Nightingale & Sparrow

Category: Nonfiction

  • Méchant

    Méchant

    Don Noel

    He was a little tyke, Mary Elaine thought, cherubic in neat blue shorts and a little man’s white dress shirt without a tie. Probably a three-year-old small for his age, but perhaps still in his terrible twos; she had no experience from which to judge. His mother was having a hard time keeping him under control. She’d brought a little blue sports car, hardly bigger than the little boy’s fist, with real wheels, and rolled it a dozen yards down the thin waiting room carpet for him to chase.

    He retrieved it, turned to face his mother, and tried to roll it back. Or was that really what he tried? The tiny toy went airborne and clattered down an adjoining staircase. His harried mother persuaded him — with grim determination on her part, and obvious reluctance on his – to wait while she retrieved it.

    Méchant garçon, Mary Elaine thought. Naughty boy. The French just popped into her
    head, which pleased her. Even better: Applied to adults, it came back to her, the word might mean wicked or even cruel, but it meant just naughty for little boys. She felt a warm smile suffuse her face. College lessons had been three decades earlier, and getting married on the spur of the moment instead of spending a post-graduation summer in Europe meant she never got to practice her laboriously-earned skill in Paris. Harry proved to have little interest in travel.

    She’d never had a little boy, either. If she had, this rambunctious lad might have been her grandson. Unexpectedly, it pleased her to imagine having progeny with more spunk than she’d exhibited most of her life.

    The orthopedic’s waiting room was filled with people whose afflictions were readily
    apparent: feet or legs in casts or braces, hands or arms in slings or casts or puffy gauze wrappings; canes and crutches and wheelchairs. Only the naughty boy and his patient mother offered no visible clue what either’s affliction might be.

    A month ago, Mary Elaine was one of those whose huge cast was tucked into a sling. Then the cast was cut off; now her right wrist and forearm were braced in a cream-colored plastic splint, marvelously heated and shaped, form-fit, by a sculptor-technician. When she slipped it off at night, it looked on her bedside table like a huge pasta penne or rigatoni with a wide slot down its length. In the morning, she slipped her thumb in first and then squeezed the whole noodle over her forearm, securing it with Velcro straps.

    An X-ray today, she hoped, would reassure the surgeon that her bone had re-knitted well enough that she could dispense with the brace, and so drive again, and cook.

    Harry certainly must hope so. The original cast had made her hopelessly clumsy at the stove, and hardly able to rinse dishes, let alone wash pots. Even now the brace, form-fit or not, hindered meal preparation. He’d been complaining ever since the operation about microwaved dinners. In 28 years of marriage, Harry had been a demanding consumer of home cooking, albeit occasionally flattering.

    The patients assembled in the waiting room were being called, one at a time, to a little room where a nurse took blood pressure and made sure the hospital paperwork was in order. She summoned them by first name only, presumably to comply with federal privacy laws. Having completed that step herself, Mary Elaine made a point of watching who responded when each name was called.

    “Shirley?”

    Naughty Boy’s mother, who had found a seat nearby and was reading a book to her
    fidgety son, stood up. So it must be she, rather than her child, who was the patient today.

    “Can I help?” Mary Elaine asked. “I could read to your sweet little boy while you check
    in.” She hadn’t planned to offer that and was rather surprised at herself, but the prospect somehow cheered her.

    “Why, how nice of you,” the mother named Shirley said, “but I think he’ll behave
    coming with me.” She stood, taking the hand of her son, whom Mary Elaine had decided to think of as little Méchant.

    The boy balked and threw the toy car into the air. It chanced to land quite close to Mary Elaine. She picked it up and handed it to Shirley, who led Méchant across the room to disappear into the nurse’s cubicle.

    She was quite well dressed, Shirley was, in a well-tailored light purple pants-suit. Most people in the waiting room were in very casual clothes, sweat pants the most common, but also jeans and shorts (knee-length, most of the men, and more revealing, most of the women). Mary Elaine herself wore a seersucker skirt, printed in rainbow colors, that she’d bought at Tudbury’s.

    For many years she hadn’t been able to afford Tudbury’s. Harry insisted from the start that they have separate bank and credit cards, and doled out money to her parsimoniously. When her aunt died and left her a substantial estate, things changed. Harry suggested they switch to a joint account, but she managed to resist that. Now she could afford to dress like a confidently stylish fifty-year-old.

    Shirley was obviously having trouble with Méchant, who wanted to bolt from the nurse’s cubicle. Must make his mother’s blood pressure spike, Mary Elaine thought. She got up and went to the cubicle doorway.

    “Hello, young man. I’ll bet you can’t guess what I have for you.” She had no idea what prompted that gambit, but she was pleased to find that it worked:

    “What?” Méchant asked.

    “You’ll have to tell me your name first,” she improvised. “You can call me Nana.”

    The little boy was quite disarmed. “Okay, Nana. My name is Peter. What do you have?”

