy nights snuggling while the snow flies
    The stillness of the world that wakes up covered in frost

    The lion-side of March is a final farewell
    To turn me away from the night
    And to turn me toward the growing sun

    May these words remind me to
    Blanket my heart with warmth
    Sparkle my words with light
    And still my racing thoughts
    As I embrace the awakening soon to come

    Kimberly Wolkens

  • lady in red

    lady in red

    la Dama in Rosso; Giovanni Battista Moroni 1556 – 60  National Art Gallery, London

    Claudia Radmore

    four centuries old
    this young wife in satin gown
    of ruddy rose, a cochineal dye
    from seventy thousand
    pulverised female insects

    though owned by high collar
    and boned bodice
    she is about to get up
    or she has just sat down;
    to sit for this portrait is

    irritation for the artist
    will capture forever
    her flushed cheeks
    and the honey in her eyes―
    a lover must be waiting

    Claudia Radmore

  • Portents

    Portents

    Kari A. Flickinger

    Go back
    who knew gulls at dawn
    bear warning?
    The bell in the campanile tolls.
    Quiets the gulls.
    A breath between their warning words.
    Orange piercing silence through
    wracking caws
    calms a calamity of frenzy.

    Winds warm will.
    O deep ocean so near the desperate
    Feathers.
    Cackle in
    this ditch hidden in this
    seed and star

    un peu à gauche de (planets)
    near the milkiest
    stream—down
    an ivy way.

    Kari A. Flickinger

  • A Hat Menagerie

    A Hat Menagerie

    Preston Smith

    Kaleidoscopic fabric climbs my walls
    like ivy, poisonous only in the false hope
    it invokes. My hats are compact like a coral
    reef, their varying colors culminating
    in Humanity. I ask only for my tower.

    I sweep the room, ever aware of outside
    stares, ever unaware of how everything ended
    up dreadfully. I see hats haphazardly strewn,
    and I realize: my tower is my Underworld.
    I only wished to discover Elysium.

    My history unfolds two distinct chapters,
    one before the Accident and the other after,
    the connective tissue narrating Their deaths.
    “How did you not foretell this tragedy?”
    they ask, as if I bore the sight of the Fates.

    Instead, obsidian velvet matches my gaze
    as I examine each hat each day, never hesitating
    to craft more, fabric flying in a clashing circus
    of pastel and matte, hoping one will reunite
    me with my family.

    Today, I forge my own Olympus.

    Preston Smith

  • Mutual Defenders

    Mutual Defenders

    Adrian Slonaker

    It doesn’t matter that you
    don’t understand my language since my
    speech is a whirlpool of stammers,
    but my fat ring finger
    taps the inside of your wrist,
    telegraphing a resurgence of trust
    crafted from kvass and vegan caviar and
    Elvis Presley and the solitudes we slashed so that
    my paisley duvet could shelter layers
    of vulnerable limbs while
    thunder throbs in our eardrums.

    Adrian Slonaker

  • Snail Male

    Snail Male

    Jonathan Hope

    Harvey O’Bond wasn’t terribly fond
    Of spiders or anything bug-like.
    But nothing came near his unnatural fear
    Of anything snailish or slug-like.

    He found it appalling to witness them crawling
    And oozing their glutinous juice;
    On vegetable peelings, up walls, across ceilings,
    Exuding a wake so profuse.

    His fear became worse, like a curious curse
    Given birth by the darkest of arts,
    When he learned that no snail was exclusively male,
    But possessed all the female parts.

    But most, he would quake at the thought they could make –
    Out of mucous! – a mineral shell.
    Turning bodily lard into something so hard
    Was the work of a creature from hell.

    He tried to get rid of his fear, with a bid
    At becoming more worldly, enlightened;
    But trips overseas didn’t cure his disease:
    His excursions just left him more frightened.

    Paris was great. Then he went on a date
    With a mademoiselle known as Margot.
    They got along fine till it came time to dine,
    And she ordered a plate of escargot.

    No sooner recovered, he quickly discovered
    One solitary weekend in Brussels,
    That rather than ending, his fear was extending
    To cockles and oysters and mussels.

    Attempting in Florence to curb his abhorrence
    Proved anything other than easy:
    Some stonework in Tuscany looked so Molluscan
    He found himself feeling quite queasy.

    On unsteady feet Harvey beat a retreat
    From piazzas and streets, hot and smelly.
    It was here on a wall, in a high-ceilinged hall,
    He encountered his first Botticelli.

    The birth of this Venus to Harvey was heinous,
    He fled from the place at a gallop.
    Not because she was bare, or had horrible hair,
    But because she was perched on a scallop.

    Jonathan Hope