Nightingale & Sparrow

Category: N&S Press

  • Violence/Joy/Chaos by Jane Marshall Aman Fleming

    Violence/Joy/Chaos
    by Jane Marshall Aman Fleming

    Publication Date: Summer 2020
    Vociferous Press

    Genre: Mixed Media

    In the second edition of her debut collection of essays and poems, Jane Fleming explores the chaotic road to recovery from trauma. Organized as a series of collected vignettes that trace her journey from Williamsburg, Virginia, to the West Texas desert in El Paso Texas, the book weaves the often non-linear story of the joys, despair, and beauty that can appear after violence. It boldly foregrounds the deep underbelly of the recovery process, lifting the meek, the ugly, and the infinitely complex, as another beautiful part of survival. It rages against the systematic flattening of persons as “bad” or “good” and forces the reader to consider whether we cast the shadows or if the shadows cast us.

    Coming Soon

    Previously Published Pieces:

    Take a sneak peek at some of the pieces included in this collection:

    About the Author

    Jane Marshall Aman Fleming is an author and visual artist living in Austin, TX. She is the author of two collections of poetry and essays, Violence/Joy/Chaos (Vociferous Press, 2020) and Ocotillo Worship (APEP 2019). Currently, she works as an Assistant Instructor in the Department of Rhetoric and Writing at the University of Texas at Austin, where she is also pursuing her PhD in English. She is a proud Miner and Longhorn with a B.A. in English from the University of Texas at El Paso and an M.A. in English from the University of Texas at Austin. She was a 2019 Artist-in-Residence at Main Street Arts Gallery in Clifton Springs, TX and a finalist for Light, Space, and Time Gallery’s 2019 Solo Show Competition. Her poetry and prose have been featured in numerous journals including Glass Poetry, Honey & Lime Lit, and The Ghost City Review, among others. More information about her published works, art, interviews, and reviews can be found on her blog, lunaspeaksblog.com. She can also be found on Twitter and Instagram @queenjaneapx.

     

  • you were supposed to be a friend by Ashley Elizabeth

    you were supposed to be a friend
    by Ashley Elizabeth

    Publication Date: 16 June 2020
    Nightingale & Sparrow Press

    Genre: Poetry

    Friendships between men and women don’t always last forever… not without someone wanting more. At least, it’s harder not to. It is easy to fall for someone you spend most of your time talking to. This chapbook explores when a relationship turns from friendship to friends with benefits to someone falling in a love that may not be reciprocated.

    Ten years is a long time to intertwine two souls. From middle school to early adulthood, we survived a lot. For having such searing physical and emotional chemistries, our communication skipped heartbeats with lies and potholes. We’ve been friends for too long. Of course feelings got in the way. Of course I fell for you, and of course I lied about it. Who wouldn’t? I lost you anyway.

    Print | Kindle | PDF

    Previously Published Pieces:

    Take a sneak peek at some of the poems included in this chapbook:

    • “friendship,” “acceptance,” and “6 inch heels” — Rat’s Ass Review
    • “not prayer” — Zoetic Press
    • “lies about being a mistress,” “truth,” “also truth,” “letters from an old mistress (i)” “non-reciprocal” — Damaged Goods Press

    About the Author

    Ashley Elizabeth is a writing consultant, teacher, and poet. Her works have appeared in Bonnie’s Crew, yell/shout/scream, and SWWIM, among others. She has a microchap, letters from an old mistress, with Damaged Goods Press. When Ashley isn’t serving as assistant editor at Sundress Publications, teaching, or freelancing, she habitually posts on Twitter and Instagram, watching way too many dog and cheese-pull videos. She lives with her partner in Baltimore, MD.