    “Peter,” she said, “watch this.” She peeled back the Velcro straps, squeezed her hand and arm out of the plastic brace, and handed the contraption to a very wide-eyed little boy. “It’s a modern kind of splint,” she told him.

    “Wow!” he said. “Can I put it on?”

    “Sure,” she said. “Come over and sit with me while your mother talks with the nurse.”

    To Mary Elaine’s surprise and his mother’s, little Méchant-Peter (as she would now think of him) compliantly walked with her back to her chair. She sat and showed him how to put it on – covering the entire length of his arm, of course – and close the straps. Definitely a small-for-his-age three — or perhaps even four — he was mature enough to manage it well. He was still putting the brace on and taking it off, murmuring “splint” to himself, when his mother finished her check-in and returned.

    “My,” she said, “you have a way with children! You must be an experienced nana! How
    many grands do you have?”

    “Look, Mama!” Méchant-Peter said, putting his arm into and out of the brace.

    “Actually, none,” Mary Elaine said. “I’m a total novice. My husband didn’t want to have children.” Which he didn’t mention until after the wedding, she recalled, by which time it was too late. In all these years, Harry had never been one to tell her much about his plans.

    “What a coincidence!” Shirley said. “Mine didn’t either, which is why I’m a single mother.”

    “Oh, my! He left you when you got pregnant?”

    “Oh, no. He kept bitching and pressing me to have an abortion, so I threw him out.” Mary Elaine was silent a moment, trying to imagine that.

    Shirley broke into her thoughts: “I suppose you didn’t do things like that in your day.”

    “Oh, some did, I guess, but I was too timid even to think about it.”

    “Pity,” Shirley said. “You might have remarried, had a passel of kids and be a real nana
    now. But I assume you’re content with the way things worked out.”

    An intrusive half-question, but apparently unintentionally so; Mary Elaine didn’t know how to respond. “I suppose,” she started to say, but just then she was rescued, a nurse calling her name to go see her surgeon. “I’m afraid I need that back,” she said to little Peter. He gave it up without a fuss; she slipped it on, tightened the straps and let the nurse lead her in.

    Harry, she thought, had never in all those years doubted that he was right about everything. Even now, he was an unusually fit man for his age, which made it hard for him to understand ordinary mortals’ frailties. He’d hardly been encouraging about her operation to begin with. Osteoarthritis of the hand? A little pain never hurt anybody, he liked to say. He’d declined to get her to and from the hospital the day of the surgery, so she’d had to recruit her sister Lil. Lil had brought her again today and would fetch her home when she telephoned.

    Once she was in an examining room, of course, and a nurse had looked at her wrist, she had to wait for the doctor. Doctors always assume that their time is far more important than patients’, she thought – not unlike Harry. She began to wonder whether she wanted to go home and make dinner tonight. She could always put the plastic noodle splint back on, even if the doctor said it was no longer needed.

    She wondered if Shirley’s husband – no, ex-husband — was as big as Harry. The other meanings of méchant popped into her mind. She tried to conjure the scene in her mind’s eye: Her new acquaintance Shirley insisting on carrying her child to term, and showing her méchant husband the door. The image brought a smile to Mary Elaine’s lips. She felt the smile there, and let it broaden.

    Which was exactly when Shirley and her little boy passed by the door, being shown to an examining room themselves. Méchant-Peter was peering into cubicles as he passed them, of course, and saw her.

    “What are you laughing at?” he called.

    “Peter!” his mother said. “That’s not polite!”

    “I’m just glad to see you again,” Mary Elaine said, and knew it was true.

    Shirley was evidently being shown to the examining room right next door, and her son was equally evidently not inclined to hurry into the little room. His head re-appeared in her doorway.

    “Can I play with your splint again?”

    “Tell you what,” she told him. “We seem to be on the same timetable. Tell your mother I’ll tarry in the waiting room for a little while when I’m through here.”

    Shirley’s head appeared in the doorway. She had obviously come back to get her son and overheard.

    “Thank you!” she said. “And if we get there first, we’ll wait for you.”

    “We have a date,” Mary Elaine called after the departing heads.

    She was still smiling at the thought of chatting with Méchant-Peter again when the doctor arrived. “I judge from the look on your face that your hand can’t be very painful.”

    “Oh, no, doctor. Not at all. I was smiling at the little boy who’s just gone into the cubicle next door.”

    “That would be Peter. I suppose I shouldn’t discuss other patients, but we’re trying to decide how best to treat his mother’s carpal tunnel pain, and her little boy is a pain elsewhere, if you know what I mean.”

    Mary Elaine let a wide grin suffuse her face again. “He just needs to be distracted,” she told the doctor. “He’s been playing with my splint.”

    “I’d say you could give it to him,” the doctor said, “but I’d rather you wore it for a few weeks longer when you’re walking or at any risk of falling.” He had been examining her hand as they talked. “If you tried to catch yourself with this hand, at this point, you still might undo my hard work.” He would have her come back in another month and take an x-ray to see how densely the bones had grown together.

