Nightingale & Sparrow

Category: woodland (Issue No. VIII)

  • My Shadow’s Shadow

    My Shadow’s Shadow

    Cheryl Skory Suma

    Before

    Before the fall, I did not appreciate the power of memories. They were of the forest’s shadow, easily eclipsed by the echo of my forward footsteps upon the broken parts of my now.

    ***

    After

    Once I’d become my shadow’s shadow, I saw memories through new stalker’s eyes. I became the observer, concealed behind a forest of lost snapshots of me.

    ***

    Before

    My memories were too aggressive. Painfully thrusting themselves to the forefront or tugging me backward to a past best left behind. Even the innocent were more of a distraction than something I cherished. I was focused forward.

    ***

    After

    Post the fall, I wished only to travel back in time; to turn around and scoop up those lost comrades. To hold them under my cloak, both the innocent and the pained, lovingly cocooned together. Without exception.

    ***

    Before

    I saw memories as slithering, living things. Like earthworms wriggling out of the ground to chase the rain’s song, memories had a sly way of slipping in and out of my consciousness, of gleefully appearing without warning to disrupt my present. The cruel ones were experts at waiting to pounce, cunningly curled up in the darkness until the time was right to show themselves—to remind me of all the burdens and hurt they cradled.

    It wasn’t their fault. Like me, memories were at the mercy of time. Time changed us both, without consideration and with few concessions. Memories found a way to embrace time’s wreckage. As the moss that finds new life upon the fallen oak’s shattered trunk, my memories had morphed into something new. They demanded I support their vision even though they’d managed to recklessly color themselves with experiences and emotions that were never part of their beginnings, or mine.

    Memories were such a negative presence in my life that I took them for granted. Until I fell.

    ***

    After

    Until a patch of ice on a blustery, snowy day. Until a misstep that birthed a head injury. In that instant, a large company of my memories and I parted ways. They flung themselves free, to scatter like mirror twins along with the swirling snowflakes that danced upward into the sky, riding the wind as I lay on my back, watching until my eyes blurred and the last stragglers melted on my lashes.

    Suddenly, I became a mess of “Couldn’t” s. I couldn’t wash my face without vertigo shoving me over. I couldn’t write without leaving out expected prepositions, pronouns, conjunctions. I had trouble finding simple words or replaced the desired word with something that sounded or looked the same but wasn’t. I couldn’t smile and say, “Yes, that was a great day,” when my family told a story—a story from a past where I’d lived and loved, but now couldn’t remember.

    A large piece of me was left behind on that ice, sliding sideways until coming to rest roadside. No matter how much I’ve tried to retrace my steps, I never found what the snowflakes so merrily coveted. My memories enjoyed their new freedom and chose not to return.

    No more past stories to be tainted by time, no thoughts snaking in the basement, no happy memories swinging defiantly in the gallows. Just clean, crisp, nothingness. A decade long hole in my life. The head injury decided which memories were worthwhile and which were too heavy to carry on, and it didn’t care to sort through the good and the bad—it dumped them all. It had its own forward focus.

    The encampment that once sheltered my memories now burnt to the ground, I began to feel invisible. Most of my memories were truly lost, although some would occasionally pass by to whisper in the ears of my loved ones, allowing them to share their version of my lost stories. Hearing it second hand didn’t feel the same; the stories didn’t engulf me the way the memories did when they still wriggled around within me. They were not mine. They were not real.

    I hungrily looked at photographs from those lost years, hoping to tempt back that nagging tickle. To feel memories’ insistence for acknowledgement—so they could validate that I had a past worthy of remembering. When this failed, I would flee to walk circles around the block. Determined to go anywhere the quiet photographs were not, but with nowhere to go.

    ***

    After the Shadow’s Gift

    Post the fall, the initial deficits and memory loss forced me to sell my business—I had to leave behind the healthcare company I’d founded. Nor could I return to my previous career as a Speech-Language Pathologist. I had to find a new voice.

    In my career, I had worked with TBI (Traumatic Brain Injury) patients. So I knew that if I wanted to heal, I should exercise my brain through math, word puzzles, reading. This led me to reconnect with my first love, writing. It took five years, but eventually, I found acceptance. I found ways to embrace my reborn self and the lessons of my head injury. Diving back into writing was only the first gift.

