Nightingale & Sparrow

Category: schoolhouse (Issue No. VII)

  • Easter Break — First Grade

    Easter Break — First Grade

    Ann Howells

    All day the festive hum builds;
    Annie waits till Sister wipes the chalkboard,
    turns off banks of cubed light then,
    hands crayon-scented from coloring
    paper lambs, proffers a package
    wrapped in pinks and yellows.
    Annie doesn’t want eight days’ vacation.

    On Easter, church blooms lily white,
    and Annie’s gardenia smells sweet
    as hot-cross-buns. The six-year-old shimmers,
    downy duckling in yellow dress, anklets,
    Mary Janes. Ladies, even little ones,
    dress brightly, contrast gentlemen’s dark suits.
    Still, she is sulky, doesn’t care that the bunny
    brought peeps, jellybeans, chocolate rabbits.

    A letter arrives on Tuesday:
    blue linen paper, artistic script, pen and ink
    sketches in margins:

    Dear Annie,
    Bunnies eat carrots
    to grow big and strong. Since Easter,
    Sister Cecile has been eating delicious
    chocolate eggs and growing fat.
    Thank you for your sweet thoughtfulness.

    Finally, Annie smiles.

    Ann Howells

  • Yelaina Anton

    Yelaina Anton

    Creative Nonfiction

    Yelaina Anton hails from a small city outside Boston, USA and studies Creative Writing at NUIG in Ireland. She tends to write about things that confuse and distress her, which is unfortunately everything. Find her work in or forthcoming in Perhappened Magazine, Versification, Ayaskala, Anti-Heroin Chic, and others.


    Works in Nightingale & Sparrow

    We Were Just Kids

  • Lesson one

    Lesson one

    Claire Marsden

    School was not the path of gentleness
    but of a thousand little fires.

    “I have a kiss for you at the end of my finger,”
    you smiled but glanced away,
    terror the monster uninvited,
    had decided to come out & play.

    Your silence needed no translation.
    School: a simulacrum of safety

    Claire Marsden

  • Lesson Plan

    Lesson Plan

    Anannya Uberoi

    Today we study los verbos como gustar,
    the verbs like, to like. Repeat after me.

    Amar, to love.
    Doler, to hurt.
    Molestar, to bother.
    Parecer, to appear to be.

    It appears to be that I love you,
    only that it hurts the tip of my finger
    to brush it off as a blush of cranberry under my eye.
    No, I don’t want to be a bother, but you had me at ¡hola!
    It is funny that we learned how to count together.

    I make tea during lunch hour, you joke around with the girls
    while I stir a honey-dipped sugar-coated spoon in
    the paper cup, going over and over the colored pages
    of our exercise book.

    I am drawn to a painted picture of Cervantes;
    you vibe more with Santana. Between classes we read
    Chasqui, the Peruvian Mail. Sometimes, we share a singular
    copy in the mail rack.

    The cinnamon-scent still full in my mouth, you turn around
    to kiss me almost, unknowing I was sitting so upclose, to return
    my blue pen from yesterday, lo siento, señorita, and I cannot help
    but laugh at your innocence and the rapidity of things.

    Annanya Uberoi

  • We Were Just Kids

    We Were Just Kids

    Yelaina Anton


    It comes without a warning.

    “Lockdown, lockdown, lockdown!”

    The voice over the intercom reverberates throughout the high school, interrupting calculus lessons and forcing tests to be left unfinished. It sets our teenage hearts racing, blood and adrenaline rushing through our ears in tandem. We hold our collective breaths.

    “There is an active shooter in B Wing. Evacuate immediately or take cover. I repeat, there is—”

    The classroom erupts into a frenzy. Students leap out of their seats and lunge over desks to scamper like frightened mice to the farthest corner of the room. There is no guarantee of safety anymore, but we have been taught that this particular corner is best. The sounds of chairs scraping on tile floors clash with the sounds of anxious whispers and curse words. The teacher is shouting demands over the symphony of chaos we have created.

    “Shut the window blinds, barricade the door, turn the lights off!”

    I remember seeing a video online about active shooter drills in the U.S., about how one school in particular taught their students to hold textbooks in front of their faces when they hid. The textbooks aren’t bulletproof, but neither are we.

