Nightingale & Sparrow

Category: renaissance (Issue No. II)

  • Beyond the Balcony Rosette

    Beyond the Balcony Rosette

    Cynthia Cashman

    Daybreak

    A Shadorma

    Aurora
    peeps with her first blush,
    Moonbeams melt.
    Stars dissolve
    quietly to kiss light’s face
    now rosy risen.

    My Love Come Dance

    A Couplet Sonnet

    My love, my love, come dance with me
    in sweet delight tonight carefree.
    Soaring souls mount heavenly stairs
    leaving behind sorrows salt tears.
    Hearts entwined together are bright,
    waltzing past sunsets afterlight,
    gleaming wings lift as angels sing,
    “Holy Lord”, to the wellspring king.
    For what is love but all divine,
    sustaining life: sweet nectarine.
    Those lips that taste of paradise
    worth all the living sacrifice.
    My love, my love, my cherished one,
    love you more than the rising sun.

    Still Night

    Placid waters formed
    beneath the rising moon;
    nightingales sang
    to comfort the still night.
    Stars aligned in formations
    of old, still toasting the winds
    that kiss the sweet waters below.

    Cynthia Anne Cashman

  • Strange Places

    Strange Places

    Isidra Pendragon

    Strange Places

    Isidra Pendragon

  • Méchant

    Méchant

    Don Noel

    He was a little tyke, Mary Elaine thought, cherubic in neat blue shorts and a little man’s white dress shirt without a tie. Probably a three-year-old small for his age, but perhaps still in his terrible twos; she had no experience from which to judge. His mother was having a hard time keeping him under control. She’d brought a little blue sports car, hardly bigger than the little boy’s fist, with real wheels, and rolled it a dozen yards down the thin waiting room carpet for him to chase.

    He retrieved it, turned to face his mother, and tried to roll it back. Or was that really what he tried? The tiny toy went airborne and clattered down an adjoining staircase. His harried mother persuaded him — with grim determination on her part, and obvious reluctance on his – to wait while she retrieved it.

    Méchant garçon, Mary Elaine thought. Naughty boy. The French just popped into her
    head, which pleased her. Even better: Applied to adults, it came back to her, the word might mean wicked or even cruel, but it meant just naughty for little boys. She felt a warm smile suffuse her face. College lessons had been three decades earlier, and getting married on the spur of the moment instead of spending a post-graduation summer in Europe meant she never got to practice her laboriously-earned skill in Paris. Harry proved to have little interest in travel.

    She’d never had a little boy, either. If she had, this rambunctious lad might have been her grandson. Unexpectedly, it pleased her to imagine having progeny with more spunk than she’d exhibited most of her life.

    The orthopedic’s waiting room was filled with people whose afflictions were readily
    apparent: feet or legs in casts or braces, hands or arms in slings or casts or puffy gauze wrappings; canes and crutches and wheelchairs. Only the naughty boy and his patient mother offered no visible clue what either’s affliction might be.

    A month ago, Mary Elaine was one of those whose huge cast was tucked into a sling. Then the cast was cut off; now her right wrist and forearm were braced in a cream-colored plastic splint, marvelously heated and shaped, form-fit, by a sculptor-technician. When she slipped it off at night, it looked on her bedside table like a huge pasta penne or rigatoni with a wide slot down its length. In the morning, she slipped her thumb in first and then squeezed the whole noodle over her forearm, securing it with Velcro straps.

    An X-ray today, she hoped, would reassure the surgeon that her bone had re-knitted well enough that she could dispense with the brace, and so drive again, and cook.

    Harry certainly must hope so. The original cast had made her hopelessly clumsy at the stove, and hardly able to rinse dishes, let alone wash pots. Even now the brace, form-fit or not, hindered meal preparation. He’d been complaining ever since the operation about microwaved dinners. In 28 years of marriage, Harry had been a demanding consumer of home cooking, albeit occasionally flattering.