  • An Excerpt from you were supposed to be a friend

    vision

    you don’t see
    me unless you want
    heavy breathing,
    name cried out in ecstasy,
    ass to smack,
    hair to pull,
    kisses that only mean something

    to me, my velvet throat encasing
    manhood,
    cotton skin, me.
    exposed. only for you

    to examine touch pilfer pirate own
    i am nothing but your conquest
    a place you visit
    when you want to feel

    important
    i am so much more
    you claim friend but act
    otherwise, grabbing inches
    of me and leaving full

    where i shatter
    and cannot pick up what’s left.
    you molded me to want
    to please, drop to me knees
    until you place me in other positions.

    you like to push prod and beg.
    but i am scared to lose
    you so i comply. you know
    this and when you finish
    you hug me and leave a secret
    about you i already know

    from you were supposed to be a friend

  • Author Statement: you were supposed to be a friend by Ashley Elizabeth

    Dear Reader, 

    I am unsure about how to start this, to be honest, except for by saying that honesty is the best policy. And the first person you have to be honest with is yourself. Maybe you won’t find yourself in love with the wrong person. Maybe you will but will learn from it anyway. 

    I was in love with my best friend before I knew it. I was his before I knew what that meant, but I never told him. I wonder what would have happened if I did. I wonder if he loved me back and we simply missed our shot. I wonder how our stories would have played out if we were both willing to tell our truths. Now we have moved on and away and will never know. 

    Inspired by the lyrical yet haunting quality of Bluets by Maggie Nelson as she puts her heart on the page, this manuscript originally started as a book of letters of things I hadn’t said to him but wished I had; letters had always been how we communicated. Rarely did we talk on the phone verbally but our texts and AIM messages spoke for themselves. I saved them and looked at them often, responding to myself and the time in short snippets across time. 

    The book in the final format explores that love and asks the questions I was too scared to ask him but in poetry format. I also bring you through the end of our relationship by asking myself the hard questions. I break myself from my comfort and quiet, both in writing and sharing, and I hope this inspires you to do the same, to be your truest selves. 

    Thank you to everyone who reads this book. I hope you continue to find yourselves a little in love, a little lost, and a little loved. 

    Yours,

    Ashley Elizabeth 

    Learn more about you were supposed to be a friend

  • Natalie by Keana Aguila Labra

    Natalie
    by Keana Aguila Labra

    Publication Date: 26 May 2020
    Nightingale & Sparrow Press
    12 Pages

    Genre: Poetry

    Natalie is reflection & introspection after sudden loss. While this loss is sudden to the speaker, in reality, the subject, Natalie, has been dead for two years. Grappling with grief & the bitterness of not knowing, Natalie is overall an ode of love dedicated to a young, bright woman taken from the world way before her time.

    A portion of all profits from the sale of this microchapbook will be donated to Trans Lifeline.

    This tiny book contains several poems and measures approximately 2.125 x 2.75 inches. Each book is handmade and numbered, representing its place in the limited 100-copy run.

    Each copy is uniquely hand-crafted/folded; because of this, some uneven edges do occur. We think it gives them more character!

    Print (Sold Out) | Kindle | PDF

    About the Author

    Elizabeth-Kemball

    Keana Aguila Labra (she/her) is a review writer, poet, essayist, & columnist residing in the San Francisco Bay Area. She is also the Editor-in-Chief of the online literary magazine, Marías at Sampaguitas. She examines literature & media through a feminist lens & cultural awareness. Knowing the importance of representation, her work is evidence that Filipinx Americans are present in the literary world. She may be found reading, watching anime, or writing in her journal. Her favorite genres are thrillers, science fiction, mysteries, & Westerns.

    WebsiteTwitterInstagram

  • Interview with Megan Russo, author of A Daughter for Mr. Spider

    Interviewed by Marie A Bailey

    I’m fascinated by the format of your memoir, A Daughter for Mr. Spider. You combine flash narrative, poetry, photos and collage. How did you decide on this format?

    I started with everything fragmented and slowly wove it all together. I was working on poetry and really trying to find my footing with that medium when I came across some old photos of my grandfather and me. I had been put in charge of making a photo montage for my grandfather’s funeral, and I sort of took all of the physical copies of the two of us once the event was done. My family was one of those 90’s families that documented EVERYTHING. So, I’m very lucky to have those memories captured in a way that I can preserve. As I looked through the photos, I began to get so emotional as I thought about the people in my life who never really got to meet him, and I  think that was what kicked off the idea of bringing my memories together into a chapbook. I studied printmaking in college and had done a lot of work with artist books. So, I knew I wanted to do something out of the box and blend all the media that I’m passionate about into a single work of art.

