Grant Burkhardt
Poetry Contributor
Grant Burkhardt is a writer of poetry and short fiction, currently working on collections of both. He was born in Pittsburgh, Pennsylvania.
Poetry Contributor
Grant Burkhardt is a writer of poetry and short fiction, currently working on collections of both. He was born in Pittsburgh, Pennsylvania.
Poetry Contributor
Alaskan Poet, Moon Gazer, Raven Watcher, Northern Trekker, Teacher. Kersten Christianson derives inspiration from wild, wanderings, and road trips. Kersten is the poetry editor of Alaska Women Speak. She has authored Curating the House of Nostalgia (Sheila-Na-Gig, 2020), What Caught Raven’s Eye (Petroglyph Press, 2018), and Something Yet to Be Named (Kelsay Books, 2017). Kersten lives with her daughter in Sitka, Alaska and enjoys road trips, bookstores, and smooth ink pens.
ISSN 2642-0104 (print)
ISSN 2641-7693 (online)
Founding Editor, Juliette Sebock
Breakfast Grant Burkhardt
The gravity of tenderness Karen E Fraser
Neighborhood Ed Brickell
Iris Robert Rice
Frederick the Night Blooming Cereus Valerie Hunter
Mother, Sister, Daughter, Sakura Vikki C.
for Now Tylyn K. Johnson
Sublet Emily Kedar
At the Edge of Hope Kersten Christianson
Final Measure Ellen Malphrus
A Strong Man Jennifer Mills Kerr
Sweet Sorrow Jennifer Geisinger
Visual Art
Early Blossoms in Spring 2 Jacelyn Yap
Early Blossoms in Spring 3 Jacelyn Yap
Early Blossoms in Spring 4 Jacelyn Yap
Seattle Sunrise Lindsey Pucci
Cover Image
Early Blossoms In Spring 1 Jacelyn Yap
In the leadup to poetry, we shared a series of micropoems across social media:
In the leadup to our eighteenth issue ’sakura’, we shared a series of micropoems from our talented submitters:
Karen E Fraser
delicate petals creak open
slower than snowflakes falling
in an airless, lavender sky.
wide-eyed stamens quiver, waiting
patiently to be pleasured by bees.
stems of ear-shaped leaves
silently unfurl a lush fullness
in blinding verdant greens.
the light of life remains fully switched on,
fizzing with moon-neon phosphorescence,
ever emergent, ever consuming, gifting and
receding in waves that spiral through
an inescapable fragrance-
a constant, unnameable
yet deeply known by the gentle heart.
Letter from the Editor
Dear Reader
Welcome to the enchanting world of sakura! As we unveil our latest issue of Nightingale & Sparrow Literary Magazine, we invite you to immerse yourself in a realm of delicate beauty and ephemeral wonders. It is with great joy that we present our eighteenth issue, marking yet another milestone in our journey.
For this issue, we asked writers to capture the essence of sakura—the pink and white world where everything feels delicate and fleeting. We sought stories “about a moment of fleeting beauty, a memory that lingers like the sweet scent of sakura.” And oh, dear readers, the responses we received were nothing short of breathtaking.
Within these pages, you will discover tales that encapsulate fleeting beauty, moments that leave an indelible mark on our souls. Love and loss intertwine in narratives that resonate deeply, while quiet realizations about the passage of time gently unfold. Our talented contributors have masterfully harnessed the power of sakura to transport you to a realm where beauty and transience coexist.
As you delve into the tender tapestry of words and emotions we’ve curated for you, you will encounter mesmerizing pieces such as “At the Edge of Hope” by Kersten Christianson, “Sweet Sorrow” by Jennifer Geisinger, and “Seattle Sunrise” by Lindsay Pucci. These captivating works invite you to reflect on the fragile nature of existence and the profound impact of fleeting moments.
Before bidding you farewell, we would be remiss not to express our gratitude to those who have helped bring this issue to fruition. Each contribution, whether through submitting their work, supporting us behind the scenes, or simply being a devoted reader, is invaluable. Nightingale & Sparrow continues to thrive because of the unwavering dedication and passion of our global community of creators.
Wishing you moments of ephemeral joy through sakura and beyond.
Juliette Sebock
Editor-in-Chief, Nightingale & Sparrow
Ed Brickell
The world where I live is in slow secret.
The old bird feeder, forever hanging,
Lies on the ground. Its branch is gone.
The fallen leaves from the nearby oak tree
Creep by inches to the back fence.
The sun sneaks near the horizon all day.
A new boy seems to have arrived by himself
In a house sold in haste a few doors down.
He never wears a shirt, runs instead of walks.
The other children have agreed to his rule,
Cheerfully doing the most dangerous things.
New screams fill the air.
A lot, leveled at the top of the hill,
The house erased. No memory
Of what it looked like, who lived there.
Dogs I have never seen before snarl and snap.
All these polite strangers – names of confusion,
Lives of utter mystery.
I want to move somewhere,
Be the question mark –
The one whom no one has seen before,
Who changes how their days happen.
Suddenly inhabiting the scoured hill
Where something was they can’t remember.
Robert Rice
Coming back from the mailbox,
near the fence I noticed
its small, green swords pushed up
through the near-frozen dirt.
It stopped me.
Sometimes
—not often—
a simple shift of light
will shake and crack
the thin screen of the world. Then each
defended story, end-stopped,
will turn in the faded light of evening,
cross the gray sky in you,
leave no trace.
Valerie Hunter
Ray is the one who bought Frederick,
planted him, named him,
used to invite all their friends
to an annual midnight party
in Frederick’s honor.
But Ray is gone now,
has abandoned Amy and Frederick both,
though probably he would’ve
taken Frederick if he could have.
For fifty-one weeks of the year,
Frederick is a bit of an eyesore,
a shaggy giant lurking uselessly
in the corner of the back yard.
Thankfully he doesn’t need much care;
Amy remembers to water him occasionally
if it hasn’t rained in awhile, and sometimes
she gives him a kind word, or says,
“Why so cereus?” because she knows
Frederick appreciates a good pun.
But when May comes
she watches him closely.
Each year she fears his magic will fail,
that he’ll remain an undignified lump,
but then those first ugly buds appear,
bulging tumors amidst the leaves.
They develop rapidly, sprouting
their spiny alien tentacles,
so familiar,
so strange,
and after a decade
of being intimately acquainted
with Frederick’s anatomy,
she knows exactly when to stay up
with her coffee and her thoughts,
pulling the most glorious of all-nighters.
She tells no one, extends no invitations—
Ray might have seen Frederick
as a spectacle to be shown-off,
a freak to be gawked at,
but she considers him
her private magic show,
the flowers blooming for her alone,
enormous and luminous,
with their weird medicinal fragrance
that heals her soul,
makes her believe that the world
is an inexplicably wondrous place,
full of small miracles.
She always goes in before dawn,
avoiding the back yard
for as long as she can afterwards
to hold onto the memory
of that magnificent, glowing Frederick.
Each year, as she shuts the door,
she spares a thought for Ray,
who left her this one perfect piece of beauty,
this midnight marvel
that she knows he must miss.