    And that was it. In a moment she was being led back to the waiting room. Be at the clinic a half-hour early, wait another half-hour in a cubicle — sometimes stripped down to a chilly paper gown — then spend four minutes with the doctor. She caught herself almost laughing: Just like my sex life, she thought.

    This was the moment when she ought to phone her sister Lil to come to get her. She found herself thinking she might ask Lil to take her home, wait while she packed an overnight bag, and then spend a night or two in Lil’s spare bedroom. But of course that was foolishness, and in any case she wasn’t ready to be picked up yet.

    In only a few minutes Shirley and her son appeared, and Méchant-Peter immediately borrowed the plastic splint and occupied himself with it. He soon discovered that it could be used as a tunnel for the toy car and as a telescope, too. Starting to talk to his mother, Mary Elaine felt herself being studied. She turned, looked down the tube to find his little-boy eye, and gave him a big wink. He giggled.

    “You know,” Shirley was saying, “we live only ten minutes from the hospital. How are you getting home?”

    Mary Elaine explained about Lil.

    “Wonderful!” Shirley said. “Let’s go have a sandwich and cold soup at my house – nothing fancy – and your sister can collect you there. Or Peter and I might take you home.”

    “That would be nice,” Mary Elaine said, then hesitated. “I don’t want to impose.”

    “No imposition. Peter would love to have you.”

    “Is she coming to our house?” Méchant-Peter asked.

    “I think so,” Shirley told her son. “You help invite her!”

    “Oh please, Nana, come to our house! I’ll show you my Lego sculptures.”

    “And we can talk about how things have changed in a few decades,” Shirley added. “Women’s liberation and all that.”

    Wicked, Mary Elaine thought to herself. Méchant. And perhaps important. “Yes,” she heard herself say. “Thank you. Yes, let’s.”

    Don Noel

  • Treading Water in a Sea of Consciousness

    Treading Water in a Sea of Consciousness

    Essie Dee

    Everything matches. Towel, suit, goggles and swim cap. Even her anklet is the same shade of blue. She will blend in, become one with the water, in hue at least. Creeping along the pool deck, she longs to remain unnoticed. Her eyes dart about, taking in the potential audience. Three other swimmers in the pool, all in the fast lanes, and a few yawning lifeguards. With a deep breath, she feigns confidence, head up with an air of authority.

    Sitting at pool edge she lets her legs dangle in, coolness of the water washing over her knees. It’s colder than she remembers, but then, it has been a while. As she swishes goggles in the blueness, she looks down at herself. Scarred and stretch marked, her body a battle zone. She gazes upon the water pooling around her legs, the coolness awakening something within. Her muscles twitch in memory of time spent in constant motion. She closes her eyes briefly and takes another deep breath, not of confidence but repression.

    A hazy memory clings to present day. One last race, a short distance triathlon, before focusing on her ever-growing abdomen. A zebra mussel starts it all on the beach – cut foot crammed into less than clean bike shoes. Searing pain subdues the run, a quiet ambush of training. A crimson silhouette creeps along her sole, with a warmth not suitable for walking. Then sudden illness, things turn grey. Rhythmic beeping from the bedside, shadow figures loom nearby. A vague sense of words. Sepsis. Amputation. Her world becomes dark. Unconscious. Decisions made. Her unborn seized too soon. Infections follow. Cries of the future shall not be heard.

    She awakes to tragedy.

    Goggles adjusted, she spies something to the side of the pool deck and pauses. Slowly gathering herself she stands, saunters over and selects a kickboard. Blue, like everything else. Back to the water’s edge, she unfolds herself into the water.

    It’s a struggle, exhausting. The kickboard was a good idea. Despite the agony in her lungs, her limbs, she is delighted to be active again. To feel pain for reason and purpose rather than just part of her everyday existence. One lap completed, she stands at the end of the lane to catch her breath.

    She carries on in this manner, one lap after another, clinging to the kickboard and pausing for rest at the end of each turn. More alive with each passing. More like the self she thought she had left behind.

    Essie Dee

  • The Cherry Blossoms

    The Cherry Blossoms

    Lily Cooper

    The cherry blossoms were her favorite.

    She would awaken in the springtime after a long sleep of the gray, and the blue eyes of the sky finally opened up. All at once, the entire city would blossom into a pink-and-white wonderland. A royal blush carpet paving the way for Spring to come.

    Blocks upon blocks of cobblestone streets would be blanketed with light pinks and
    houses that have stood the test of time would be met with nature’s newest addition.

    Her heels hit the stone in satisfying ‘clacks’ that spoke words to her, words of warning that she should turn around.

    “Go back,” they seemed to say.

    She pressed on forward, under the protection of the peony trees, favoring the strong and sturdy hold they had against the weather. Light petals fell down to the ground, her hair collecting each one like teardrops.