    I discovered that I could leave unkind slithering thoughts in the shadows; it was in my power to forget them. I could use the absence of their biases to move forward free of the burden of past hurts. As new memories were born, I could allow them to wriggle through my consciousness and poke without competition at my future present—I could birth my own forest of recollections to echo new life choices.

    I learned to slow down and appreciate life’s gifts more. This was a new me—one with a past full of holes. Perhaps, a trail of holes was just fine and dandy. It was the wholeness I could make of today that mattered.

    These choices, this acceptance of my reborn self—it ensured that my new memories and I could cast our own shadow, instead of only belonging to those we’d left behind.

    Cheryl Skory Suma

  • Nurse Logs, and Other Lessons from Nature

    Nurse Logs, and Other Lessons from Nature

    Maggi McGettigan

    “There’s something about being in the woods, away from it all, that is healing. I promise. Nature knows how to explain things, how to help understand things.” Dana is a poet, and also an optimist. I am neither of those. Nothing will ever help me understand what has happened. But I can’t keep living in my townhouse that reminds me of what I used to be, walking by neighbors with their pity-filled, knowing eyes, wandering around with the aimless desperation of one who was left behind. So, I go to Dana’s cabin in the woods, armed with wine and books, in the hopes that Dana is right.

    From the rocking chair on the front porch, I watch the woods for answers, for understanding. I have been here a few weeks, and even in that short time, so much has changed. I am amazed at how much life can thrive even in the deep shade of thick forest. The fiddleheads have become little ferns under the tall pines. Where there was only a hint of color— a pop of purple crocus, a drip of buttercup yellow— now there are all shades of wildflowers beginning to emerge. While I don’t feel healed, I feel distracted, and that is something. Nature has allowed me to focus my gaze outward because my interior would be too much to bear.

    Although sometimes, even distraction is upsetting. The geese by the small pond are pairing up, mating for life, while I am no longer a part of my pair. The birds call out to each other, making nests for their young, while the nursery in my townhouse grows only cobwebs and dust. In these moments, I curse nature, the natural order of things, the familial organization of the forest. How can there be so many signs of life, while I am plagued by death?

    One morning, there is a knock on the cabin door. I assume it is Dana, coming to check in, so I rush to open it with my toothbrush dripping behind me and no pants on. It is not Dana. It is a handsome stranger. I slam the door on his outstretched hand. He knocks again. “One sec,” I shout, already running to spit out toothpaste and acquire pants. I look in the mirror, wish I didn’t, and run back to the door.

    “I’m so sorry,” I say as I open it.

    “No worries,” he says. “Would have called but I didn’t realize anyone was here until I got here, saw the car. And the lights. You keep these outside lights on through the night?”

    I glance in the direction he is waving. “Yes,” I say. “I have to admit the dark scares me a bit, out here at least.”

    “Ah,” he says, nodding but judgingly. “Well, might confuse the animals. They need to know the dark to know the light. No matter. Anyway.”

    “Anyway.” I wait. He looks around. He seems to get distracted by something in the woods, maybe something he sees or hears that I do not. “Can I help you with something?”

    He snaps back. “Right. Yes. Well. I’m Sam. I live up the road. Or through the woods, depending on mode of travel. I study them. The woods. I’m a botanist.” He stops, as if checking for understanding.

    “Cool,” I say. Always been a great conversationalist.

    “Right. I’ve been tracking the progress of a nurse log on the property here, I wondered if you mind if I spend some time with her today.”

    “Sure, right. Whatever. Fine.” I start to close the door. If he is here to murder me, I should at least make it more difficult.

    “Wait,” he says, so I stop. “Do you want to come?”

    “No,” I say, without thinking.

    “It’s really fascinating. And if you are up here, in the middle of the woods, I assume you are fascinated by such things? Else why would you be here?”