    The patients assembled in the waiting room were being called, one at a time, to a little room where a nurse took blood pressure and made sure the hospital paperwork was in order. She summoned them by first name only, presumably to comply with federal privacy laws. Having completed that step herself, Mary Elaine made a point of watching who responded when each name was called.

    “Shirley?”

    Naughty Boy’s mother, who had found a seat nearby and was reading a book to her
    fidgety son, stood up. So it must be she, rather than her child, who was the patient today.

    “Can I help?” Mary Elaine asked. “I could read to your sweet little boy while you check
    in.” She hadn’t planned to offer that and was rather surprised at herself, but the prospect somehow cheered her.

    “Why, how nice of you,” the mother named Shirley said, “but I think he’ll behave
    coming with me.” She stood, taking the hand of her son, whom Mary Elaine had decided to think of as little Méchant.

    The boy balked and threw the toy car into the air. It chanced to land quite close to Mary Elaine. She picked it up and handed it to Shirley, who led Méchant across the room to disappear into the nurse’s cubicle.

    She was quite well dressed, Shirley was, in a well-tailored light purple pants-suit. Most people in the waiting room were in very casual clothes, sweat pants the most common, but also jeans and shorts (knee-length, most of the men, and more revealing, most of the women). Mary Elaine herself wore a seersucker skirt, printed in rainbow colors, that she’d bought at Tudbury’s.

    For many years she hadn’t been able to afford Tudbury’s. Harry insisted from the start that they have separate bank and credit cards, and doled out money to her parsimoniously. When her aunt died and left her a substantial estate, things changed. Harry suggested they switch to a joint account, but she managed to resist that. Now she could afford to dress like a confidently stylish fifty-year-old.

    Shirley was obviously having trouble with Méchant, who wanted to bolt from the nurse’s cubicle. Must make his mother’s blood pressure spike, Mary Elaine thought. She got up and went to the cubicle doorway.

    “Hello, young man. I’ll bet you can’t guess what I have for you.” She had no idea what prompted that gambit, but she was pleased to find that it worked:

    “What?” Méchant asked.

    “You’ll have to tell me your name first,” she improvised. “You can call me Nana.”

    The little boy was quite disarmed. “Okay, Nana. My name is Peter. What do you have?”

    “Peter,” she said, “watch this.” She peeled back the Velcro straps, squeezed her hand and arm out of the plastic brace, and handed the contraption to a very wide-eyed little boy. “It’s a modern kind of splint,” she told him.

    “Wow!” he said. “Can I put it on?”

    “Sure,” she said. “Come over and sit with me while your mother talks with the nurse.”

    To Mary Elaine’s surprise and his mother’s, little Méchant-Peter (as she would now think of him) compliantly walked with her back to her chair. She sat and showed him how to put it on – covering the entire length of his arm, of course – and close the straps. Definitely a small-for-his-age three — or perhaps even four — he was mature enough to manage it well. He was still putting the brace on and taking it off, murmuring “splint” to himself, when his mother finished her check-in and returned.

    “My,” she said, “you have a way with children! You must be an experienced nana! How
    many grands do you have?”

    “Look, Mama!” Méchant-Peter said, putting his arm into and out of the brace.

    “Actually, none,” Mary Elaine said. “I’m a total novice. My husband didn’t want to have children.” Which he didn’t mention until after the wedding, she recalled, by which time it was too late. In all these years, Harry had never been one to tell her much about his plans.

    “What a coincidence!” Shirley said. “Mine didn’t either, which is why I’m a single mother.”

    “Oh, my! He left you when you got pregnant?”

    “Oh, no. He kept bitching and pressing me to have an abortion, so I threw him out.” Mary Elaine was silent a moment, trying to imagine that.

    Shirley broke into her thoughts: “I suppose you didn’t do things like that in your day.”

    “Oh, some did, I guess, but I was too timid even to think about it.”

    “Pity,” Shirley said. “You might have remarried, had a passel of kids and be a real nana
    now. But I assume you’re content with the way things worked out.”