    When I read memoirs, I often look for connections, commonalities between the author’s life and my own. Some parts of your memoir were painful to read so I imagine they must have been painful to write about. How was it for you to write about this pain?

    It was honestly pretty difficult to explore. I’ve always carried around a lot of guilt when it comes to my mother. I have felt for so long that I robbed her of a future and people will say, “No, it’s not your fault” or things of that nature, but I keep some very negative thoughts inside of me and just let them haunt me. I have let this phantom crime eat away at me for years. I’ve always been very aloof on the subject, but when I was younger, and I lived with her as well as my grandparents, I had so much anxiety from just being worried that I was a burden. I just have always been afraid and kept myself guarded. I would spend as much time as I could working and struggling to be outgoing, because I was running away from my family. As I was writing, I would just stare at the page and think, “Wow, why did I let myself be so unhappy? Why didn’t I say anything?” but I don’t think I could have. I just wanted my mom to be happy, and I had no way of knowing if she truly was, but I wanted her to be even if that meant I was unhappy.

    I had been very lucky in life to have never lost someone very close to me, until I lost my grandfather. He was someone who was very charismatic and witty in the public eye, but like me was very reserved with his own issues and thoughts. There was a kinship that I felt with him that I’ve never felt with another person, and when he passed, I almost felt betrayed at first. During his final hospital stay everything had been so secretive, his doctors weren’t sharing information, and I was just getting enraged, because I thought he would never keep something from me. And in this moment he was, but I didn’t know how to address it. However, now I knew he just didn’t want to be a burden to me. The one thing I had always feared, was his fear as well. And then I found it hard to be mad anymore. We were quite the pair. Writing about the whole situation gave me time to reflect on that and realize that my anger and betrayal were rooted in something so like the baggage I’ve chosen to carry. We shared a pain that we couldn’t share with each other.

    In relatively few pages, your memoir spans three generations—your father and mother, yourself, and your grandfather—and a bounty of emotions—confusion, fear, anger, love and grief. How did you distill the years and emotions covered in your memoir to less than fifty pages? How did you decide what to include and what to leave out?

    This was hard for me. I struggle so much with editing in many aspects of my life. I am one of those people that wants to throw everything out there and really make sure that I don’t miss an opportunity to inject another detail to help my readers fully visualize. I actually spent a lot of time talking with my husband about it and he helped me to streamline and finesse pieces to fit in the proper places so that there would be a smooth flow to the collection. I explained to him what I was hoping people would feel or get out of it, and he was the one who really encouraged me to blend more of the images in, which I feel helped give moments of breathing room between the poetry and prose. He also was very encouraging when it came time to submit the collection and I almost didn’t. I was nervous in a way that I had never really felt before, but I’m glad I took the leap and sent the chapbook in for review [Editor’s Note: we’re glad you did, too, Megan!].

    I really wanted to include a section about my grandmother or my great-grandmother, because my great-grandmother, especially, is a foil to my grandfather. But I wanted to keep the section of my family tree tighter and trimmer so that the characters included could be more defined and there wouldn’t be confusion about who was who. Also, there honestly wasn’t a good spot to inject another person into the narrative in my opinion. We have two explorations of relationships between four different people and adding a fifth person would throw everything off balance. But if I was going to add more, it would have been grandma content.

    Your memoir reads like a path to self-healing. You write, “Learn to forgive and then dress the wounds of self-harm.” Learning to forgive is possibly one of the hardest things to do. Could you elaborate on how or what methods you used to heal, to “learn to forgive”?

