Nightingale & Sparrow

Category: renaissance (Issue No. II)

  • Alive in the World

    Alive in the World

    Camille Clarke

    The excursion was Giselle’s idea. Teresa was unsure whether to be relieved or nervous about this piece of information. Giselle had arrived at the school nearly three months ago, and Teresa prided herself on her ability to completely avoid an interaction in that time. She would speak to Giselle once she knew what to say, once she decided how she wanted their work relationship to pan out. But Giselle’s lips were still so pink, the soft curves of her face still so entrancing, and Teresa lost all confidence in herself.

    But Giselle had suggested this outing, a combination of the students’ music and art classes, and as the headmistress had given her approval, Teresa had no choice but to acquiesce. It was spring. The girls loved being outside. Teresa had noted the increase in the number of bodies out on the lawn during lunch and evening hours. Girls on blankets, in the grass, dress hems pulled up to their knees or even higher, arms thrown over their heads, mouths open in girlish delight. Teresa had been one of them not too long ago. Fifteen years old. Breathlessly alive, slowly growing aware of her own body, the way the air felt against her skin, how her toes looked curling into the dirt.

    An excursion to the lake, she said to the headmistress, was a perfect idea.

    This, before she learned Giselle had suggested it.

    Teresa stood now on the deck overlooking the lake. Several girls sat sketching or painting. Huddled together in groups as an excuse to talk and giggle as they worked. Heads bent over sketchbooks and canvas, the occasional chin tipped up in a laugh. The sun glinted off their hair and Teresa thought, I was once this way.

    She looked at Giselle, at the shore of the lake teaching students a new song. She held a guitar on her lap, fingers gently curled around the neck and strumming, and Teresa thought, Those hands once touched my skin.

    A prickle spread along her arms at the thought. She glanced down at her sketchbook, upon which the form of a woman reclining on a bench had begun to materialize. Cheeks flushing, Teresa flipped the page over. With the warming weather, Giselle had taken to reading in the courtyard in the early evening. She would lie there reading and Teresa would lie in her bed, willing willing willing herself not to look out the open window, peer down at the bench just below her room. The breeze would sigh in past the curtains, and she could never tell if it was just her imagination that it carried Giselle’s gardenia scent.

    Teresa began a new sketch. Her charcoal swept across the page in rough, fierce strokes, building into something innocent. The pink flowers that bloomed on the nearby bushes.

    “Taking this exercise seriously, are you?”

    Teresa halted in her movements to look up at the source of the voice over her shoulder. Giselle’s teasing gaze met hers, lips quirked up in something softer than a smirk. Her hair was loose, brushing her shoulders. She’d removed the cardigan she had arrived wearing, and if Teresa had less self-control, she would press her nose to the collarbone she knew would be warm and sweet.

    “Just excited,” Teresa said.

    Giselle lifted an eyebrow. In that moment she was beautiful, tousled, as fresh and
    wholeheartedly human as the students.

    Flashes in Teresa’s mind of spring days, a smile against her mouth, nervous fingers on smooth thighs, dress slipping off her shoulder, hazel eyes above hers, she was once this way, she was alive, too, her very soul bursting with the knowledge of her space in the world.

    “I think it’s time for lunch,” Giselle said.

    The girls spread blankets and took off their shoes and rolled up their sleeves and ate with the shameless hunger girls could only display around each other. Crumbs falling out of their mouths as they spoke. Lemonade spilling down their curved chins. Fingers dripping with juice from the strawberries.

    Teresa shared a blanket with Giselle, who spoke with her mouth full and sat with one
    knee propped up.

    “I missed this,” Giselle told her.

    I don’t even remember how to do this, Teresa wanted to say. I am not the girl you used to know.

    I am not Teresa who laughs loud, who unbuttons the top of her dress, who writes her name on every spare wall in the school, who sneaks barefoot into the kitchen at night for cake, who kisses the most beautiful girl she’s ever seen for no other reason than she just wants a taste.

    “Why don’t you take off your shoes, Teresa?”

    Teresa shook her head. Undeterred, Giselle slid her hand along the toe of Teresa’s shoes.

    “Let me help,” Giselle said.

    “The girls may need me.”

    “Not like this.”

    Giselle moved closer, close enough Teresa could smell the gardenia, see the freckle beneath her left eye, feel her breath on her cheek. Giselle’s hand slid up until it reached Teresa’s ankle. Finger tracing along the skin there. Teresa shivered.

    “Your eyelashes are so pretty, Teresa.”

    She leaned back on her hands as Giselle unbuckled the shoes, reached higher up her calf under her dress as she slipped them off.

    “Giselle,” Teresa said, because no other word could break through the fog that had descended upon her.

    Giselle removed the other shoe.

    “There,” she said. Her hands were cool on Teresa’s legs, higher, on her knees. She was so, so close.

    “Are you going to kiss me?” Teresa hoped she did not sound too eager. That her voice did not quiver in hopeless anticipation.

    “Look.”

    Teresa looked. The students had abandoned the blankets and instruments and sketchbooks. They splashed into the lake now, arms open wide, dresses billowing in the water, seeming to sing, We are new, we are new with every joyous curve of their bodies.