    An intrusive half-question, but apparently unintentionally so; Mary Elaine didn’t know how to respond. “I suppose,” she started to say, but just then she was rescued, a nurse calling her name to go see her surgeon. “I’m afraid I need that back,” she said to little Peter. He gave it up without a fuss; she slipped it on, tightened the straps and let the nurse lead her in.

    Harry, she thought, had never in all those years doubted that he was right about everything. Even now, he was an unusually fit man for his age, which made it hard for him to understand ordinary mortals’ frailties. He’d hardly been encouraging about her operation to begin with. Osteoarthritis of the hand? A little pain never hurt anybody, he liked to say. He’d declined to get her to and from the hospital the day of the surgery, so she’d had to recruit her sister Lil. Lil had brought her again today and would fetch her home when she telephoned.

    Once she was in an examining room, of course, and a nurse had looked at her wrist, she had to wait for the doctor. Doctors always assume that their time is far more important than patients’, she thought – not unlike Harry. She began to wonder whether she wanted to go home and make dinner tonight. She could always put the plastic noodle splint back on, even if the doctor said it was no longer needed.

    She wondered if Shirley’s husband – no, ex-husband — was as big as Harry. The other meanings of méchant popped into her mind. She tried to conjure the scene in her mind’s eye: Her new acquaintance Shirley insisting on carrying her child to term, and showing her méchant husband the door. The image brought a smile to Mary Elaine’s lips. She felt the smile there, and let it broaden.

    Which was exactly when Shirley and her little boy passed by the door, being shown to an examining room themselves. Méchant-Peter was peering into cubicles as he passed them, of course, and saw her.

    “What are you laughing at?” he called.

    “Peter!” his mother said. “That’s not polite!”

    “I’m just glad to see you again,” Mary Elaine said, and knew it was true.

    Shirley was evidently being shown to the examining room right next door, and her son was equally evidently not inclined to hurry into the little room. His head re-appeared in her doorway.

    “Can I play with your splint again?”

    “Tell you what,” she told him. “We seem to be on the same timetable. Tell your mother I’ll tarry in the waiting room for a little while when I’m through here.”

    Shirley’s head appeared in the doorway. She had obviously come back to get her son and overheard.

    “Thank you!” she said. “And if we get there first, we’ll wait for you.”

    “We have a date,” Mary Elaine called after the departing heads.

    She was still smiling at the thought of chatting with Méchant-Peter again when the doctor arrived. “I judge from the look on your face that your hand can’t be very painful.”

    “Oh, no, doctor. Not at all. I was smiling at the little boy who’s just gone into the cubicle next door.”

    “That would be Peter. I suppose I shouldn’t discuss other patients, but we’re trying to decide how best to treat his mother’s carpal tunnel pain, and her little boy is a pain elsewhere, if you know what I mean.”

    Mary Elaine let a wide grin suffuse her face again. “He just needs to be distracted,” she told the doctor. “He’s been playing with my splint.”

    “I’d say you could give it to him,” the doctor said, “but I’d rather you wore it for a few weeks longer when you’re walking or at any risk of falling.” He had been examining her hand as they talked. “If you tried to catch yourself with this hand, at this point, you still might undo my hard work.” He would have her come back in another month and take an x-ray to see how densely the bones had grown together.

    And that was it. In a moment she was being led back to the waiting room. Be at the clinic a half-hour early, wait another half-hour in a cubicle — sometimes stripped down to a chilly paper gown — then spend four minutes with the doctor. She caught herself almost laughing: Just like my sex life, she thought.

    This was the moment when she ought to phone her sister Lil to come to get her. She found herself thinking she might ask Lil to take her home, wait while she packed an overnight bag, and then spend a night or two in Lil’s spare bedroom. But of course that was foolishness, and in any case she wasn’t ready to be picked up yet.