    “My husband and daughter died in a car wreck six months ago.” It just comes out. I’m not sure I’ve said it like that yet, so directly. He doesn’t respond. But he doesn’t look uncomfortable. He doesn’t give me awful pity eyes. He is waiting for me to continue, as if that isn’t the end of the story. As if there’s more. “And I got sick of everyone staring at me and being weird. And Dana said nature is healing or something, I don’t know. So that’s why I’m here.”

    For a minute he says nothing. “You should come and see this nurse log.”

    I laugh. It is a crazy, weird, guttural sound that I haven’t heard myself make in months. Had he not heard me? Is he not fluent in English? This is the part when people get awkward and back themselves out of being with me, of having to deal with this impossible tragedy of mine.

    “Really,” he says. “So much to be learned out here. Dana is right. Besides, what else are you doing today?”

    We walked along an overgrown path, and Sam chattered about the trees and plants we passed. “What fascinates me about nurse logs the most is that they are actually more alive when they are dead. What I mean is, when trees are growing upright, they are only about five percent living matter. When they fall, they contain five times as much! And they do so much for the life around them, letting in more sunlight, providing protection from soil fungi, and nutrients, it’s just amazing.”

    “Amazing,” I responded, though I didn’t have any idea what he was talking about.

    The nurse log was out by the stream that fed the small pond by the cabin. I had walked along it several times but never paid much attention to the enormous fallen tree that marked our destination. It was the size of a car and covered with thick green moss, patches of mushrooms, and all different kinds of grasses and plants. This must be a nurse log. Sam emptied his backpack while I took off my shoes and put my feet in the water of the stream, something that has always brought me comfort. As a child, I would pretend you could toss your worries into a river and it would carry them away for you. I closed my eyes. I listened to the sounds of the water maneuvering its way around the rocks, around my feet. I felt the chill of it on my legs. The birds and bugs around me continued their conversations as if life had not been interrupted by my presence.

    “Wow,” said Sam, so I walked over. He pointed to a thin little sapling that seemed to be growing right out of the dead log, its roots a tangled mess that clung to the rotting bark. Clinging for life.

    “Cool,” I said.

    “Really cool,” he said, and smiled. He looked up at me and smiled again. So, I crouched down to listen. What else did I have to do today? “This is one of the biggest nurse logs I have seen. Beautiful old girl. This sapling here, Eastern Hemlock, will help decay this old tree, but the old tree helps her too, gives her nutrients, protects her from soil fungi that can get to little seedlings. And look, these mushrooms are flourishing. I wasn’t sure, being so big, how things would grow together. But this shows, like, no matter how big the tree, how hard and traumatic the fall, nature takes over. The tree is not gone but changed. It provides life for a new microcosm, a new world. It has given itself to this new world.”

    He is now facing the log again, lifting up leaves and rocks and dirt, making notes as he talks. “The forest has it all figured out. It doesn’t stop when one of its own is destroyed. It doesn’t stare at it as if it is now rendered useless. Think of rotting leaves, just dead garbage, right? Absolutely not, they gift their nutrients back to the soil. Even animal carcasses, when not used by other animals as food, will give their body back to the dirt and the dirt becomes better for it. There is no life without death here.”

    I wanted to cry. But before I could, a chipmunk ran right in front of us, knocking us both backward in surprise. I laughed again, but more naturally, less gutturally. Sam laughed too.

    “Nurse logs, huh. Is that all you study?”

    “Actually, I saw you went right to the stream. As it happens, my next project focuses on rivers, creeks, and streams. Fascinating to me how the water you just stepped in will never return to us here. Or will it? See, it is off towards other adventures, a bigger river, maybe the sea. It brings with it the pollution, the debris, of the places it has passed through, never to return. Or does it? It’s a water cycle, right? So how can we tell…”

    I let him talk as we both moved closer to the stream. I put my feet back in and closed my eyes. Not healed but distracted. And that is enough, for now.

    Maggi McGettigan

  • Ode to Turkish Delight

    Ode to Turkish Delight

    Liana Tsang Cohen

    The night I signed my divorce papers, my daughter and I drove an hour into downtown Manhattan for our first taste of Turkish Delight. The documents had arrived in the mail, an unceremonious stack in a nondescript envelope, as I was settling down for my third dinner of poached eggs that week. Otis was always the chef in the relationship. In the old days, back when I still felt a flutter in my belly at the thought of him, he would cook extravagant meals for us on Sunday mornings: piles of plush French toast sprinkled with strawberries and powdered sugar and bowls of jook, the rice porridge he’d grown up eating, with soy sauce, ginger, and flecks of pork, and we’d wash it all down with steaming mugs of coffee.