    It takes no longer than a minute for the entirety of the class to tuck ourselves away in that safe corner. All twenty odd of us—the teacher included—are on the floor, our knees brought up to our chests or legs twisted into a crouch. We have never been this physically close to each other before, breaths on shoulders and whispers in ears. Friends hold friends, boyfriends hold girlfriends, and if, by some bad luck, you ended up distanced from those loved ones—like me—you clutch the metal leg of a desk and peer with wide eyes at the classroom door for any signs of movement out in the corridor, for any warning of a wicked, violent death approaching. I don’t grab a textbook to hold at the level of my eyes. If I am to die here and now, I want to see it coming.

    Then we wait.

    Though the fluorescent lights have been switched off and the window blinds drawn shut, the classroom is far from dark. Afternoon sunlight slips through the gaps of the blinds and sets the royal blue and beige walls alight in soft rays. It’s a peaceful kind of light, unsettling only because I’ve never seen the classroom without the glare of the artificial lights above our heads.

    But light isn’t necessarily a good thing. The window of the door connecting us to the corridor is without a blind and leaves us vulnerable. Anyone in the corridor could look through and see straight into the room, even with the lights off. That’s why the farthest corner, the one we’re all tucked into now, is safest; the angle of the door’s window keeps most of us out of sight for any intruder looking in. Most of us. There are still legs and arms in view, which is why someone has taken a sheet of paper and taped it across the window. It does little to help, considering the paper is about half the size of it, but I suppose it’s the thought that counts. We’ll take any chance at safety we can get.

    The barricade we built in front of the door, as instructed, is strange to say the least. The teacher’s desk—which is heavier than several students combined and wider than the threshold—has been dragged before the door, along with the table normally at the front of the class. Desks and chairs have been piled on top and around. There are two other doors in the room, opening into the classrooms on either side. A student’s desk has been shoved in front of one, and a filing cabinet the other.

    I’ve always thought the barricades were more of a warning than an obstacle. It wouldn’t be hard to push through them, but the ruckus it would cause would give us precious seconds to prepare for—

    Well. You know.

    As mere moments crawl into minutes, a chatter comes to life. Their words are too hushed for me to distinguish, but occasionally I catch a complaint about cramping legs, a whine about having left a phone at a desk across the room or a stifled laugh. How they feel anything but dread is beyond me. A boy nearby draws his hands together to mimic a gun and aims at the door. His face darkens, mockingly, and he murmurs something along the lines of, “Get down on the ground, down on the ground!” His friends giggle. A girl on the other side of me stares only at her phone, surely texting her friends in another classroom about how ridiculous this situation is. Everyone else is…I don’t know. It’s an effort for me to look anywhere but the door.

    Some of us take this seriously, others don’t. Some of us know that today could be our last, maybe others know that and just can’t face it. I try not to think about it—that awful, cruel threat that could be prowling towards us as we wait around like sitting ducks—but the quiet of the classroom doesn’t exactly do me any good.

    A new figure lingers in the corridor, a monstrous creature silhouetted in the window. It silences every student; even the boy puts down his gun-mocking fists and the girl looks up from her phone. The teacher hisses a shhh. I pretend to whisper my last goodbyes.

    And we wait as the figure wrestles with the handle, succeeds, and rams his shoulder against the door, combating the weight of the barricade.

    * * *

    We don’t dare joke around. Not today.

    “What you’re about to hear is the phone call between the librarian of Columbine High School and the local police department on the day of the shooting,” our guest speaker says. He holds the microphone too close to his lips, we can hear every mouth noise and panted breath.

    Sure enough, a woman’s panicked voice echoes through the auditorium, blasted through the speakers fixed to either side of the walls. She whispers to another woman—the police dispatcher on the other end of the line—as crude pops sound in the background.

    Gunshots, I realize.

    But the gunshots aren’t the worst of it. The distant screams are.

    I hate myself for it, beg myself not to, but I can’t help but conjure a mental image to match the audio. Students hunkered down in the corners of the library. The librarian shielding as many students as possible under a reception desk. The wailing of sirens in the distance—or maybe not, depending on a lot of things. The doors of the library fling open and in the threshold, the villain. I don’t let myself imagine any further than that.

    The audio stops.