    In only a few minutes Shirley and her son appeared, and Méchant-Peter immediately borrowed the plastic splint and occupied himself with it. He soon discovered that it could be used as a tunnel for the toy car and as a telescope, too. Starting to talk to his mother, Mary Elaine felt herself being studied. She turned, looked down the tube to find his little-boy eye, and gave him a big wink. He giggled.

    “You know,” Shirley was saying, “we live only ten minutes from the hospital. How are you getting home?”

    Mary Elaine explained about Lil.

    “Wonderful!” Shirley said. “Let’s go have a sandwich and cold soup at my house – nothing fancy – and your sister can collect you there. Or Peter and I might take you home.”

    “That would be nice,” Mary Elaine said, then hesitated. “I don’t want to impose.”

    “No imposition. Peter would love to have you.”

    “Is she coming to our house?” Méchant-Peter asked.

    “I think so,” Shirley told her son. “You help invite her!”

    “Oh please, Nana, come to our house! I’ll show you my Lego sculptures.”

    “And we can talk about how things have changed in a few decades,” Shirley added. “Women’s liberation and all that.”

    Wicked, Mary Elaine thought to herself. Méchant. And perhaps important. “Yes,” she heard herself say. “Thank you. Yes, let’s.”

    Don Noel

  • Where the Thunder Goes

    Where the Thunder Goes

    A Golden Shovel after Something Wicked this Way Comes by Ray Bradbury

    Kevin Kissane

    Desert sand turns to glass where
    zips of lightning land. It does

    not trumpet a sound, but the
    lapping of lyre-like thunder

    holds still where the prairie dogs go,
    and the rainstorm will sing when

    wind rubs its paws clean on the glass. But it
    only sounds til’ the last of the deluge dies

    Fear takes bloom in the spots where
    lightning shears through dry air. Does

    it frighten you at all to know that the
    thunder does not care? The thunder

    will come and the thunder will go
    when cloudbursts billow the sky, when

    children pull blankets up over their eyes. It
    scares what it dares, and the thunder never dies

    Kevin Kissane

  • Fantasia

    Fantasia

    Charlotte Hamrick

    Fantasia

    Charlotte Hamrick

  • Lizzie Borden Day

    Lizzie Borden Day

    William Doreski

    “In the spirit if not the mode
    of the Renaissance emblem poem,
    Marvell’s garden poems deploy
    the notion of green to invoke
    the innocence of our founding myth
    and the modern sense of renewal.”

    Such was the thesis I failed
    to etch into the stone tablets
    I lugged to a professor’s lair
    on the third floor of a revamped
    townhouse on the BU campus.
    My lack of clarity appalled

    like thunder at dawn. Renewing
    that shame, I rise into gloom
    of secular rain, a storm brewing
    in full glory a few miles south.
    My garden, unlike Marvell’s,
    lacks the innocence of dogma,

    and flaunts its green libido
    more aggressively than survival
    requires. Today, Lizzie Borden Day,
    the groan of logging machinery,
    a herd of giant chippers,
    competes with actual thunder

    to compost as much of the planet
    as its collective maw can swallow.
    Marvell would rise in Parliament,
    the angry member from Hull,
    and protest this wanton ravishment.
    I cower at my desk and propose

    a thesis thirty years too late.
    The rain and thunder drift east,
    the sky mellows in tepid grays,
    and Lizzie Borden, fresh from her grave,
    waves her hatchet to warn me
    that running amok won’t do.

    William Doreski

  • Casualties

    Casualties

    Lynne Schmidt

    The numbers change in the morning,
    Growing like weeds in sunlight.
    They always rise because
    The human body is not meant to heal from metal.

    The ripples will carry far and wide,
    Just as the women felt them after California,
    Just as the runners felt them after Boston,
    Just as the children felt them in Colorado, Parkland, Connecticut.
    Just as the religions felt them after New Zealand, Wisconsin, Pittsburg.

    The echoes are louder than the canyons we scream into,
    Louder than the unanswered phones laying beside the bodies
    As friends and family call to ask,
    “Are you safe?”