    I’ve done a lot of things to start my healing process. I’ve written, which has been a wonderful way of getting my thoughts out and letting the negativity leave me. Putting words on a page can be so liberating and I get a rush of energy when I finish a piece of poetry or prose. Like, “Yes! This thing is out of me!” But the biggest thing I’ve done is seeking professional help. I recognized that there are some things that you cannot tackle alone or expect your loved ones to solve for you, and that is why counselors and therapists exist! Having a neutral party to help you navigate your thoughts can be life
    changing and I have learned skills that work to help me with combating my wavering emotions. But I still think I have a long way to go. I make time each day to be thankful for myself, taking a few moments to reflect on something positive that happened or just something funny that might have come out of a bad situation. Taking a step back from the world around you, and just giving your body a chance to breathe can make a huge difference in your mental health.

    Did you have an audience in mind while you worked on your memoir?

    I didn’t have an audience in mind, but I did have an emotion. I wanted the collection to be relatable in some way to the reader. Loss is something that many people struggle to navigate, and it is something that most people have felt at some point in their lives. So, I started with the concept of loss, but wanted to go beyond that and come out on the other side in a beyond the darkness resolution. I wanted the reader to see that they are not alone and that finding their way through their emotions is a process we create ourselves.

    If you were invited to read from A Daughter for Mr. Spider, what part of your memoir would you read from, and why?

    I would read from the Mr. Spider section. I wrote this chapbook to primarily capture the relationship I had with my grandfather. I also feel like the beginning of that section embodies the joy I want people to feel. My grandfather is a cherished memory, and I’d love to share any bit of happiness that I can with those around me as it relates to  him.

    I struggle with titles. How did you come up with A Daughter for Mr. Spider?

    I used to say that, “I was the fifth daughter that my grandfather never wanted”, and it would make him so mad that I would say things like that, because he wanted me in his life. He wanted to keep me close to him and devoted a lot of time into making sure I knew that he cared for me. I was a daughter to him more than a granddaughter. The one time I really noticed the difference in the way I was stationed within the family was when we were planning my grandfather’s funeral. I was included in all the meetings with the funeral director and voiced my opinions about how things should be done. I was the one who wrote his obituary, even. I was the only person out of my generation of the family to be part of this circle, and it really made me think about my position within the family.

    I chose the spider as my creature focus in this collection, because they are very aloof and reserved creatures. Yet, they make such elegant webs and sort of put on a display for those around them. My grandfather and I were like that as well, very cautious yet always trying to keep those around us impressed. Spiders are often portrayed as tricksters in literature and that imagery suits my grandfather well. He was very quick with his wit and always ready with some sort of practical joke or prank. There are so many stories I could have added that would have injected humor into the collection, but those are maybe for another time.

    What are you working on now? Do you have any more publications planned or hoped for?

    I am currently working on a second collection called, The one who makes all the sacrifices, exploring the different jobs I’ve had over the years and some of the interesting people I’ve had a chance to work with. I hope to have it done by the end of this year; fingers crossed!

    A Daughter for Mr. Spider

  • A Daughter for Mr. Spider by Megan Russo

    A Daughter for Mr. Spider
    by Megan Russo

    Publication Date: 14 April 2020
    Nightingale & Sparrow Press

    Genre: Mixed Media

    A Daughter for Mr. Spider is a cross-section of the author’s family tree exploring the grief the author has felt since the passing of her grandfather. The prose, poetry, and collage images weave together the fairy tale-like narrative of the years she was raised by her grandfather, alongside the author’s perceived feeling of growing up as an outsider.  

    This collection is a call to finding happiness with those who understand you and shedding the negativity we choose to shroud ourselves in as we navigate the differences in the people around us.

    A Daughter for Mr. Spider is a story of loss which, in the end, believes that healing is a process we must create for ourselves using the memories of those who leave us as a way to celebrate life.

    Print | Kindle | Digital PDF

    About the Author

    megan-russo

    Megan is a writer and graphic designer living in Austin, TX. Her work has been published by Palm Sized Press, Cauldron Anthology, Royal Rose Magazine, Wellington Street Review, among others. When she’s not playing tabletop games or spreading the gospel of her devotion to pastel color schemes, she enjoys seeing live shows around the city and spending time with her husband and their two pugs.