    “Later today, we will be conducting an active shooter drill,” the speaker says. I swear I see a ghost of a smile on his lips. “Please bear in mind all we have taught you today.”

    * * *
    It’s pathetic how easily the mock gunman shoves aside the barricade. But I was right: the noise he makes gives me just enough time to remind myself that this is just a drill, to brace for the attack that would follow if this wasn’t a drill.

    “Bang, bang, bang!” he shouts, raising the fake gun painted a vibrant red and aiming straight at our heads. Slowly, he lowers it. Shame grows in the silence. “Dead,” he declares us, and based on that tone he uses, he’s probably said the same thing to the past five or six classrooms he’s tested.

    Our teacher takes it in stride and stands, her hands going to her skirt to smooth out wrinkles I can’t see. “Yes, thank you.”

    The mock gunman and the police officers lingering behind him leave without another word, closing the door with a click that haunts me for some reason. Maybe because a real shooter wouldn’t bother to close the door after going on a murder spree.

    “Take down the barricade,” the teacher says, but there’s only hollow disappointment and dry guilt in her words. No malice, no strength. “Set the desks straight again. Open the window blinds. Hit the lights.”

    We do. Well, I don’t. It’s all I can manage to shuffle back to my desk and place my hands flat on the faux wooden surface to keep them from trembling. It’s all I can manage to remind myself again and again that this was just a drill, and all I can manage to grasp whatever sense I have left. All I can manage to breathe in, breathe out. All I can manage to tuck my hair behind my ears and rub at my eyes with the palms of my hands.

    Sometimes I wonder if these drills do us more bad than good.

    * * *

    It comes again, ten minutes later when we’re all back in our seats and waiting for it.

    “Attention, staff and students,” the intercom says. “This is a drill. I repeat, this is a drill.”

    But that brings me no comfort. I may as well not hear it, not understand it. Because one of these days, it may not be a drill. I need to be ready for it.

    “Lockdown, lockdown, lockdown!”

    We hold our breaths again—wait for it.
    “There is an active shooter inC Wing. Evacuate immediately or take cover. I repeat. There is an active shooter in C wing. Evacuate immediately or take cover.”

    Like the first drill, chaos ensues, but it’s different this time. C Wing is far enough away that we can take the chance of evacuating instead of barricading the door and waiting for our death to come knocking. We can slip from our classroom and make a break for it. We can get the hell out of this cursed brick prison of a school. We can live.

    So this time, we run.

    Yelaina Anton

  • Beginnings

    Beginnings

    Mary Sophie Filicetti

    The first teacher workday falls on a humid, rather than crisp, August morning. After the staff breakfast, Lauren, Lead Vision Teacher, puts aside her own duties to help her mentee, who, at 23, is less than half her age. She pulls up Jennie’s caseload—her own former students—and runs her finger down the list. The last name stops her. She crosses it out wordlessly.

    Any other reason for the deletion—a family move during the summer, a change of teacher—would be better than the reality: that Sammy, her second grader with the curly hair and mischievous grin, died last year.

    Lauren pushes aside her weariness and the memories of students past to review new student backgrounds, medical needs, protocols for emergencies. Jennie, who arrived this morning armed with her new employee badge and a sum total of 16 weeks student teaching experience, listens politely but doesn’t ask a single question. Lauren tamps down irritation at the “I’ve got this” attitude. She didn’t ask questions either, her first year; until the day a preschooler’s unending seizure sent her running for the nurse’s aide she’d dismissed, and to her own mentor in the days following, when images of Caitlyn’s blue eyes, glazed and unresponsive, followed her everywhere.

    They walk through the office together to meet Judi, the equipment manager. The hallways are barren, beige cinder-block walls, dreary without bulletin boards showcasing student artwork, without the sound of children talking or singing loudly.

    Singing, like Sammy, reciting from a class performance, an earworm she now can’t shake: “So much of this story is scary you know, scary you know… so only brave people sit in the front row!” Lauren wakes most mornings with the ditty, now more of a dirge, echoing from her dreams.

    Judi greets Jennie warmly, and issues her a parking pass, a mailbox, a laptop, tablets for students, and an assessment kit. Lauren helps load Jennie’s Prius, the pristine trunk revealed beneath temporary tags. Lauren’s own car, a thirteen-year-old relic she uses to transport students for mobility lessons, is packed full of the essentials: GPS, trunk organizer arranged with student tote bags, white canes, a box of tissues. Lauren carries a watch to keep her schedule, and also to record seizures. Like last year, when Sammy’s, long dormant, recurred.