    We know the answer,
    Nowhere is safe.
    The lists grow as the casualties rise.
    We could make mountains out of bodies at this point.

    And you sit here and tell me,
    “It’s not my place to get involved,
    Not my place to speak up.”

    And I wonder,
    When the come for you,
    Because they will,
    Will you still be sitting down?

    Lynne Schmidt

  • Day’s End

    Day’s End

    Birdy McDowell

    days-end

    Birdy McDowell

  • Shakespeare in Camden, 2019

    Shakespeare in Camden, 2019

    Ellora Sutton

    down the street to the smell of sizzling plantain
    and the tickle of spilt almond milk he walks
    and as he walks he sees stanzas in the clouds
    and in the clouds he sees the face of the boy he loves

    there’s a girl in the lock in the beer-coloured water
    and none of the people are doing a thing to save her
    and her hair floats like vomit over a drain cover
    and Shakespeare knows she didn’t die to make a pretty picture

    past the statue of Amy Winehouse to the raw poetry of the hawkers
    and he takes a moment to rub inspiration from her holy palm
    and all that comes off is pigeon shit
    and he laughs because maybe it’s the same thing

    Shakespeare can feel the rumble of the underground in his knees
    and his knuckles the judder of metallic slugs
    and all the people in those tiny airless lungs
    and it makes him think of the laughing gas he did last night

    with the boy he loves on a rooftop in a jungle of washing line
    and how he stopped to make notes on his iPhone
    and how the cracks in the screen became part of the poem
    and how the moon became as superfluous as punctuation

    he checks his Instagram to the applause of 40,000 followers
    and he thinks of kale or maybe tinned sardines for dinner
    and then something to smoke with the boy he loves later
    and then dreams of obscene minotaurs drunk on midsummer

    along the Thames in the dark but it’s never dark in London
    and the queue for the water bus is a fading stain
    and he wonders how many bones are in that black water
    and he wonders if it will ever completely freeze over again

    he googles flights to Italy maybe Venice or Verona
    and knows he’ll never book one he needs a deposit for a house
    and there’s a nice row of terraces a few miles out of the city
    and the boy he loves has always wanted a cat called Orlando or Ophelia

    the tasselled cushions on the sofa are wine-mottled
    and he enchants them into the Northern Lights
    and the static on the telly is the Bermuda Triangle
    and this is all of the world right here

    in a Camden flat with a blood orange door that belongs to the boy he loves
    the world in his pocket his palm his throat and the boy he loves
    watering cacti that Shakespeare had thought long dead but the boy he loves
    doesn’t give up like that even with just pennies in the ‘leccy meter
    and only old defunct pound coins in the jar
    and like that Shakespeare is happy
    ardently happy
    happy with the boy he loves like a summer day

    Ellora Sutton

  • Alive in the World

    Alive in the World

    Camille Clarke

    The excursion was Giselle’s idea. Teresa was unsure whether to be relieved or nervous about this piece of information. Giselle had arrived at the school nearly three months ago, and Teresa prided herself on her ability to completely avoid an interaction in that time. She would speak to Giselle once she knew what to say, once she decided how she wanted their work relationship to pan out. But Giselle’s lips were still so pink, the soft curves of her face still so entrancing, and Teresa lost all confidence in herself.

    But Giselle had suggested this outing, a combination of the students’ music and art classes, and as the headmistress had given her approval, Teresa had no choice but to acquiesce. It was spring. The girls loved being outside. Teresa had noted the increase in the number of bodies out on the lawn during lunch and evening hours. Girls on blankets, in the grass, dress hems pulled up to their knees or even higher, arms thrown over their heads, mouths open in girlish delight. Teresa had been one of them not too long ago. Fifteen years old. Breathlessly alive, slowly growing aware of her own body, the way the air felt against her skin, how her toes looked curling into the dirt.

    An excursion to the lake, she said to the headmistress, was a perfect idea.

    This, before she learned Giselle had suggested it.