    The arrival of the papers was not unexpected. Otis had been gone a month, just long enough for his side of the bed, compressed into the long, angular shape of his body, to regain its former flatness. The decision to separate had, for the most part, been mutual. There’d been no blow-out fight, no torrid affair or surrender to alcoholism or drug addiction. The aloofness in our marriage had been building for a while—it started after Ariel left for college. It should’ve been easy to be in love or at least be content with just the two of us in the house, but, instead, the things we loathed about each other, those little annoyances we’d learned to ignore, began popping up like whack-a-moles. I hated that he never made the bed even though he always left for work after me. He hated that I never removed my hair from the shower drain. Over time, I started noticing that he’d stopped calling me during the day to check in or kissing me before bed at night. One morning, I woke up and he was already awake and staring at me, which told me something was wrong even before I looked in his eyes and saw that he wanted to leave.

    The pen was bleeding a small, angry circle of ink onto the line for my signature when Ariel came into the kitchen, rubbing her eyes sleepily. A second-year law student at Fordham, she’d trained herself to take 20-minute “power naps” during study sessions. Having made the journey to Yonkers the night before, she’d spent most of the day preparing for an upcoming exam in the cramped quarters of her childhood bedroom. After Otis left, she’d started visiting me more frequently, appearing at the front door on Saturday mornings with her hair in a tangled braid and her arms hugging a stack of textbooks. I knew it wasn’t convenient—but I couldn’t bring myself to ask her to stop.

    “Mom?” Ariel’s eyes caught on the papers as she approached me cautiously. “If you don’t want to sign them now, you don’t have to. Gosh, look what you did. Do you have any Wite-Out here?”

    I released the pen as she went over to the kitchen drawer. When she returned to the table, however, she didn’t have Wite-Out. Instead, she held a worn copy of C.S. Lewis’ The Chronicles of Narnia. She flipped through the yellowing pages, her face aglow with nostalgia.

    “Do you remember that scene…?”

    “You mean the one where he eats…”

    “The Turkish Delight!”

    “God, I always thought it sounded so good.”

    So good.”

    It turned out that, although neither of us remembered the book very well and hadn’t seen the movie in years, there was one image we both remembered perfectly: Edmund, the misfit middle child, devouring the magical Turkish Delight given to him by the evil white witch against the frigid backdrop of Narnia’s forest. It was the treat so ripe with promises of grandeur and clout that its taste alone had convinced him to betray his sisters and brothers. I wondered what it was like to experience something so powerful, so transcendent, that it made you want to throw everyone away just to have a bit more.

    “Let’s go get some.”

    “What? Now?”

    I nodded, certain. Ariel assessed me for several moments, evidently trying to figure out if this was a “Mom is being cute and impulsive and I should support her” moment, or a “Mom is off her rocker and should probably seek professional help” kind of deal. She must have decided on the former option because her face broke into a slow smile.

    “Okay.”

    We grabbed wool sweaters and hats, and I retrieved the car keys from my room. When Ariel went to lace up her boots in the foyer, I picked up the pen and signed the divorce papers.

    Outside, the moon was a cold, hard orb, like butter that someone forgot to take out of the fridge before serving. Ariel offered to drive, and we took our respective positions in the old Honda—or “Leslie,” as Ariel called it after watching a bit too much Parks and Recreation in high school. The dark homes and yellowish streetlights sped by in the night, too fast for my eyes to catch hold. Ariel drove in silence. I leaned my head against the frosted window and imagined spreading the moon on a slice of bread.

    The international grocery store was near closing time when we arrived. We headed straight for the back, where a balding man with a large birthmark on his cheek lifted tender pieces of our treat from their place behind the glass case, nestling them gently, like infants, in a bed of wax paper. We brought the package outside and ate our dessert with gloved hands on the front stoop of the store.