    Her black silhouette of a dress was a stark contrast against the rows of white houses, while her pale, cream skin faded away into the paint. From a distance, you could see the single white pearl around her neck on a gold chain. The only pearl he could afford to get her.

    She turned onto Sakura street and a wave of memories fluttered around in her soul. Images of walks in the rain and entering the pub soaking wet danced around like a curtain of movies.

    She saw the first time they met down the road. The first thing he saw was the pile of
    books in her arms from studying for hours at the university across town. The second thing he saw was her chocolate brown eyes that broke apart into a million different shades of amber when she walked into the light.

    An image of the two of them talking at the bus stop tried to catch her attention. That was the first time he spoke to her— while awkward and jumbled, the words exchanged between them under the falling cherry blossoms and rain, was the step forward to their tumultuous relationship. Before she left on the bus, he reached up and grabbed a blossom and handed it to her.

    “Until tomorrow,” he said and waved her off as she headed back toward her classes.

    She still had the blossom he gave her tucked away in her journal. Flattened, crisp, dead, but full of color and memories.

    She crossed the street and walked through the image of their first kiss. It was after his shift ended and he had tried to make her dinner, burned it all, and they decided to go out to eat. Her cheeks were flushed pink from the wine and he grabbed her by the waist of her matching jacket and kissed her, curving his body into hers like a puzzle piece finally finding its home.

    She walked past the argument outside of his flat where she kissed him out of anger and lost her balance, causing both of them to fall down the stairs. They laughed so hard that they forgot what they were originally fighting about.

    There was the time when the springtime bloomed and they just sat on the step and
    watched the blossoms fall while drinking hot cups of white tea.

    At the end of the street, she got to the iron bars looming over her, twisting and twirling as if they were trying to strangle her. With one foot in front of the other, she crossed the barrier and followed the light-petal path down to where he wanted to be.

    By the cherry blossom trees. By her.

    The procession had already started as she made her way past friends, family, relatives, strangers, and viewed the large black box. To the left of it was him.

    She knew that smirk anywhere. It wasn’t full of the mocking and hatred that cruel school girls gave to the less desirables though. It was full of their inside jokes and memories of picnicking by the Thames in the springtime, the basket full of scones, sandwiches, and rose-tinted wine.

    She took that photo.

    A week later he left with nothing but a single letter apologizing, saying he loved her, but he couldn’t handle it anymore.

    The man at the podium spoke of a young life lost and other words that didn’t quite sink in. However, with every word spoken, petals would fall down over her from the trees above. As if he was saying, “Don’t be sad. I’m still here with you.”

    But he wasn’t. Not really, anyways.

    The only thing that comforted her was the knowledge of the tool that was in her little black purse. The tool that she would use after she walked back through the pink wonderland of trees and to her home. The same tool he used and the one that would reunite them.

    She loved the cherry blossoms.

    If only they didn’t remind her of him.

    Lily Cooper

  • Along the Perimeter

    Along the Perimeter

    Kristin Kozlowski

    Her backyard is filled with plastic bottle tops and torn ad papers and Skittles wrappers ripped open and emptied. An Election Day leaflet. A peanut butter jar chewed clean through on one end by a suburban squirrel. Didn’t anyone ever describe the dangers of eating plastic to them? Do forest dwelling squirrels know the difference between real food and fake, or are they so ravenous they’d peel through plastic to chow on some peanut butter, too? Maybe this kind of destruction is primal. Like the anger that erupts from her sometimes. Or the pain that often overtakes her and makes her a visitor in her visceral body.

    She picks up a hand towel she’s never seen before that’s lying near the fence line. It’s soaked with the regrets of winter and maybe some melted snow or early morning rain. It’s hard to tell the difference. She doesn’t bother to wring it out, just dumps it into the garbage bag she’s carrying, the one that thumps against her calf when she walks the perimeter. It’s filling quickly.

    Her daughter’s old doll stroller rests, faded and tipped over, near the gate. It has a rip in the cotton sling and a broken wheel. Too big for the bag, she deposits it at the curb. From the street behind her, she can hear the garbage truck rumbling, then screeching to a halt. It sounds exhausted. She speeds up her efforts, anxious to get this junk off of her lawn and out of her sight.

    Beneath a cracked Frisbee is a crescent of new grass, green against the dead yellow tan of the yard. She tisks at it. Doesn’t it know that it can frost in Chicago as late as Mother’s Day? Doesn’t it know that it should still be hiding? Or doesn’t it care about the Mother’s Day rule? Either way, she thinks this grass should bunker down and hide its head for six more weeks if it knows what’s good for it. If it cares about surviving at all. If it can. She crouches and strokes the soft, damp threads with her fingers. She thinks that this is what vulnerability must feel like, and she wonders if that’s primal too.