    Teresa stood now on the deck overlooking the lake. Several girls sat sketching or painting. Huddled together in groups as an excuse to talk and giggle as they worked. Heads bent over sketchbooks and canvas, the occasional chin tipped up in a laugh. The sun glinted off their hair and Teresa thought, I was once this way.

    She looked at Giselle, at the shore of the lake teaching students a new song. She held a guitar on her lap, fingers gently curled around the neck and strumming, and Teresa thought, Those hands once touched my skin.

    A prickle spread along her arms at the thought. She glanced down at her sketchbook, upon which the form of a woman reclining on a bench had begun to materialize. Cheeks flushing, Teresa flipped the page over. With the warming weather, Giselle had taken to reading in the courtyard in the early evening. She would lie there reading and Teresa would lie in her bed, willing willing willing herself not to look out the open window, peer down at the bench just below her room. The breeze would sigh in past the curtains, and she could never tell if it was just her imagination that it carried Giselle’s gardenia scent.

    Teresa began a new sketch. Her charcoal swept across the page in rough, fierce strokes, building into something innocent. The pink flowers that bloomed on the nearby bushes.

    “Taking this exercise seriously, are you?”

    Teresa halted in her movements to look up at the source of the voice over her shoulder. Giselle’s teasing gaze met hers, lips quirked up in something softer than a smirk. Her hair was loose, brushing her shoulders. She’d removed the cardigan she had arrived wearing, and if Teresa had less self-control, she would press her nose to the collarbone she knew would be warm and sweet.

    “Just excited,” Teresa said.

    Giselle lifted an eyebrow. In that moment she was beautiful, tousled, as fresh and
    wholeheartedly human as the students.

    Flashes in Teresa’s mind of spring days, a smile against her mouth, nervous fingers on smooth thighs, dress slipping off her shoulder, hazel eyes above hers, she was once this way, she was alive, too, her very soul bursting with the knowledge of her space in the world.

    “I think it’s time for lunch,” Giselle said.

    The girls spread blankets and took off their shoes and rolled up their sleeves and ate with the shameless hunger girls could only display around each other. Crumbs falling out of their mouths as they spoke. Lemonade spilling down their curved chins. Fingers dripping with juice from the strawberries.

    Teresa shared a blanket with Giselle, who spoke with her mouth full and sat with one
    knee propped up.

    “I missed this,” Giselle told her.

    I don’t even remember how to do this, Teresa wanted to say. I am not the girl you used to know.

    I am not Teresa who laughs loud, who unbuttons the top of her dress, who writes her name on every spare wall in the school, who sneaks barefoot into the kitchen at night for cake, who kisses the most beautiful girl she’s ever seen for no other reason than she just wants a taste.

    “Why don’t you take off your shoes, Teresa?”

    Teresa shook her head. Undeterred, Giselle slid her hand along the toe of Teresa’s shoes.

    “Let me help,” Giselle said.

    “The girls may need me.”

    “Not like this.”

    Giselle moved closer, close enough Teresa could smell the gardenia, see the freckle beneath her left eye, feel her breath on her cheek. Giselle’s hand slid up until it reached Teresa’s ankle. Finger tracing along the skin there. Teresa shivered.

    “Your eyelashes are so pretty, Teresa.”

    She leaned back on her hands as Giselle unbuckled the shoes, reached higher up her calf under her dress as she slipped them off.

    “Giselle,” Teresa said, because no other word could break through the fog that had descended upon her.

    Giselle removed the other shoe.

    “There,” she said. Her hands were cool on Teresa’s legs, higher, on her knees. She was so, so close.

    “Are you going to kiss me?” Teresa hoped she did not sound too eager. That her voice did not quiver in hopeless anticipation.

    “Look.”

    Teresa looked. The students had abandoned the blankets and instruments and sketchbooks. They splashed into the lake now, arms open wide, dresses billowing in the water, seeming to sing, We are new, we are new with every joyous curve of their bodies.

    Camille Clarke