    The Turkish Delight was soft to the touch, yielding to the pressure of my fingers. It melted on my tongue, forming sweet puddles as powdered sugar collected across my lips, like snow. The gummy interior clung to my teeth and the roof of my mouth, like an embrace. It was the food of gluttony, of pure selfishness, of me, me, me. It was the exact opposite of anxiety and loneliness, of impersonal pieces of paper with hard, sharp edges. As the little squares warmed me to my core, the world of goodbye’s and poached eggs felt impossibly far away.

    Neither I nor Ariel said anything as we ate. Her eyes were big and watery, and she gripped each piece with all five fingers of her right hand, like how she used to hold her food when she was a child. Sirens screamed as an ambulance sped by. A group of drunk teenagers clambered past us, chattering over each other. All around me, the city twisted and pulsed, but I felt peaceful. Resting my head against my daughter’s shoulder, I let my heart compose an ode to Turkish delight.

    Liana Tsang Cohen

  • Nature Sketches

    Nature Sketches

    Maria S. Picone

    As a child, I loved to pinch the suckers from the tomatoes out underneath the terracotta sun. They grew in between the branches, signaling a riot or a disorder too deep to be named, other than Nature. In my own garden slept a forest of herbs and wildflowers—blue delphinium, purple Johnny-jump-ups, catnip, and spearmint. I made tea, potpourri, and magical concoctions from this bounty. To me, bliss could be nothing other than a summer day on the deck, drinking a lemonade and watching my cat, Elizabeth, frolic like a kitten in the  grass, or exploring the woods across the street with my friends, hiking to the mysterious wooden bench where we sat to discuss middle-school secrets, wishes, and dreams with no witnesses but tall patient oaks and each other.

    *

    My parents grew eggplants, cucumbers, zucchini, and tomatoes to stock my grandmother’s fridge. If we didn’t have them for her, chances were that her brother would bring them by. He kept a plot the size of a house’s foundation out underneath the pine trees bordering his land. My grandmother cooked until she fell for the umpteenth time, entering a nursing home to give her time to heal.

    We paved over the garden so my grandmother could come home; the slope created a driveway, solving the problem of too many stairs for her wheelchair. It was the first time my parents killed something I loved. But I knew about death. Once, I overwatered an African violet. The fuzzy leaves reminded me of a cat’s tongue, their shape the spades in her deck of cards. It burgeoned with good health before it dropped, wilting and half-rotted, its leaves coated in gray dust.

    *

    My grandmother’s room at the nursing home faced the nursing home garden and the woods, and she had a large window. In every season, her brother and his wife would decorate it with window clings to brighten the room where she spent her last ten years.

    Coming back from college for her ceremony, I ran to the woods when it got too much to be in the house, the darkness. It was a damp March and the slush of the forest floor gave way to rotten leaves. The bench remained, a little grayer than before. I took off my glove and stroked the battered wood with my bare hand. Content in what did and never changed.

    I saved the roses, dramatic and dark, from her funeral. Their stems had sharp thorns like a cat’s claws.

    *

    My senior year of college, my great-uncle and aunt emailed to tell me that my grandmother’s Christmas cactus, a sickly old plant that had languished with her in the nursing home, had bloomed. “I know it sounds crazy but I’m convinced it’s a message from Gus for Maria’s graduation,” they wrote. I could see in those fertile green leaves, the sharp edges, the red holiday cheer of my childhood home, living on with my cat in the afterlife.

    The last time I visited her headstone, we planted geraniums. Someone had left a pot of petunias, the potting soil black with rain. I looked at the slick granite that bore our name, Picone. We pulled a pile of weeds to put in the plastic bag, an offering of clover, bluegrass, and dandelions. The cemetery, like a sacred grove, is wrapped in forest. Neither the sky nor my eyes were clear, but a bliss lingered in me nonetheless as I swept away the browned pine needles blown down from the trees.

    Maria S. Picone

  • Lake Oswego

    Lake Oswego

    Colin Lubner

    The road went on longer than prior adventures dictated it should. Disappearing required predictable space and time, they’d found: the last street lamp on a wooded road announced an immediate narrowing. A half-mile more and asphalt turned to sand. Farther—another two minutes, max—and the path would grow unpassable. Potholes and puddles and fallen trees would bar the way. Joking to conceal their relief, they would turn the car around. They would return.

