Nightingale & Sparrow

Category: renaissance (Issue No. II)

  • an ocean of sound and she

    an ocean of sound and she

    Nikkin Rader

    But light what soft these fingers quake
    her breasts are lactic placid snakes
    empty your spit upon his face
    overarching hearts ache in wait

    The ocean wept to the stars that night
    while her body lay beneath water lit bright
    legs spread apart so bees can sting the thighs
    open your orifices to foam white
    sand in mouth as welcomed as the sunrise
    open wrists we give red to the sky
    and mouth on shells teeth chip away like pebbles
    swallow them whole with fists of kelp
    see if they’re there, the men under the sea
    clawing at breaking waves faces under
    watch them
    they scream in salt and drown while you draw their picture
    pencil marks on pages like freckles
    peel them off the bone
    and throw them to the seagulls

    Nikkin Rader

  • April Showers

    April Showers
    Cover image for issue II, renaissance

    Isidra Pendragon

    April Shower

    Isidra Pendragon

  • Reconsidering Cosmology / The Universe is a Big Fat Egoist

    Reconsidering Cosmology / The Universe is a Big Fat Egoist

    Kaylor Jones

    there are stories out there / reluctant
    echoes of a people fastened to a
    tangential satellite / in a solar system
    where likeness is prophetically mirrored /
    they comb outward into the chaos but
    it all looks like more me me me / yet
    again it is supernova sunday / and the
    phoenix isn’t just a metaphor they live
    inside of one / a ribcage that breeds
    lava and spits it into space / like the
    suggestion of pollen on a threadbare
    heel / once everything has dissolved you
    really can start over / the infinitesimal
    yearns to mature into a conduit to
    a disparate universe / one that gladly
    houses less than a scant inkling of
    everything is temporary / except
    this one thing that’s tinted aching
    twilight blue by the notion that
    there’s anything other than a
    selfish reflection to be found in
    the unknown / if life was temporary
    it would have the good sense to
    make something nice and just stop
    there / the people are atomic like
    pollen and could never be spit out
    into space / like the phoenix
    the sky reburns pink and sometimes
    orange / solar system sentinels
    pose then faint in the bedlam
    that gravity relinquished / a
    speck of gilded pollen actualizes
    in the overlapping fringes of a
    tossing turning universe / from
    what they can grasp on the banks
    of the earth / something cruelly new
    will take root in the wizened husk
    of the undying.

    Kaylor Jones

  • Letter from the Editor – renaissance

    Dear Reader,

    Thank you for picking up Issue II of Nightingale & Sparrow. Our fledgeling publication has grown so much in the past few months and it could not have been done without your support:  since our first issue, flight, Nightingale & Sparrow has launched a small press, planned quarterly issues through 2020, and so much more.  This project has taken off more quickly and more successfully than I possibly could have imagined.  

    Of course, a special welcome is due to our newest staff members, production managers Emma Easy and Megan Russo and social media manager Kimberly Wolkens.  With their hard work and enthusiasm, we’ve been able to set, meet, and even exceed goals that would have seemed astronomical just a few months earlier. What began as a passion project on my part has become a team effort and I’m so incredibly happy to have them on board.

    Most importantly, we’ve begun to grow a very special Nightingale & Sparrow community.  Nothing makes me happier than to see contributors new and old interacting across the web.  When we first announced Nightingale & Sparrow Press, I was blown away by the excited response from readers, contributors, and even members of the literary community that we haven’t had the chance to “meet” just yet.  It means so much to have such an incredible support system in all of you.

    And, naturally, this has led into our newest installment, renaissance. This was a bit trickier of a theme to nail down than flight–I envisioned springtime and Shakespeare, rebirths and revivals, and artwork brought to life by words.  Nevertheless, our amazing submitters captured just that in the pieces you’re about to read and observe. We even had a few repeat submitters from our flight contributors, which just demonstrates the incredible, multi-talented artists we’ve been fortunate enough to work with already.   

    As is to be expected, we had far more wonderful pieces in our inbox than we could have possibly accepted, no matter how much we adored them.  That being said, we were able to publish some phenomenal work and we’re thrilled to share that with you in this issue. Enjoy interpretations of renaissance through Ellora Sutton’s modern-day William Shakespeare in “Shakespeare in Camden, 2019” and Camille Clarke’s beautiful story of longing, “Alive in the World.” Move across the world with Liat Miriam (and her cat) in “Boxes” and hear the chirps of newborn birds in Cheryl Heineman’s “Future Comings.”  Feel the warmth and drizzles of springtime and let the words and images revitalise you as you read through renaissance.

    Thank you as always to every submitter, contributor, reader, supporter, and staff member who has helped to make this issue and Nightingale & Sparrow as a whole possible.  I hope you enjoy issue II as much as I have, and I’m already looking forward to what’s to come in issue III this summer.

    Juliette Sebock

    Editor-in-Chief, Nightingale and Sparrow

  • Life does not have to stutter no more

    Life does not have to stutter no more

    Aremu Adams Adebisi

    You see how the aging smile
    after the fleeting chasm of silence,/span>
    and you wish upon your night/span>
    a star that won’t disrupt the moonbeam.