    Kristin Kozlowski

  • What I think about when I think about my mom

    What I think about when I think about my mom:

    Holly Salvatore

    1. The bottoms of her feet fleshy and pink, cracked yellow heels, meeting deep dewy skin. I see my mother’s legs, long and muscular, propped on the railing of the porch. Everything is blooming. The bees are not all dead yet. Hummingbirds vibrate and shimmer through the porch shade, stopping at the feeder to drink sugar water for less than a second. They nest in the pear tree. My mother drinks a margarita. Her stomach is flat and she rolls up her shirt to collect the sunlight in the folds and creases of her skin. When she smiles, it’s her eyes.

    She lets herself sweat, lets it roll down the backs of her arms, from her neck, from her chin. She lets herself drip into the garden bed and onto the stones. I imagine this rosebush then, grows accustomed to my mother’s taste.

    I am picking raspberries to make a pie, but we eat them all before going inside.

    My mother’s fingers, red and sticky. The hummingbirds watching. We eat in greedy handfuls and gulps like berries are breath and body for us.

     

    2. The morning grayscale tone of her hollowed out cheeks.

    My father has dressed her in a pink fleece zip up and soft flannel pants. She is wearing her slippers, lined with faux fur and a blue fleece beanie. Cushioned and insulated, nothing can touch her. The fabrics, my hands, a cup of tea, my father’s goodbye kiss — everything soft when everything hurts. My mother sniffles. She begins to leak. I don’t know what’s wrong, but I know what’s wrong. The thing that lives inside her chest banging and lunging to get out, the thing we don’t talk about. Her eroded lungs shake, and I remember she used to seem bigger. Now her edges blur and her arms fade into the couch. One collarbone peeping from her sweater as sharp as a dagger.

    My mother’s palms are yellow-pink, her hands faded from tan to parchment, fingers long and slender with perfect, oval nails. Her hands are cold. My hands are cold.

    Clear liquid snot and tears mix at her chin. I hold a tissue to my mother’s nose and instruct her to “blow.” Wipe her face while I fail to keep mine neutral. We do this again and again. When the knocking in her breath stops, I test her tea on the skin of my wrist, and ask if she wants some. I hold the mug to her mouth and she takes tiny sips, the muscles in her neck straining.

    She is sorry, her eyes say.

    I know.

    Looking into blooms of soft, green lichen, lashes gone, eyebrows gone, looking into eyes that are alive in a body that is dying, I tell her that it will be OK.

    The sun comes up. Maybe I’m not lying.

     

    3. Red Lodge, Montana.

    A woman is a hawk at rest, at any moment ready to take flight.

    A woman in a cowboy hat and mauve puffy coat, too short, her slender talons show beneath the sleeves. Even sitting, she is long and tall, even blurred, she is happy. Evergreen and alpine flowers and soil — the scent she carries on the breeze as she circles above, riding air currents. To watch her dive fearlessly into a meadow is to know joy. To see her come up with a body in her claws is to know death.

    Watch as she devours a snake.

    Alive.

    My mother, the hawk, sits perched on the bumper of a beat up blazer, breathing easily and steadily in the early summer sun, full-bellied, clear-eyed. Less of a woman and more of a bird.

    Holly Salvatore

  • Boxes

    Boxes

    Liat Miriam

    This morning my cat, anxious from the move to our new apartment, would not stop crying. I placed a cardboard box on the floor, she crawled inside and quieted. I put the coffee on and wished I could sit in a box, although, gazing around my tiny studio apartment, I guess I am. After they left my mom said my dad regretted not leaving me weed.

    At this time exactly a year ago my cat and I were moving into a different apartment a world away. That one had three rooms and a backyard, enormous for a city, even an extension of a city, like Bat Yam, where we lived. My cat could spend half her time outdoors. She’d taunt the ferals until they’d attack, then dart inside for mommy or daddy to come running and shoo them away.

    My cat cries because she misses the yard. My cat cries because she misses the smell of her home country. I wonder if she misses the man called daddy, too? The man whose eyes would flash with anger if I referred to her as “my cat” instead of “our cat.” I always knew to stop when he’d spit a curse in Hebrew.

    I open a cardboard box just bigger than his fist. I pull out a little ceramic gray kitten with a ceramic white face and paws, asleep in a little ceramic cardboard box. We saw this kitten on a shelf in a store in Breckenridge. He loved it, so we bought it, but he insisted I be the one to keep it when we parted. He tended to buy me things he thought I wanted.

    The title of my graduate school admission essay should have been I chose grad school over love, so grant me admission. He held me at the airport and promised he loved me.

    I go to Amazon and for the hundredth time this week I consider buying magnetic poetry. Perhaps with the words so readily available I will be the type of writer who writes, instead of the bitter kind who reads the poetry books at Urban Outfitters and thinks “I could do better” without actually trying. I haven’t bought measuring spoons yet, so to brew the coffee I estimate pinches of grounds.