    ***

    South Jersey’s Pine Barrens spanned over one million acres of cranberry bogs and disused furnaces. From the late 1700s to the middle of the following century, its forges had shipped bog iron (notable for both its high quantity and its low quality) to markets in Philadelphia and New York City. Towns had grown and thrived and died in a decade. Other towns—like Southampton, Shamong—had endured.

    The boys did not know this history, not that night: all they knew was of the absence that had come after. Mobsters had buried mobsters. Devils had multiplied and terrorized before returning to the ground once more. These and other legends: ghost towns whose populations had pulled Roanokes of their own. Backwoods cabins whose respective owners lived on in their respective cellars’ womblike darks. Colonies of incestuous racists. These they knew. These were the Pine Barrens, wherein weirdness and mystery abounded. And on this night, as they had spent so many nights before, the boys were on a quest for a story of their own.

    ***

    But the road did not end. Not for mile after mile. Until, at last, they saw light up ahead. A golden glow pooled among the ruts in the sand. The eyes of some small nocturnal mammal—opossum, raccoon—blinked in and out of the headlights’ beams. They sensed the sudden openness to the night, the man-made space. The boy driving did not want to stop, but the other three in the car wanted him to stop. So he stopped.

    Research facility. Or some shit. A prison.

    One of you fuckers want to check Google Maps?

    I’m not getting service.

    Fuck.

    That’s barbed wire.

    We’re in the asshole of fucking nowhere.

    I’m pretty sure there’s a mental hospital—

    Shut up.

    I’m serious!

    Why the fuck—

    I don’t know, dude. I’m as lost as you.

    ***

    The boy driving did not say this: Hey, guys. I’m tired. It’s late. Why are we out here in the first place? Let’s go home. Smoke. I don’t know. Play some Skyrim. I don’t know.

    Instead, he turned off the car. He joined them outside. He did not lock the doors behind him. He did not know if this was a mistake; slasher flicks presented compelling cases both ways.

    One of the other boys was approaching the fence. The boy who drove wanted to warn him not to touch the wire, that there was a chance it was electrified. It was not.

    After a moment, he joined the other boys. He wrapped his fingers around the cool, rusted links. He strained his eyes.

    ***

    It’s like a lab or some shit.

    You see The Thing?

    Shut up.

    Sounds like something the Thing would say.

    Shut up.

    I’m just saying—

    AWWHOOOOOO—

    Dude, what—

    Don’t howl—

    Stop it—

    There might be, like, a guard, or—

    AWWHOOOOOO—

    ***

    There was a moon, of course. A great golden rotten fruit tossed with disgust into the sky. But it was not full, and the Thing was not a werewolf; it was unclear what joke, if any, the boy who’d howled was trying to make. But they laughed as they stepped back from the fence and piled back into the car. The lab/prison/asylum had stayed silent and still. Nothing had moved among its low white buildings. A light had not even blinked.

    ***

    They drove on. The boy drove on. Lake Oswego lay ahead—a blue hole, according to one of the other boys. One of the Pine Barrens’  abandoned mines. And/or a portal to Hell. And/or a summer camp. Earlier, they’d remained undecided. All they’d been certain of inside Arnold’s Diner was that there was a gap in the map marked Lake Oswego, that it was only some ten miles away. Down a long, lonely road. And also this: that it was the summer before their senior year. They had nowhere else to go, nothing else to do, no one else to be. The boy who had driven them there would drive them again. He would protest, knowing full well he would do it, that part of him even wanted to, that there was no other choice.

    ***

    A minute later, they came to water. Perhaps twenty yards of it. Of unknowable depth. In the headlights, it shone a radioactive yellow-green. The boy braked. The boy swore.

    What?

    I’m not driving through that.

    It’s a fucking puddle.

    And this is a fucking 2007 Honda CRV.

    Perhaps the protests continued. Later, looking back, the boy would not remember them. All he would recall was the relief he felt upon regaining asphalt. Then, soon after, passing again the first streetlight. Spotify kicking back in soon after that, and another of the boys asking him to turn it up. Which, gladly, he did.