    You see how birds sing sonorously
    and your eyes tread bare in your mind;/span>
    you breathe in mists to expel sunrays,/span>
    you wear the days on your feet.

    The river splashes in fullness,
    you trace some down the side of a cliff,/span>
    while some lap at shore/span>
    to wash the bank anew.

    Then a brittle boy laughs right in your face
    with all his contagious innocence;/span>
    you wish to smooth your scars with each beam/span>
    for all is beginning to hold right meanings.

    So, cramped wings leave the nest in your eyes,
    a broken ship waterlogged by the storm/span>
    made it to the shore.

    So, yellow-stained leaves aid in fruits bearing,
    an air stifled in a corked bottle
    descends in whirls down the lowland.

    Aremu Adams Adebisi

  • Rusalka Awakened

    Rusalka Awakened

    Bayveen O’Connell

    I lay with my love where the silvery water lapped at the river bank and the cherry blossoms shivered and released their petals to float down towards the village. In the root-bed of the blooming tree, he pressed me into the earth while the sweet spring breeze sent dandelion seeds spiralling around us. He breathed in my ear as he thrust:

    “I love you. I want you. I will not share you.”

    I heard the warble of a blackbird as I sank further down into the bursting earth, into dark, moist nothing. My love buried me muddily with his body, silencing me with his hand round my throat and his tongue in my mouth. I tried to twist. I could still perceive the scent of the grass and the sound of the river undulating. I attempted to kick upwards but the blossom roots wedged me tight. A panic of blood filled my brain, the bellows of my lungs spluttered and the furnace of my heart began to grow cold. Blossoms and blackbirds and dandelion seeds danced in front of my eyes and an earthworm whispered:

    “Do not fear maiden, you will live again.”

    ***

    I thought I was blind for there was a fog before my eyes. I brought my fists to them and blinked. Around me were rocks and waving weed fronds. Seeing their movement, I stirred my arms only to see them flail in slow motion. A school of minnow darted past pursued by a leaping salmon. It minded me of my legs, and seeing light teasing down from the water’s boundary above, I made to kick from my feet through my calves and into my thighs to shoot upwards. But I moved not an inch and it seemed as though my muscles were not entwined around bone.

    I wondered if I was lame. I looked down at my body: from the curve of my shoulders, to the white of my breasts, and the sweep of my sides down to my belly. But where were my hips and what happened to the dip at the spread of my legs? Gone! In their place was a shimmer of scales that tapered into a fish tail and I saw that I was half and half. Yes, half and half and neither one nor the other: maiden and fish. My hands swept slowly along my neck and my fingers touched upon little slits, three under each ear, where my love had choked me thumb to middle finger. I recalled the earthworm and the final moments of my life before. My legs fused where I was used. Healed now, I resolved to find the rhythm of my new skin. I took in the water; I would swim it and it would swim me.

    ***

    Daylight shone down in beams piercing the ripples, reminding me that the land and sky were still there though not part of my world any longer.

    Strangely then, I swear I heard my love’s muffled voice through the depths. Curious, I swam to the surface and breached it with the top of my head. Again I heard the utterance. It was him, for I knew the sound of him, and he was grunting. I tilted my face and neck out of the water and saw him in a violent tumble with a young woman. As he rolled with her to the wedging roots, I slunk to the river’s edge and rose up with my muscle tail treading water. Exposed to my belly, my papery skin revealed my heart pumping once more for him, only this time it pulsed with cold blood. My love looked at me, recoiling. Letting go of his prey, he scrambled to get the earth under his feet. Opening my mouth, I sang to him:

    “I love you. I want you. I will not share you.”

     

    I reached out my arms to him and he fell on his stomach, dragged by my voice, and came sliding over the grass, mud and reeds toward me. His eyes were screaming as I pulled him down into the river with me. He struggled, shaking against my grip, kicking and hitting out as I held his head under until all of his strength had seeped away and he was still.

    The escaping maiden glanced at me over her shoulder. The tears streaking down her muddied cheeks were her thanks. And as my love floated away downstream to the village, I sank back into my watery domain.

    Bayveen O’Connell

  • A Beautiful Summery Evening in Spring

    A Beautiful Summery Evening in Spring

    Joris Lenstra

    The evening is so warm it’s an invitation to stay awake
    Its blossoms spread their soft perfumes
    Nature prepares for her great birth-giving
    While I enter the kitchen for a refill of my coffee

    From my room comes the rumbling bass of the speakers
    The Invisible Man waits open for my return
    At this moment in time I have a cupful of hours
    That I can spend as I see fit
    An elderly black man comes to my mind
    Happy with his life
    Humming in his chestnut rocking-chair
    Observing the world from his porch
    And I let these hours glide through my hourglass like honey

    Joris Lenstra

  • Libera

    Libera

    Courtney Burk

    Persephone’s calloused finger rests
    on her pomegranate bruised lips
    As she texts her friends answers
    about their dying indoor plants
    And orders tea from the local coffee shop
    across from the park where she strolls
    barefoot and dogs wag in greeting
    Until the air goes crisp as she bites into
    the last apple of the season
    And kisses her mother’s tear stained cheeks
    her smile radiant as she steps into his arms
    And the Lord of the underworld welcomes
    home his warmth and his Queen.

    Courtney Burk