    As she steps in the building, Judi calls her back, an updated spreadsheet lying on her desk. Lauren’s stomach drops. She hasn’t informed the team, an awful omission. Both Jennie and Judi need to know, so they won’t contact his family and upset them anew, like she herself did in June after his absence.

    “Were you planning to tell me about Sammy?” Judi asks.

    “Another seizure,” Lauren says. “In the county pool.” Then the words tumble out in a rush, the scene unspooling as if she witnessed it herself. A cavernous room, dozens of children splashing, shrieking, playing, when Sammy’s parents suddenly realize something is wrong and yell for the lifeguards, who dive in together, everyone trying to pull Sammy to the surface, out of the pool, but he’s fighting off the help, not fully conscious, limbs thrashing, the other adults unable to do more than clutch their own children, as Sammy is pulled to the deck, CPR applied to his weak heart, which lets go its fight in the ambulance.

    Judi steps around the desk to embrace her. Jennie stands frozen in the doorway. “Sammy,” Lauren repeats. “He would have been yours this year.”

    Jennie declines Lauren’s lunch invitation, intent on heading to her schools, her eagerness to move on as obvious as a puppy straining at its lead.

    “I appreciate your help this morning,” Jennie says, “but I need to figure some things out on my own.”

    “Just be sure to keep in touch. I’m here to support you. And your students.”

    Lauren watches her drive off, the geography of their work meaning they’ll only see one another at staff meetings and scheduled observations. She wanted to say, “you’ll get there,” but the job requires a willingness to absorb and distill experiences, and a certain resilience. The numbers aren’t promising for new special educators—most leave the field never to return. Which means next August, Lauren will begin the cycle again.

    For now, she’ll unpack her caseload, making room for new faces, and seeking the spark which will propel her through the next year.

    …so, only brave people sit in the front row.

    Mary Sophie Filicetti

  • Lurking in the side-lines

    Lurking in the side-lines

    Nishtha Tripathi

    brown is supposed to be black’s shier sidekick, lurking in the side-lines.
    the lone bench at the back was always my pick, lurking in the side-lines.

    in english class, shakespeare besmirched ganymede with a honeyed hue.
    my sepia soul, dismembered for a cheap trick, lurking in the side-lines.

    the cafeteria echoed with ‘midget-midget’, saddled like greasy food onto a plate.
    my stunted spine met with hate, the spineless prick, lurking in the side-lines.

    the coach’s whistle ravaged layers of my fat, like a toenail piercing a favourite sock.
    heavy disappointment tethered to a sickly stick, lurking in the side-lines.

    school dances spent bereft of company, lockers vandalised every other day.
    a trampled wallflower, a forgotten asterisk, lurking in the side-lines.

    cello music notes melting into unwritten, unsent love notes.
    loving second-hand through pitiful fanfics, sad reality lurking in the side-lines.

    an army of warriors from amazon and artemis’ worshippers from temple halls,
    i shall stand tall from the ashes, like a phoenix, with athena lurking in the side-lines.

    Nishtha Tripathi

  • Charlotte Friedman

    Charlotte Friedman

    Poetry Contributor

    Charlotte Milholland Friedman is an author (The Girl Pages, Hyperion) and poet and teaches Narrative Medicine in the English Department at Barnard College. Her poetry has been published in Light, Connecticut River Review, Intima and elsewhere. She lives in New Jersey with her husband, aging pup, and, in these pandemic days, her college-age son.


    Works in Nightingale & Sparrow

    Elementary School

     

  • Nishtha Tripathi

    Nishtha Tripathi

    Nishtha Tripathi

    Poetry

    Nishtha is a law student who believes that there can never be enough written or read about self-love. Her works have appeared (or are forthcoming) in the Stare Magazine, the TeenBelle Magazine, the Versification Zine, the Mid-Heaven Magazine and the Beneath the Fever Magazine. When not writing, she can be found dilly-dallying her way to college assignments.


    Works in Nightingale & Sparrow

    Lurking in the side-lines