    ***

    No one followed them back from the facility. Lab. Asylum. Whatever it was. The car did not break down. All of them made it home safe.

    ***

    The next day one of them re-Googled Lake Oswego, retraced their route. The facility was Rutgers University’s Blueberry and Cranberry Research Center. No joke. Dead serious. The others were furious with him for disclosing this fact.

    ***

    Later, much later, one of the boys, the boy who howled at the not-full moon, would seek treatment for schizophrenia. They would not hear from him for a while, and when they did it was not the same. One of the other boys would try to kill himself. He would fail—thank God—and, in the aftermath, he would get better. Then worse. Then better again. Epiphanies are not clean. Transformations are always incomplete.

    One of them would go to Rutgers. This was New Jersey, after all. It was inevitable that one of them would go to Rutgers.

    The last of them, the boy who drove, would not change. Or at least not much. He would continue to search for stories to tell. Not to live one—no. Not even to have lived one. Just to be able to tell of it.

    ***

    Everyone doesn’t want to be someone. What they want is to have been someone. To look back and say, yes, that night, those woods, those boys—that was us. That was me.

    That night, looking for Lake Oswego, for whatever was or was not there, four boys pushed out. They came as close to the darkness as they could before turning back. They would only visit the lake once more, the next summer, the summer before their first years away, and the boy would not drive. They would spend an hour on the edge of an ordinary body of water—weedy, fetid—and wonder what they had ever feared. Hell—they could swim to the other side if they wanted to. They did not.

    Colin Lubner

  • in the darkened wood

    in the darkened wood

    Rosalie Wessel

    oh dear forest, hunchbacked and warty,
    bellowing up to meet mother sky.
    sprouting its trees like combative limbs,
    lashing outwards to gore drifting clouds.
    feet thump in patterns, they march like ants
    through obedient trails, kept alive by eager hikers.
    weeds scratch against the underside of gritty tarmac,
    lain to ease pung lumber trucks tackling the growth.
    they wheedle in high voices to be let out, to bloom where
    they shan’t be torn away. the wild on either edge snickers.
    they come from soft earth on the right side of the road,
    in the warm welcome of the wooded green,
    left to molder and age into whatever weeds are
    in raw space, ushered into ferality
    and uncrushed existence.

    Rosalie Wessel

  • One Night I Walked into the Woods

    One Night I Walked into the Woods

    Christie Megill

    The forest raised me, like it did so many others, with dirt-caked jeans, untamed eyes, and imaginations that could be barely be contained inside a single mind.

    I was brought up by the towering trees, the woodland animals that delighted in frightening me by skittering under leaves and rustling thick bushes, the breeze that made branches sing and my own skin flush.

    The shadows. The ghosts. Their whispers.

    I grew up in the woods, where farmers once settled, where crumbling stone walls marked property lines and cow paths. Woodland advanced upon every angle of my house, surrounding us like a decaying castle in an old story. My mother could never get a garden to thrive in the rocky soil, yet the forest flourished.

    Back then, I didn’t know the extent of what could be hiding in the woods. Never mind the fairy tales I devoured, ripe with the threat of wolves and witches. Wolves did not roam in Connecticut. Witches always seemed misunderstood

    And so I believed I was safe. But now I know what is there, watching and waiting, sliding into the gloom and traveling on the backs of songbirds and foxes. Still, I continue to return to these woods. I return home and I peer into the thicket.

    One night, I walked into the woods. I was grown by then, nothing like the little girl who once stalked that property. Or, I was exactly like that girl, but with a woman’s skin and a more battered soul. My children slumbered soundly in the bedroom where I’d slept when I was young. They did not fear the forest the way they should, either. I told myself they would learn. But then, had I?

    The moon, engorged and luminous, hung in the unhindered sky like a lantern, though it could not possibly illuminate all that was obscured by inky tree trunks and stirring ferns. Even in the light of day, nightmares can haunt the mind. We like to believe if we shed light on the shadows, we will realize there is nothing there, nothing to be afraid of after all. We turn on closet lights and shine lamps under the bed, certain that the monsters were manufactured.