    During the last meal we shared a man died in a pool of blood beside us. Perhaps an aneurysm, he fell flat on the pavement. We’d never seen so much blood before. That night we drank arak and toasted every glass to him.

    Now I’m flirting with other men. He asks me what I’m doing, I say I’m writing a creative nonfiction essay, but I have no idea how to say creative nonfiction in Ivrit.

    Liat Miriam

  • Magnolia Leaves

    Magnolia Leaves

    Jane M. Fleming

    I have a superpower. I throw acrylic paint onto plywood board with my fingers and push. And push until my hands become part of the painting. The cadmium yellow is my skin, running underneath like spiny veins. I can convince myself that I am simply a brushstroke, pink and red and brown and green. And I can control my curves and grooves and make myself seen and unseen—

    But I didn’t learn about this superpower until after nineteen.

    The scabs on my feet caused from running barefoot through woods and roads would wake up and bleed, forcing me to wrap them in gauze and walk gingerly on my sandaled soles. The streets of Williamsburg, Virginia were colored golden by the leaves on oak trees and stinking late-summer magnolias. They reminded me of Easter Sunday with my grandparents and the magnolia tree reaching over the sidewalk outside of the old Episcopal church. Sometimes I can still feel the thin, waxy petal of those magnolia flowers against the skin of my thumb and forefinger. The magnolias are the only thing I miss, with their flowers that are larger than my hands and the leaves that crunch under your feet in October, and my faith-filled lungs in the swampy heat.

    I thought they smelled like a corpse, those magnolias— like the byproduct of my rotten flesh on the bottoms of my toes. They didn’t bring joy like they did when I was six, feeling their leaves crunch under patent Mary Janes, just a flash of running past twisted tree branches under clouds pregnant with rain. When my feet healed, I threw off my shoes and would wander between those trees at four in the morning and shiver each time I caught a low slung male voice echoing from behind those deep green leaves.

    Maybe if I had been Raphael, I would have painted the glossy photograph of us smiling, lying on top of one another, taken with a disposable camera that I purchased and developed at the last place in town that still did that. I thought it was kind of retro— the sort of thing we did as kids— rolls of birthday party and vacation photographs stored in cardboard envelopes with the pharmacy’s insignia all over them.

    He loved the picture because of what you cannot see. Our smiles are wide, cheeks stacked on top of one another, his head covered by a red baseball cap, my neck dripping in hemp necklaces that I made myself. What you cannot see is that we are lying on a woven blanket in a thicket of trees next to a lake. You cannot see that we had just been making love and thought ourselves so clever. The things you cannot see—

    He loved that photo because behind us there was the danger of getting caught. I was all his. His magnolia petal that smells like rot.

    I held the photo in my hand, crying, when he called to tell me he’d taken all of his Xanax. He said would be in the hospital for a few days. I was confused— we had been arguing. I called his best friend who told me that he tried to kill himself. It was because I was making him upset, because I’d killed his baby, because I tore apart his family.

    Call again. Tears rolling down my face. He said he was fine— it was a false alarm. He’d gone to urgent care, but they sent him home. He lied. “The doctor told me that you would choke on Xanax before it would kill you,” he said. I wasn’t sure that that was true.

    When I relaxed, I assured him that I wasn’t changing my mind. We could not continue like this. He said he had no reason to live. I had killed his baby and he had no reason to live. I hung up the phone and I called a friend. I called his bluff.

    My thumb and forefinger slid against the sheen of the glossy 4X6 photograph, increasing the pressure, remembering that what he could not see in that photo is that my feet were bleeding. He liked me better without shoes. I tore it to pieces. I wrapped my feet in titanium white gauze.

    I didn’t know then that I was a paint thrower or I would have emptied my pthallo green to wash out the sheen of his liar’s smile. But I am now and can

    magnolia-leaves-excerpt

    Jane M. Fleming

  • How to… (a love story)

    How to… (a love story)

    Britton Minor

    1. Choose life after death; choose to grow.
    2. Press seeds into spring-warmed earth.
    3. Look for seedlings to poke and rise within the week.
    4. Track two full moons and there will be blooms.
    5. Look! They’re bursting open—one flower, one stem.
    6. Know this: these beauties are deer-resistant sun lovers.
    7. Water them a little (an inch they say) every week.
    8. Wait for butterflies to land and hummers to hover.
    9. Apply fertilizer as needed.
    10. Beware: confident and colorful, Zinnias die out with the first frost.

    A Mockingbird trills ree-ree-ree-swoo, ree-ree-ree-swoo, over and over again. Bright yellow mustard flowers flank the weedy plot of dirt where, seven years ago, a ravenous gopher ate through the middle of three out of four newly planted Buddleia—Butterfly bushes. Weeds abound. Unlike marriage, their success relies—

    how to-excerpt-1

     

     

     

     

     

    Weedy mental meandering is what I do when endings and beginnings are wedged-up like incompatible vegetables planted too close together; cabbage and strawberries, for example; or tomatoes next to bush beans. But while avoiding vegetable catastrophes only requires a bit of research, avoiding personal catastrophes is less clear-cut, by far. One only has to look to Shakespeare for proof.