    Website | Twitter | Instagram

  • An Excerpt from A Daughter from Mr. Spider

    [one_half]

    I’ve been cursed,
    stricken with a malady.
    I have his eyes.
    A reflection that cackles at me
    each time I have the misfortune of meeting the gaze of a mirror.
    Endlessness that calls me back to him.
    When I see myself,
    I am consumed by the depths,
    the memories attached to immovable orbs.
    The infinite holes draw me in.
    We shared this darkness,
    until—
    then it was just me.
    The one left burning bright.
    Doomed to repetition.
    Bound to keep him close and swirling within me.

    [/one_half]

    [one_half_last]

    [/one_half_last]

    from A Daughter for Mr. Spider

  • Author Statement: A Daughter for Mr. Spider by Megan Russo

    Dear Reader,

    I’ve been trying to find a witty or creative way to phrase my feelings about my mixed media collection, but all I can seem to think of is how much of a release it has been for me. I’ve struggled with my identity for most of my life. I grew up never knowing my father and falling into that stereotype of combative, jaded daughter with my mother. I was aloof and unable to connect parts of who I was to the people around me, but I found an almost magical kinship with my grandfather. He was the tempo that kept my life on track. A steady beat that I could always rely on and feel within the beating of my own heart when I was faced with uncertainty.

    His passing caught me by surprise, but he was the kind of man who put others before himself and strived to see happiness in the people around him, no matter what it cost him. I feel that taking time to write about him has given me the chance to reflect on what he truly means to me rather than obsessing over the fact that physically he isn’t with me anymore. There isn’t anything anyone can do to stop death, but for the last three years, I’ve kept reliving those moments and trying to think of something I could have done.

    I spent my last hour with him exhausted from work, thinking that I would just come back to the hospital next day, and then we would get to go home because nothing was seriously wrong with him. He had beaten cancer twice, lived through working years in an asbestos filled steel mill, broken both of his arms – at the same time!! He was made of stronger stuff and I believed he could fend off anything. I was living in a dream that there was nothing that would take him from me but the passage of time. The truth that he was dying, and he knew it. The days that followed his passing were like waking up in a world I could have never imagined.

    It caused me to change my life in drastic ways. I quit my job and moved across the country, desperately trying to get away and start over. I’ve struggled to connect with my family members, because of my lingering anger. I was stuck in a mindset that being far away from my problem would fix things, but he was still there with me.

    Loss is a difficult thing to navigate, and the one thing I’ve learned is that grieving is a process we all handle in our own ways. There is no right answer for how to process dramatic changes in your life, and there is nothing wrong with seeking help if you find yourself unable to handle it on your own. This collection is dedicated to everyone who has lost someone close to them and found themselves adrift. My words to you are take you time and try to be kind to yourself even in those moments where you feel hopeless.

    You are loved, and the memories we carry with us of those we love will let their legacy live on within us.

  • Dichotomy by Mikhayla Robinson

    Dichotomy
    by Mikhayla Robinson

    Publication Date: 24 March 2020
    Nightingale & Sparrow Press

    Genre: Poetry

    Dichotomy is a poetic recollection of my memories, favorite, moments, thoughts, and queries as young Black woman. They are about confidence, hurt, pain, sorrow, relationships, and surround every aspect of my life. As a marginalized individual, I grew up reading books that painted Black women as the side characters, or static individuals who had no substance. We were just playing supporting roles to the system around us. In Dichotomy, I deconstruct the notion that we are not allowed to dream, to want, to desire, to contest wrongdoings, and to express our feelings of hurt and pain.

    Print | Kindle | Digital PDF

    About the Author

    Mikhayla Robinson is a nineteen-year-old Augusta, Georgia native. She was born to her parents Janet and Vincent Robinson, and has two siblings: Sara and Olivia Robinson. Mikhayla has been writing for all of her life. She attends The University of Georgia, where she studies Journalism and Mass Communications, and plans on minoring in art. Mikhayla loves to write poetry, short stories, and prose. She also plays the piano, cello, and the guitar. Additionally, she is an advocate for Black mental health, an activist, and part of the Black Lives Matter Movement. Dichotomy is Mikhayla’s first published book of poetry.