    I walked into the woods in rubber boots and a woolen coat, my hair loose and the wind on my neck. The woods were a landscape teeming with flora and fauna. They were nature and beauty. Still, my body tingled and my stomach cramped as I left the protection of a grassy yard, walking into the wild.

    Since that night, I’ve learned to trust myself more expertly. Intuition, as throbbing as a full moon, is not a hysterical reaction to a normal circumstance. It is the truth, sighing through the body and shocking the brain.

    Shadows slipped past, hiding in faraway corners beyond my sight. Charcoal tree trunks blended into the unending night, black against black. Moonlight slipped through to the ground so that I could almost make out my feet against the chilled earth. A spiderweb grazed my face, sticking to strands of hair, and I brushed away its fine threads.

    The air tasted sweet and melancholy, crisp and alert.

    When I was young, the forest spoke to me. I see that now. And I better understand what it was trying to communicate in its imprecise, ancient way.

    There were no apparitions or disembodied voices, no tangible monsters that materialized before me or secret books I uncovered in the dirt. Though I did leave many messages, I remember. On lined paper torn from my school notebooks, I scribbled snippets of prose and desperate wishes, burying them under the earth. Perhaps I’ll never know, or recall, the contents of those notes, but the forest does. The memory of trees is long and unhurried, unlike a brook or a cloud. Trees soak in our stories through their roots, like so much water, and keep them stored in their hidden grooves. The trees knew me, and they will know me until I am no longer here.

    Small mammals stirred in the undergrowth and the hallmark call of owls echoed eerily through the branches. I walked down the familiar path of my youth, dry and dusty, though then it was narrower than before. Soon enough, the forest would devour it and the next generation of girls would not find it there, under the vines and thorns that time would grow. They would take knives, or bats, or their bare hands to clear away the trail. But for me, it was still there. A ghost of what it had been.

    My foot caught on an exposed root and I stumbled, though I did not fall. When I came to the clearing, I did not need moonlight nor markers to know of my arrival.

    The quiet told me.

    This spot was the farthest into my forest I would venture when I was a child. It was a gate and a barrier, and even then, in my daydreamy ignorance, I knew not to cross it.

    When a wood hushes, it’s not merely the sound that vanishes. The air lightens and the shapes sharpen. The body changes, becoming acutely aware of every twig on the ground, stone blocking the way, and bird sitting silently atop a tree, staring but not flying away.

    When the forest speaks, it makes sure you have no choice but to listen.

    Under the moon and the shadow canopy, time stopped as my muscles tensed. My ears grew larger, waiting for the inevitable and ethereal call to retreat as quickly as my rubber boots would take me. Hairs stood on my neck while under my wool coat and thin pink pajama top, goosebumps dotted my arms.

    In my youth, I was frequently consumed by this sensation. It was the faint murmur of a change in the surroundings, a shift in safety, a breath of clarity. I would often write outside, a notebook propped on my skinny, bug-bitten thighs. A stone fence still stands over a vanishing stream, and it was my outdoor office before I knew it was what I needed, and what I would eternally return to.

    As a young girl, I was sitting on the fence one summer day, deep in thought about a story that ached inside me. Then, it happened. My surroundings were suddenly altered and I knew, in the well of my instinctual awareness, that I had to leave that place immediately. I closed my notebook, swung my legs off the fence, and ran up my driveway. I ran.

    That night in the woods, the same feeling passed through me. The shadows darkened and the crackling leaves overhead blocked out the moon’s comforting glow. Patches of stars were visible until wind-battered boughs blotted out the only spots of light. Cool air pressed upon me.

    Again, I sped through the woods toward shelter and warmth. The forest wanted me to listen. No wolves were following my trail, but as for monsters, I did not know. I thought I was safe because I had become the witch.

    When I glanced in a mirror at home, I gasped at the sallow image reflecting back. Silver moon spots dappled my face, along with a fresh scratch from a stray branch in the woods. A thin, elegant strip of blood ran down my cheek.

    The forest promised no safety. It cut and bruised, leaving marks etched into my skin and my soul, no matter how wise I thought myself to be. Still, I knew I would return again.

    Christie Megill