    In junior high, I accidentally played Juliet. Ms. Anderson, the drama teacher, saw something in me and claimed I’d be perfect for the role. Me? I thought, five seconds before my ego primed my lips with a commitment. Each night, under cover of darkness, I’d earnestly rehearse my lines in the back garden:

    Deny thy father and refuse thy name/Or, if thou wilt not, be but
    sworn my love/And I’ll no longer be a Capulet.

    Weeks later I’d plunge Romeo’s dagger through two layers of chiffon, fake blood exploding across my abdomen, and collapse dead on the stage.

    What wasn’t clear to the eighth-grade me, anything related to my feminist renaissance to-come, is now as transparent as air. Juliet should never have offered to give up her name. After abandoning my maiden name four times, as if getting married was akin to existing in a self-induced coma, it took Donald Trump becoming America’s 45th president to wake me. In an instant, every flimsy belief I’d held became sturdy inspiration for deep internal change. Raised by strong women and nearly absent—either physically or emotionally—men, I can only scream to myself: What took you so (52 years) long? Doesn’t matter, really. A maiden name isn’t difficult to reclaim. A dead marriage is.

    I read recently that in shade, Zinnias produce fewer flowers on smaller plants. Shade is a problem for them, just as it has always been for women who stand in the shadow of a man—we can’t grow properly there.

    Zinnias were discovered in the 1800s, by Johann Gottfried Zinn, a German botanist, and have become a symbol of endurance. I’m envisioning the Zinnia’s floral antecedents through the eyes of budding botanist Alma, from Elizabeth Gilbert’s The Signature of All Things. I’m belly-to-the-dirt, clothing of the day notwithstanding, investigating flora and fauna, calculating exactly how our world first began to grow. I’m maintaining a detailed notebook of lichen, replete with illustrations, and envisioning what our world might, based on these micro-investigations, become. But a botanist also understands that our existence predates its discovery, that something always came first.

    The feminist me predates my 2016 discovery of her. I see her as an independent five year-old pulling up patches of grass just to peer into the teeming world below. I see her in a lifelong refusal to embrace religious discrimination against the gays, and in my wonky determination to keep trying to get love right even after repeated failures.

    Some people don’t like the word feminist much. It’s as misunderstood and poorly labeled as “weeds” that are just flowers that want to grow, unobstructed.

    An ending, I understand, is a synonym for a beginning, which is a synonym for someone who wants to…

    …grow (a love story, remember?)

    Britton Minor

  • The Windmill

    The Windmill

    Charis Fox

    I’ve stared out of the window for the past three months. Some days I haven’t been able to see past the streaks of rain that stain the window like dried tears on cheeks. Other days, I’ve cradled my morning coffee and watched as green turns to brown, as the nights consume the days, and as the Sun weakens.

    Nothing grows without the Sun. Our garden has become a graveyard. From my window I can see grey slabs leading to an infertile bed of sandy brown dirt. The ferns tendrils curl into the ground, no longer thick and lush. The olive tree, a wedding present, stands lifeless, propped up by soil and stones. The lavender that once attracted bees and butterflies is crisp and grey.

    Amber evenings spent in the garden, enveloped in the perfume of jasmine, rosemary and lavender, are only memories.

    Some days my gaze rests on the windmill that juts incongruously out of the dirt. A child’s whirly windmill. Its rainbow rosettes poke up above the brittle twigs of abandoned plants. It was supposed to bring joy and life. A splash of colour and a whirl of movement. But its faded petals remind me of a rundown seafront in winter and bring me only sadness. They, like I, seem to have succumbed to the muted, washed-out skies. It’s not clear whether it is us that have faded quietly, imperceptibly into the grey, or if the grey has seeped into us, draining our souls of colour.

    I’ve stared out of the window for the past three months, as winter pervaded and overwhelmed our home. I’ve been so focused on what’s not there, I’ve been blind to the life that’s struggled on in the peripheries.

    But today the Sun’s rays light up the garden and reach towards me through the window. The warmth can just about be felt on my skin. Tiny hairs prick up on my pale arms. Today I am able to see through the dirt-streaked window. The dawn glow shows me the rosemary bush that has stood stoically throughout the winter months. Through the glass, I can almost feel the softness of the lamb’s ear that has appeared without me noticing: the Sun transforms its grey leaves into silvery, soft fronds. Today I want to smell the rosemary, I want to feel the lamb’s ear.

    Today, I go outside. The air is no longer frigid and I shed the heavy layers that I’ve grown accustomed to wearing. Green buds have appeared on the olive tree, a cluster of daffodils explode brightly from the planter of bulbs that I’d forgotten about. The cricket pitch nearby comes to life with the thrum of a lawnmower and the scent of freshly cut grass. The thwack of ball on bat as the players come out of hibernation signals the start of a new season. Of hope and anticipation.