    Camille Clarke

  • she tells me to imagine a place of peace

    she tells me to imagine a place of peace

    alyssa hanna

    i can’t think of anywhere the wind won’t reach me.
    all i can see is a river, babbling brook, winding through the forest
    of the summer camp i went to as a child; she tells
    me to close my eyes— look around,
    ground yourself, try this next time you wake from
    another violent vision. she says another because we both know
    that they will never stop coming. an
    orchid grows and dies.
    in the stream i feel the stones beneath my thumbs, the smoothness enough
    to make me run river myself, raining morning and
    night, listen to the sounds, what do you hear? can you engage with your
    surroundings? can you take
    a step forward?
    gorge and canyon and valley. the rays of the sun sift through
    the trees but never reach the bottommost places. and at the mountain peak i am
    still buried beneath the bodies
    of landscapes, the night terrors crawling edges along my spine, my knees,
    the feeling that in this peace i am going to
    die— what i want to tell her is that
    the place i am calmest is still just a panic attack; that
    in this place of peace, i am only reminded that i have never
    even had a place i have allowed peace to find me.

    alyssa hanna

  • Treading Water in a Sea of Consciousness

    Treading Water in a Sea of Consciousness

    Essie Dee

    Everything matches. Towel, suit, goggles and swim cap. Even her anklet is the same shade of blue. She will blend in, become one with the water, in hue at least. Creeping along the pool deck, she longs to remain unnoticed. Her eyes dart about, taking in the potential audience. Three other swimmers in the pool, all in the fast lanes, and a few yawning lifeguards. With a deep breath, she feigns confidence, head up with an air of authority.

    Sitting at pool edge she lets her legs dangle in, coolness of the water washing over her knees. It’s colder than she remembers, but then, it has been a while. As she swishes goggles in the blueness, she looks down at herself. Scarred and stretch marked, her body a battle zone. She gazes upon the water pooling around her legs, the coolness awakening something within. Her muscles twitch in memory of time spent in constant motion. She closes her eyes briefly and takes another deep breath, not of confidence but repression.

    A hazy memory clings to present day. One last race, a short distance triathlon, before focusing on her ever-growing abdomen. A zebra mussel starts it all on the beach – cut foot crammed into less than clean bike shoes. Searing pain subdues the run, a quiet ambush of training. A crimson silhouette creeps along her sole, with a warmth not suitable for walking. Then sudden illness, things turn grey. Rhythmic beeping from the bedside, shadow figures loom nearby. A vague sense of words. Sepsis. Amputation. Her world becomes dark. Unconscious. Decisions made. Her unborn seized too soon. Infections follow. Cries of the future shall not be heard.

    She awakes to tragedy.

    Goggles adjusted, she spies something to the side of the pool deck and pauses. Slowly gathering herself she stands, saunters over and selects a kickboard. Blue, like everything else. Back to the water’s edge, she unfolds herself into the water.

    It’s a struggle, exhausting. The kickboard was a good idea. Despite the agony in her lungs, her limbs, she is delighted to be active again. To feel pain for reason and purpose rather than just part of her everyday existence. One lap completed, she stands at the end of the lane to catch her breath.

    She carries on in this manner, one lap after another, clinging to the kickboard and pausing for rest at the end of each turn. More alive with each passing. More like the self she thought she had left behind.

    Essie Dee

  • Feedback to the Director

    Feedback to the Director

    While studying to play Viola in Twelfth Night

    William Conelly

    Don’t showcase me.
    And while you leave
    my brother’s corpse
    adrift at sea,
    don’t twist a knife
    in listeners’ hearts
    pronouncing on
    the drift of life.

    If there’s a lock,
    that can’t be it.
    I can’t walk back
    initial shock
    ignoring how
    a fate that killed
    —and may again—
    is my fate now.

    Likewise the song:
    faint instruments,
    in minor keys,
    are simply wrong.
    Engage the lute
    in firm accord
    with a silver, lightly
    mastered flute.

    This is the tune
    Orsino feels
    as nourishment,
    not soulful wound,
    its phrasing neat,
    its charm at once
    the fanciful
    and clear concrete:
    What country, friends,
    is this, to rise
    from slashing seas,
    through failing winds,
    and proffer us
    renewal—there!—
    its shore a fluid
    radiance!

    William Conelly

  • Brilliance

    Brilliance

    Charlotte Hamrick

    Brilliance

    Charlotte Hamrick

  • Bright Eyes

    Bright Eyes

    Lisa Lerma Weber

    Bright Eyes

    Lisa Lerma Weber

  • Morning Moon

    Morning Moon

    Charlotte Hamrick

    Morning Moon

    Charlotte Hamrick

  • renaissance – micropoems

    In the leadup to our second issue, renaissance, we shared a series of micropoems from some talented submitters:

  • Sunday Morning

    Sunday Morning

    Rachel B. Baxter

    Sunday morning,
    parts of me are peeking out
    from under my nightgown and
    my eyes have not yet opened fully.

    so sweet

    He whispers, and I think he’s referring
    to the giggles and coos that are echoing
    off of the wood floor from down the hall,
    shooting up from the crib and sprinkling the new day
    like holy water shaken from a pine branch.

    But, he isn’t looking to the crib,
    no, he’s looking at me in my slipshod nightgown,
    breasts full and heavy with milk,
    eyelashes stuck together with a forgotten day’s mascara,
    an attempt at beauty.

    I open my eyes and smile at him smiling back,
    kiss him and say goodbye
    before picking up the baby
    who is calling after him,
    da-da, da-da,
    as he waves, breathes, and closes the door.

    Rachel B. Baxter