    I notice the dirt is no longer barren. Tender green shoots poke out defiantly: their fragility makes them seem even stronger. They’ve been waiting patiently for this moment. Having survived the long, dark months of winter, they’re ready to show themselves. Life even pushes up through the cracks in the grey slabs.

    The warm spring air carries candyfloss blossom from next door’s tree and scatters it like confetti across our garden, celebrating the life that has laid dormant, but not dead.

    The windmill is still faded but it spins and whirls in the shower of blossom.

    Charis Fox

  • Airplane Vignettes

    Airplane Vignettes

    Erin Moran

    18:18 in Tokyo and I reactualize in row 21, seat A on Air Canada flight 004.

    ***

    8:15: I wake up in Sam’s bed to the sound of my alarm. Sam’s phone still won’t charge. We wake in silence. There’s not much I haven’t already said over ¥300 wine and 7-Eleven gyoza. I begin to change, but he tells me to keep the gray sweatshirt I slept in. He kisses me once.

    9:00: I carry my own clothes back to my little Kawasaki apartment and prepare to part with my little Kawasaki life. I’ve already done most of the packing. Yesterday I bought a second suitcase from the mall near the train station. I shower, change into my airport clothes and carefully fold Sam’s sweatshirt into my already-stuffed baggage. Things aren’t just things when you’re leaving.

    10:30: Our friends meet me downstairs and we say our goodbyes. We got all the tears out of the way over whiskey last night. I still want to cry, but I don’t.

    11:20: Sam walks me to the train station.

    11:28: Sam hugs me goodbye and I black out. I think he says, “I’ll miss you,” but I don’t know for sure.

    11:32: I leave him and I don’t look back. I buy my ticket from the kiosk.

    11:40: The Narita Express doesn’t come.

    12:10: The next train doesn’t show up either.

    12:40: An announcement reveals that the trains to Narita International Airport are canceled until further notice.

    12:43: I call a cab.

    ***

    It’s not raining tonight and the sky is so clear and black that I imagine myself falling upwards into it.

    As we walk home from our bar, I fall behind my friends and imagine a scene: Savannah and I sit in the backseat of a cab on the way home from the airport and as the sun sets over Tokyo Bay I think, that’s it. The sky alone was worth the airfare. The moon just looks bigger in Japan. When we get home, I Google the difference in elevation between Tokyo and Philadelphia. Can 100 feet bring you closer to heaven?

    ***

    I get a text from Savannah.

    “Hey Erin. I cried in the taxi on the way to meet my mom. I felt like you.”

    I think back to that first sunset. I texted home: “I also saw my first Japanese sunset in the taxi and almost cried but I didn’t take a pic.”

    And I’m glad I didn’t. Some things are too special for Instagram.

    ***

    Sam’s waiting downstairs when I get back and he asks me out for dinner. We decide on the sushi place next to the train station, the one where Savannah and I used to spend hours eating roe and making plans for our futures.

    We sit next to each other, but we don’t speak. We just listen to the hum of the conveyor belt and watch the little sushi plates pass by. Sam orders every type of fish he thinks he hasn’t tried yet. I eat as much fatty tuna as I can. We had planned on getting ice cream—our usual—but we’re both too full after dinner.

    “A new era,” he laughs.  

    胸がはち切れそうで (Mune ga hachikire-sōde). My chest is going to explode.

    ***

    18:26 in Tokyo and Air Canada flight 004 is about to take off. Seat B is empty. Soon I’ll be in Vancouver, then Toronto, then Philadelphia, where it’s colder and darker and the moon’s not so big. I don’t think about what Sam’s doing now, or when I’ll talk to him next, but I do think about his apartment—the big windows and how we’d peek outside late at night to see which of our friends were up smoking cigarettes, or how we’d pull the curtains shut on Sunday mornings. I stare out at the tarmac and think about my own apartment’s view: the train tracks and the route I used to run. That stark white building that became a home.

    My view now is still. I hear the roar of the engine over my own thoughts.

    On the plane, I wonder: would I have stayed? It doesn’t matter now, but maybe it feels better to imagine there’s another option, an alternate reality where I stay in Sam’s bed, wearing the sweatshirt and we wake up late and meet our friends for pancakes. A world where I ask him to tell me, just once more, over the buzz of the conveyor belts. A world where I turn back instead of walking toward the train ticket kiosk. One where we run and run and keep running until we reach the park bench where we shared our first—

    It doesn’t matter now. It’s time to fly. It’s 18:30 in Tokyo and the plane takes off. I look toward the ground and I don’t think, “Goodbye.” I don’t think anything.

    ***

    It’s two days later and I wake up in my childhood bed and check my email.

    8:08 EST (22:08 JST): “Hey Erin.”

    Erin Moran